The quote comes from “Proverbs of Hell,” a chapter in William Blake’s gnostic text The Marriage of Heaven and Hell. “The book has been interpreted as an anticipation of Freudian and Jungian models of the mind, illustrating a struggle between a repressive superego and an amoral id. It has also been interpreted as an anticipation of Nietzsche’s theories about the difference between slave morality and master morality.” (the wiki)
Archive for December 5th, 2009
There are many recommendable qualities about what is, to me, the title holder of all-time greatest cheeseball popcorn-flick, writer-director Jack Hill’s masterpiece of the exploitation genre, Switchblade Sisters (1975).
For one thing, the four taglines are as follows:
Dig the poster art (click any of them to blow it up).
The film, which do not think this is the last entry in which I will talk about it, centers on girl gang The Dagger Debs — a sort of ladies auxiliary of their boyfriends’ gang, the Silver Daggers — who later change their name to The Jezebels (some bootlegs of the film still have this as the title) under the advice of their new co-leader.
Name changes and the new co-leader do not sit well with what is for my money the number one reason with a bullet (or switchblade, if you prefer) to watch this movie:
This flyass bitch right here.
Her name is Patch. Former first lieutenant of the Dagger Debs, Patch came to kick ass and look hot as hell — and she’s all outta blue eyeliner.
You will want to marry her when you watch her snarl and flip and hiss across the screen. It’s wonderful.
Look at that willowy neck and perfectly snide expression. I cannot believe that Monica Gayle did not go on to ridiculous heights of stardom and fame, but at least it ups my chances of running in to her at the grocery.
Quentin Tarantino put up the money through his Rolling Thunder productions company to oversee the recent remaster and distribution of this film in dvd format. He claims it is among his favorite 70′s movies, and QT devotees insist that shades of the plotline, composition, and even characters from Switchblade Sisters can be seen in some of Tarantino’s films.
I cannot imagine where they are getting this. Even if he has seen Switchblade Sisters, I doubt it has in any way influenced his own work.*
*Obviously that’s in jest … but actually I love the fact that he based the “look” of Elle Driver on Patch. Love it. And then he put Daryl Hannah in the role on top of it?! Winner winner, chicken dinner! It’s like that loquacious li’l elfin genius makes movies purely so I don’t have to. My hat is forever off to him.
Five Girls represents many things to me.
A serious project that served as a clearing house for graphic ideas which were floating around in the back of my mind.
A fun project which was a relief from highly disciplined advertising illustration.
An opportunity to control the full cycle of an undertaking, from the first conception of the idea and choice of approach, through the photographic processes and selection of pictures, to the final detailed layout and design.
I do not like to dream up explanations for my work.. That is why this book is, quite simply, me – thinking pictures. (Sam Haskins, forward to Five Girls, 1962)
Many of the pictures from Five Girls, along with other prints of Sam’s work, are available as “signed, museum quality photographic prints;” hit up his official site’s order form to learn more.