Zooey Deschanel and Joseph Gordon-Levitt in (500) Days of Summer (Mark Webb, 2009).
(Summer is the consummate Virgo. Anal in both senses and an overanalytical, old-fashioned, misanthropic commitment-phobe, to boot.)
Pretty much, Nancy Boy. He is the opposite of Summer — oh, noes, but Tom loves her so much, what will happen next?! Can these crazy kids work it out when all the odds and Summer’s lack of romantic soulful feelings to Tom are against them??? Actually, SPOILER, it does not pan out. Major spoiler, really. The ending is optimistic but also underlying it is a cheap joke by its creator, which on reflection aptly typifies the reality of love, doesn’t it?, so I take that back as a criticism; now that I think about it, it almost makes me like the stupid joke more. The complaint I have heard most often is that this movie is good except for them breaking up. I dig what you’re saying but to me it’s like when people complain about the fact that Jo and Laurie in Little Women did not get together — that’s how the world is, sometimes you think a thing should go a way, and it doesn’t, and that’s amor fati; i.e., part of the plan too big for you to understand, for now. I think that’s what makes it good.
Screencaps from this movie are everywhere, but these nifty subtitled ones come courtesy One Day, One Movie. The soundtrack is pretty darned good, too, although I am aware there’s been a weird backlash against it. I’m not good at worrying about people’s opinions of what is cool or not cool within my weird range of musical tastes (she says as George Jones follows The Cardigans which followed Pink Floyd on her iTunes playlist — I truly never know what to expect), so I still strongly advocate you buy or illegally download the soundtrack. At least go to my previous post somewhat related to this issue and get Zooey’s cover of Nancy Sinatra’s “Sugar Town”.