Music Moment: Emily Haines

New feature. Music moment. I like music. Let’s begin.

I’m thinking a lot about Emily Haines this morning. I don’t really know why. I had sort of written her off as the waifishly hot gimmick in Metric’s freak act, “ooh, the girl-fronted-yet-not-terribly-chicky band, let’s all talk about how unusual that is and perhaps buy their albums,” like I thought Metric was okay, but I didn’t know anything about her or her background, or how much she contributed to the band’s writing (I assumed she basically did not at all contribute: I am aware that I am a jerk for making that assumption, but that’s just how I roll—light misogyny with a side of cynicism). Then I ran across this solidly interesting picture of her playing the tambourine and it piqued my curiosity to read she was not performing with Metric when the picture was taken, but was rather doing solo stuff.

“I really don’t relate to the female singer/songwriter. They’re vaguely privileged, it’s a vaguely middle-upper-class thing to do – your piano lessons and you’re all precious and everyone has to hush while you go over the shadows of your emotions. I’ve always really hated that.”
— Emily Haines

In case you are unacquainted with Metric, here is one of their latest videos, the silver sparkly styling in which I definitely dig, I’m in a silvery place so for me this was very right about now, but the song I am only middling to positive-ish about:

And this is a link to the official video for “Our Hell Is A Good Life” by Emily Haines and the Soft Skeleton, which is her side project, when she is not simply traveling and performing solo.

I just took a spin through the wiki entry on her and discovered she was born in New Delhi, which is not something that I expected. That’s enough thinking about Emily Haines for one day, I think. Maybe I’ll come back to her eventually, maybe not.

This has been your music moment. There may never be another one, unless there is. I’m not the world’s most consistent or persevering person, sorry.

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