Archive for April, 2010

Daily Batman: Batman and Robin must wear rubbers edition

April 10, 2010

Aunt Agatha sez: safety first.

Daily Batman: Batgirl by Esao Andrews

April 9, 2010

Totally rad artist. Check him out.

Flashback Friday — Audrey Hepburn half-day, Even-steven?

April 8, 2010

All right, my dear departed, that has been an awful lot of you-ness. I am starting to get snippy toward your weight in the alt text for the photos and I’d hate to muck up this nice little apology thing I’ve had going, so I think I am going to deem that my karmic debt has been paid. Let us merrily part ways. I’m sure I’ll see you around these parts again soon, but I am not ready to get heavily in to you and my feelings all the way just yet. See you on the other side of the rainbow.

Thus ends Audrey Hepburn Half-Day!

Flashback Friday — Audrey Hepburn half-day, Advice: Not from Audrey, really, but she lived it

April 8, 2010

This quote is often misattributed to Audrey Hepburn, but it was merely one of her favorite pieces of writing, to which she looked in developing her own personal life philosophy. I have a feeling she’d appreciate it if the following advice were properly credited to its original source, humorist and writer Sam Levenson.

For attractive lips, speak words of kindness.

For lovely eyes, seek out the good in people.

For a slim figure, share your food with the hungry.

For beautiful hair, let a child run his or her fingers through it once a day.

For poise, walk with the knowledge you’ll never walk alone.

People, even more than things, have to be restored, renewed, revived, reclaimed, and redeemed; Never throw out anybody.

Remember, If you ever need a helping hand, you’ll find one at the end of your arm.

As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.


The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman must be seen from in her eyes, because that is the doorway to her heart, the place where love resides. –Sam Levenson

I will add only that I’ve been thinking about it and I believe that a real woman is a human who happens to be born female, and a true lady who has lived her life to the fullest can hope for no better than to be regarded and recorded as such. THE END.

Flashback Friday — Audrey Hepburn half-day, Can I still call you “deer?”

April 8, 2010

On and frequently off the set of 1958’s bomb Green Mansions, helmed by her then-husband director Mel Ferrer and co-starring the unhappily closeted fag of our fathers Anthony Perkins of Psycho fame, Audrey had near her often a deer named Pippin.

She called him “Ip,” rather than “Pip.” I don’t know why. I have never read an explanation. You would have to ask her. Anyway, in order for the deer to convincingly follow her character around during principal photography, she spent a great deal of time bonding with the animal and training it to stay with her. Here she is with Ip, shopping at Jax’s grocery.



And this shot shows them in her dressing room. She was very nervous about the film because from its inception it was receiving slander due to her casting (neopotism, capitalizing on her popularity, selling out the book’s character, etc). The movie Green Mansions called for Audrey to star as Rima, a wild girl raised in a Venezuelan jungle. Audiences believed her to be a refined born lady of style (they wrongly judged her to be British as well) and did not buy her classy self in the role, despite the attempts to muss her up. This is actually slightly unfair, as she at one time tried to make a grass pie for her (still living) family to live off of during World War II.

She had roughed it plenty, but I guess people looked at her trim little figure and her eloquent speech and assumed plenty of things which were unwarranted and ultimately detrimental to her confidence and career, until she found the courage to ditch that punk Ferrer (sorry Mel Ferrer fans) and began to strike out on her own two narrow feet.

Those were candids: here is a publicity still done before the film’s release.


Brain-asplodin’ cuteness.


All these pictures came from photographer Bob Willoughby’s flickr photostream. He moved recently and was going through old stuff and he realized he was sitting on a pile of rare Audrey candids and stills. Cool beans, huh.

Flashback Friday — Audrey Hepburn Half-Day; “Famous love”

April 8, 2010

Audrey Hepburn really loved her dog, Mr. Famous.

“I was born with an enormous need for affection, and a terrible need to give it.”

She first acquired the Yorkie during the shooting of Funny Face. Here she is with Mr. Famous, getting reassuring doggie kisses on the set of the ill-fated Green Mansions (more on that folklore later).


I think it is interesting that that quote came from the middle of her career; I believe by the end of her times on earth, she trended entirely toward the giving rather than even the barest needing of affection. I think that is really admirable, and maybe even one of the best examples we can hope to follow. To love contact with any and all people, and being involved positively with them so well, that you eventually evolve beyond your need to have your ego stroked in the slightest by these encounters: all your joy is bound up in helping others out. That is damned special indeedy, I do believe.

Flashback Friday — Audrey Hepburn Half-Day; “Daily Batman: Break-in at Tiffany’s by the truly incomparable Adam Hughes”

April 8, 2010

(as always, you can *click* to make it big)

Holly Golightly: I’m like Cat here, a no-name slob. We belong to nobody, and nobody belongs to us. We don’t even belong to each other.
Breakfast at Tiffany’s (film)

Check out more of Adam’s rad comic artwork on his deviant art account, he is without a doubt totally the bestest in the westest. Mad ❤ for his Audrey as kitteh-lady interpretations.

Not my favorite movie, but I have always liked that Holly has the sense to merely call him Cat and not try to shove a name down his throat. Yeah, yeah, the cat is symbolic, blah bloggety blah.

Flashback Friday — Audrey Hepburn Half-Day; “Funny Face”

April 8, 2010

“I never thought I’d land in pictures with a face like mine.” –Audrey Hepburn

I like this picture because it is from early in her career and, because it is a publicity still and not directly from a film, she is not in the moment, she is herself, and unsure of that self. She looks uncomfortable and nervous.

That tightness in her face, the taut posture. It makes her seem very awkward (and therefore more accessible than in most images) for a person whose grace is so iconic. A tremendous deal of pressure for a woman as young as she was, a survivor of German occupation and famine, to suddenly be starring opposite Fred Astaire, one of the world’s most famous entertainers at the time? Kind of makes you feel better about the weird moments of self-doubt that steal across your mind when you’re posing for work badges and the like, doesn’t it?

Flashback Friday — Audrey Hepburn Half-Day; “It happens, All Apologies”

April 8, 2010




Audrey Hepburn, I am sorry that I adapted Alfred Hitchcock’s criticism of you yesterday when I called you the patron saint of anorexics. It was totally not okay of me to call you out like that. I don’t know what came over me and I heartily apologize.

You’re a special spirit, a fellow brunette and fellow guilty smoker, and I’ve always thought you had a certain style, and I’ve always bet you used to tap your collarbone when you were bored in line at the ladies’ just like me, and, well, long story short, I hope that we’re still cool. Sorry again.

I thought maybe today I will schedule some you-centric ghost posts to try to make it up to you (not that, from what I gather, you were much of a one for kowtowing and attention…but still). Okay?

Flashback Friday — Audrey Hepburn Half-Day, “What the whatting what?”

April 8, 2010

Did I seriously insult Audrey Hepburn earlier today? I do believe I did. I officially declare tomorrow Audrey Hepburn Half-Day. She is too thin to merit a full one. Aw, crap, I did it again.

Flashback Friday — Audrey Hepburn Half-Day; “It happens, Texas Ghost Sex edition”

April 8, 2010

Welcome to Flashback Friday, because I’m actually not here at all, but rather on the road to Arcata with my Special K! Today’s Flashback is: Audrey Hepburn Half-Day, which was roughly six months ago.

Here’s how it all began:


“A ghost would crawl up my leg and have sex with me at an apartment a long time ago in Texas. I used to think it was my boyfriend, and one day I woke up and it wasn’t. I was freaked out about it, but then I was, like, well, you know what? He’s never hurt me and he just gave me some amazing sex, so I have no problem.” –Anna Nicole Smith


Perfectly reasonable.


I’m serious. She actually made a lot of sense to me. Like watching a modern live version of Sound and the Fury or something. A real Holly Golightly, as Tru originally envisioned her in the B @ T’s novel, not as the patron saint of anorexics brought to screen. Miss ya, Twinks. I hope Heaven is a wild party.

Daily Batman: The refuge of identity

April 7, 2010

“Batmasks” by Wirrow on the flickr.

Expect to read so much more about this. I can think of like 8 different ways of illustrating some of the amazing points Mr. Schöpflin makes throughout this fascinating essay on assimilation of cultural identities in order to face a morally uncertain future and the ambiguities of morality in a closed system where we pretend it is not bounded and treat as sacrosanct the presupposed morality that sits at its taboo-ridden core, too, like I’d go first obviously with stills from The Dark Knight to illustrate boundaries of security and the agents of anarchy and how new identities must be constructed to counteract them and maintain the safety of the bounded identity, then some Star Wars classic trilogy (Han vs. Boba Fett as two sides of the outsider coin, Luke vs. Vader as defending assimilated symbolic identities), then A Fistful of Dollars, then Sanjuro … like … dag.


“Nanananana” by annbemoish on the deviantart.

But instead I will be in Arcata, kicking these ideas around in my brain while Katohs and I listen to likely pointless drivel about how motivated and enriched the lives of the students at CSU Humboldt are thanks to their four years on the campus. It is like, dudes, she already wants to go here and you have agreed that she should: just tell the girl where the bathrooms and the coffee are, let her find some hookups for less savory entertainments, put in some face time with her department folks, and send us on our way. We do not need the I’m-okay-you’re-okay, hugs-across-the-student-body, banana splits and chicanery. It is well-understood that she is the most supafly and okay-est cat in town. Duh.

But on the plus side — road trip with Special K! Off to google sushi restaurants in Santa Rosa (our lunchtime stopping goal).

Art and The City, or, “Why I have a brain-boner for Jeremy Forson.”

April 7, 2010

Reppin’ SF.


“Red Dress.”

San Francisco-based artist Jeremy Forson’s work has appeared in Proteus Mag, True Eye, Juxtapoz and Spectrum.


“Light Thief.” My topmost favorite in a field of favorites.

The troop number on the scout’s vest is 415, which is a reference to the telephone exchange for San Francisco. The area code for numbers in The City is 415 (probably at this point another has been added, but that’s what I always think of). I dig it.


“Green Shirt.”

The 2005 CCA grad (although then it was still called California College of Arts and Crafts) also does LP covers and skate decks, because he is too cool for school, and I mean that with the most far-sars and sincere admiration. Also he rocks Stand By Me specs like me and all the other inadvertently hep cats! Witness:


Mr. Forson is on the far left.

See? Super-cute. You feelin’ that?


“Lyon.”

You can enjoy more artcrush cyber-stalkytimes by becoming imaginary friendohs with Mr. Forson on the myspace, fanning him on the facebook, reading his profile at Illustration Mundo, subscribing to his blog, or following him on the twitter.


“Perfect Predator.”

He is also on the flickr, and don’t forget to swing by his etsy shop and pick up some prints. The man has got web presence in spades, which is both smart of him and nice for people who want to see more of his awesome shit. A win-win all day.


“Peonies.”

“The general theme of the series captured all things mundane and beautiful and guilty in San Francisco– documenting night life, body art, apathy within crowds, Victorian homes, fashion, trees, and light pollution; all told through Forson’s mastery of color and haunting imagery.”

(“Artist Spotlight: Jeremy Forson.” 15 Sept 2009. Hilario, Raymond. Weekly Comic Book Review.*)


“Pain Investments.”

“I’m here early, but the kind folks at Edo Salon are nice enough to let me in. Thank you for that. This time around, Jeremy Forson, essays on life in San Francisco– elegant, genteel and Victorian for the most part, but sometimes it can be a long hard night. His tattooed tarts appear to basically update the Patrick Nagel idiom. Nice quality work overall.”

(“Edo Salon: Jeremy Forson – The Lost Fight.” 4 Sept 09. Alan Bamberger. ArtBusiness.com.)


“Gatekeeper.”

If I had to reluctantly accept it at all, I’d have to say that the Nagel comment is at best a dramatic oversimplification. So, no. … No, I just plain respectfully disagree. There was much more to that show than “tattooed tarts,” to boot. So it seems like an upbeat review that is nonetheless somewhat misleading. Nagel reference image in case you’re lost:


Let me be absolutely clear: this is a “work” by Patrick Nagel. It is not done by Jeremy Forson. At all. Do not get confused. Stay with me.

But the gentleman in the review was approaching his visit to Edo from an art-business-consulting p.o.v., so perhaps that plays a part? Like, maybe it benefits art-business-consultants to generalize and “pitch” the “look” of an artist because of how galleries and private collection operate? That weird liminal bit of space between salesmanship mixed with snobbery where the business guy admits he has an artistic side, but knows his primary goal is not to criticize art but to move it into people’s hands? It seems so arbitrary and subjective and also frighteningly commercial to me. Whatever. If it made some old school Nagel-loving collector pick up some of Mr. Forson’s work, then I guess no harm. Back to the good stuff.


“SF Mag noir.” A very scarrry cover. San Francisco Magazine.

Of course, Mr. Forson does not focus his talents exclusively on the clever incorporation of physical and cultural references to San Francisco into already kickass portraiture. He also has some relatively un-415 related work as well.


Cover for “Poe,” Boom! Studios.

“This is one of the most unique ideas I’ve seen cross my table” said BOOM! Studios Editor-in-Chief Mark Waid. “There’s always so much about our classic writers we don’t know, and examining their works and their history can reveal new information, but that’s hardly any fun! POE is alternate history with a horror twist, and is perfect for fans of mysteries.”

(“Enter the World of Poe With Boom! Studios.” 18 May 09. News team. Comic Book Resources.)


“Stargazer.” Unrelated to the Poe information preceding and following it, I just wanted to include it to show Mr. Forson’s range. “Tattoed tarts,” indeed. Pfft.

BOOM!’s new four issue mini-series reveals Poe’s relationship with famous characters and stories from his body of work — like The Raven, the Mask of the Red Death, and many more! Similar to the way SHAKESPEARE IN LOVE showed how William Shakespeare was inspired by his own life events to create some of his creative masterworks, POE takes Edgar Allen Poe on a supernatural adventure that proves to be the fodder for his life’s greatest accomplishments in literature.

(Ibid.)


“Valentine’s teddy bear.”

Dude, that Poe comic sounds all kinds of hella cool. Now I want to get that. Final thought: I. Love. This. The “miwk” part is the part that cracks me up.

Taking Special K up to Humboldt for the next several days, so I’m going to pack, schedule some ghost posts, and be mainly outie. Don’t take any wooden nickels and I’ll catch you on the flip!





*I kind of ♥ the WCBR forever. Swar to gar. Smart, genuinely heartfelt reviews. I rely on them a lot when I have spare cash burning a hole in my pocket and it’s a Wednesday (comics day).

Daily Batman: Love madness edition

April 6, 2010

Drawing by ChOkOcristi on the deviantart.


Teevee Time: The Monkees, feat. bespectacled Julie Newmar

April 5, 2010

Had a lot of dogs in the fire lately, Stanimal, but wanted to share these gorgeous caps of Jul-Newms in her guest appearance on The Monkees.

About a month ago, I thought I’d lost my specs and was going to have to get new ones and I was super-bummed, because I’ve gotten loads of compliments on my dorky, deliberately dowdy and thick black frames. I found them, but the brief transition back to my old, unobtrusive, lightweight and thin frames, and the corresponding dip in compliments and double-takes, hammered home to me how fun and harmlessly fetishistic a nice pair can be. Of glasses. Get your mind on track.

There’s a pervasive and misguided old saw that men aren’t attracted to a girl in glasses (I believe it runs, “Men seldom make passes at girls who wear glasses,” and I’ve seen it attributed to patroness Dorothy Parker, but I am not so sure it was she), which I feel is unfortunately still believed to this day.

I have not found this to be true, and I think these stills dispell that ugly myth once and for all. As the countersaying goes, “Men do make passes at girls who wear glasses — it all depends on their frame.”

So leave ’em on, ladies!

All stills from “The Monkees Get More Dirt Out,” Season 2, Episode 29, The Monkees. (Original air date April 3, 1967.) Ms. Newmar plays April Conquest, who works at the local laundromat, and with whom each of the Monkees falls in love.

In polls, questions at conventions, and weight of fan mail, the episode has been voted the most popular and favorite of the series. Get it, girl!

Mean Girls Monday: The Devil Wears Prada edition

April 5, 2010