Movie Moment: Remember, remember

“Remember, remember.” It’s that day again. Tomorrow in my country is an election day. Since my country is very bossy, this will affect many other nations as well.

I have no idea which way the election will go. I gave up a decade ago on thinking I could understand people. I have no predictions for the outcome of this election, but I have my hopes. A motif in this film is the immutability of ideas: ideas are bulletproof, indestructible.

Are they, though?

I think they are entirely personal and held inside: no one and nothing is knowable. There is no way to trust that what someone says is what they’re really thinking, nor that anyone will do what they say they are going to. I know what I want to see happen in my country and in my life, but my doubts about those things are ebbing the spontaneity and passion from me, and I hate that, and it confuses me, and I don’t want it to be so. I once had a zeal for politics unmatched by almost anyone I know, and I still follow closely what goes on, but I feel like I’ve been burned over and over, like it’s scar tissue on scar tissue, and there are all these layers of dead hard flesh between the outside and my core.

I haven’t stopped caring. I haven’t stopped wanting to change the world and my own self, but I’ve stopped believing I can be touched or healed by what someone says, promises, proclaims to think or plans to do. I’m afraid that this is reflective of not just my political opinions and doings, but my approach to more interpersonal functions. And I don’t want that. I need to get back that optimism. It’s like I’m so sure of being broken that I throw myself off the shelf so at least it’s my own idea when I’m shattered on the floor. How is that consolation? I’m still in pieces. I don’t want to be bulletproof: I just don’t want to be glass.

This too. Man, if Pirate Bay goes down, my life is over. How fucking shallow am I? Such the molotov-lobbing anarchist, me. “I just want to download Walking Dead.” Waah, waah, waah — I don’t know how to love properly and I like illegally freeloading free loads of downloads. Spoiled and purposeless little shit.

Liberated Negative Space o’ the Day: Wait, what?

Wait. What?

Anaïs Nin November: Always at least two women

via.

There were always in me two women at least,
one woman desperate and bewildered,
who felt she was drowning, and another
who would leap into a scene, as upon a stage,

via.

conceal her true emotions because they
were weaknesses, helplessness, despair,
and present to the world only a smile,
an eagerness, curiosity, enthusiasm, interest.

Ouch. That drew blood. I’m not sure I have the guts to keep doing this month. But I’m going to try.

Fight Club Friday: It happens

Friday night’s all right for all kinds of fighting.

via.

Look, when you are being banged like a screen door in a hurricane, things just kind of get said.

Anaïs Nin November: Inaugural edition feat. harsh self-audits

Well, hell and goddamn, a month for the O.G. navel-gazer. It’s difficult not to admire a woman who lived with such spontaneity combined with introspection, a kind of fearless but reflective courage uncharacteristic of the time. Kind of a startling oversight that this Anaïs Nin November hasn’t happened yet. Perhaps she is too good of an example of the merciless self-audit, and I become shamed by my own inability to look unflinching in to the abyss the way she did. Or the sex talk. Does that make me uncomfortable? Not sure. If it does, like, okay, but why all the breasts and vaginas then, if the talky talk is a problem? Where are my lines?

So… Sorry? Spilled milk. And impetus for improvement.

Here we go: first entry in Anaïs Nin November.

Via modfetish on the tumblr.

What I like best about myself is my audacity,
my courage. The ways I have found to be true to
myself without causing too much pain or damage.

Ibid.

What I hate so much is my vanity, my need to shine,
my need of applause and my sentimentality.

Ibid.

I would like to be harder. I cannot make a joke, make fun
of anyone, without feeling regrets.

I can’t relate to any of this because I’m perfect and I adore myself. What is this bitch on about? Excuse me now, I have dust in my eyes and I don’t want to talk about it.

Wednesday Wednesday: Happy Halloween

Addams Family Values (Barry Sonnenfeld, 1993).

Movie Millisecond: Happy Thanksgiving Thursday from Wednesday

Addams Family Values (Barry Sonnenfeld, 1993).

Wednesday: You have taken the land which is rightfully ours. Years from now, my people will be forced to live in mobile homes on reservations. Your people will wear cardigans and drink highballs. We will sell our bracelets by the road sides; you will play golf, and enjoy hot hors d’oeuvres. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They have said, “Do not trust the Pilgrims … especially Sarah Miller.”

Amanda: Gary, she’s changing the words!

Wednesday: … And for all these reasons, I have decided to scalp you and burn your village to the ground.

edit 11/24/11: Several months ago I screencapped the hell out of a gorgeous, HD version of AFV with subtitles. Then my desktop hard drive crashed. I’ve been limping along on the strength of my laptop as I attempt to reconstruct the desktop with the help of others, but I hadn’t realized the breadth of my little tragedy until I went to put together my hotly anticipated Wednesday Thanksgiving post and brokenheartely remembered that batch of files hadn’t been transferred on to my external hard drive (which I frequently updated as a backup to both systems in the face of just such an eventuality as this). Sad. I’m sad about this.

Retread — Burroughs Month: Thanksgiving Prayer

“To John Dillinger and hope he is still alive.
Thanksgiving Day. November 28, 1986.”

Thanks for the wild turkey and
the passenger pigeons, destined
to be shat out through wholesome
American guts.

Thanks for a continent to despoil
and poison.

Thanks for Indians to provide a
modicum of challenge and
danger.

Thanks for vast herds of bison to
kill and skin leaving the
carcasses to rot.

Thanks for bounties on wolves
and coyotes.

Thanks for the American dream,
To vulgarize and to falsify until
the bare lies shine through.

Thanks for the KKK.

For nigger-killin’ lawmen,
feelin’ their notches.

For decent church-goin’ women,
with their mean, pinched, bitter,
evil faces.

Thanks for “Kill a Queer for
Christ” stickers.

Thanks for laboratory AIDS.

Thanks for Prohibition and the
war against drugs.

Thanks for a country where
nobody’s allowed to mind their
own business.

Thanks for a nation of finks.

Yes, thanks for all the
memories — all right let’s see
your arms!

You always were a headache and
you always were a bore.

Thanks for the last and greatest
betrayal of the last and greatest
of human dreams.

I do not believe it is as hopeless as all that. This year, I am incredibly thankful to be alive at all, let alone to live where I do with the people I love. I understand Mr. Burroughs’ criticisms, I just think that we must keep caring and trying to win out against the sense of defeat and cynicism, and maybe then the dream can still be saved. I don’t believe people are inherently bad; I believe the opposite, and I won’t get discouraged and filled with bitterness toward all of humanity just because of the publicized exploits and outrages of the bad apples in our barrel. I believe that for each one of the headlines that sends people in to despair over the state of the world, there are a thousand unreported little kindnesses and gestures of love and connection.

And world peace. I know. I get cheesey. I’m just feeling very happy and free and alive.

Almost all photos via Square America.

This post originally appeared on November 26, 2010.

Liberated Negative Space o’ the Day: ‘Tis the season

How the (415) does Turkey Day.

via theduty on the tumblr.

Oh, San Francisco. You filthy Thanksgiving miracle. Lord love you.

Portions of this post originally appeared on November 27, 2010.

Movie Millisecond: Lost Boys, wardrobe suggestions edition

Lost Boys (Joel Schumacher, 1987).

I say again. I am in this movie.

Liberated Negative Space o’ the Day: I ain’t never been cool

(“No, I didn’t; I was never cool.”)

Movie Millisecond: Always

Scream (Wes Craven, 1996).

Daily Batman: A salt is no joke

Okay, that’s a decent diner joke, but I have another: you hold up the saltshaker.

“What’s this?” you ask your dining companion.

“Salt,” they say.

You hold up the saltshaker with one hand and, using the other, hold the knife from your place setting against its side. “What’s this?” you ask.

They don’t guess. You say:

“A salt with a deadly weapon.”

You’re welcome.

Liberated Negative Space o’ the Day: The cost of loving

I’ve gotten intercourse for far less, but, then, I’m a girl.

Flashback Friday — Just Another Auden October: Autumn Song

This entry originally appeared on October 20, 2010 at 9:19 am.

Photographed by mjagiellicz on the d.a.

Now the leaves are falling fast,
Nurse’s flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Photographed by bittersea on the d.a.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Photographed by leenaraven on the d.a.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Photographed by cookiemonstah on the d.a.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Photographed by redribboninyourhair on the d.a.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

(Auden, W.H. “VI.:Autumn Song.” Twelve Songs. March 1936.)

If ever there were a view on which to turn your back à la Gertrude Stein, a sweeping vista of the Mountains of Instead would be the one. No going back. Too late. Prams rolling on. Breathtaking strong tide of inevitability that takes all the water with it and leaves you and your petty fears and dreams dragging in the dust.

Time is stolen from us in such tiny ways — although I guess it is scarcely a theft when you never lock the door or look out the window to see if there is a shadow waiting for you to turn your back, as if all you possess are invincible by dint of being yours — and we use landmark occasions to mark the loss, but we only once in a while really look at what momentous and yet totally miniscule shit comprises what is destined to be our one and only, short history.

This Autumn was already weighing as heavily on me as last year. Now all I feel like I can handle doing is to take a hot bath and climb back beneath the covers (you see what I mean about aiding in our own robbery by time?). Thanks a lot, Auden. I guess what scares me most about it is does it always steal up on you? Does it just sneak up and you turn around and cry out, “Oh, not yet. It can’t be time yet. I’m not finished. I thought I would have more time.”

Photographed by disco_ball on the d.a.

Is there any way to escape that, that moment of realization, that punch in the gut when the waste, all the time you wasted suddenly comes rushing up around you so you can’t even breathe? Your life is over and you’re not ready because you thought you could always keep backsliding, that there would be special accounting for prodigal, last minute, golden you, who always slid in under the wire, who always got a second chance if you smiled big enough when you asked. There is no talking or charming or dodging your way out of final reckoning, and no method by which I can imagine escaping the horror of that realization, and you finally turn around and see the Mountains of Instead. You made them that tall. What do you do about the regret which will follow. Is there a way to soften that blow?

I don’t think there is. I can make vows about viewing this poem as a cautionary tale, and shine you on about how I plan on avoiding such a fate by making every moment count, and on and on until the sun goes supernova, but a plucky attitude does not lower the Mountains of Instead even an inch. No changing the past. No erasing regrets. That is just some fucked up shit right there.

Movie Millisecond: Never knew

From Here To Eternity (Fred Zinneman, 1953).

Isn’t that just the way of it? I assume this will happen to me eventually. Right? Or not. And I die alone. Whatevs.

Teevee Time: It’s Wednesday

Every child needs a pet.

Just Another Auden October: The terminal point of addiction

All sins tend to be addictive, and the terminal point of addiction is damnation.

(W.H. Auden, “Hell.” A Certain World, 1970).

Daily Batman: Ink-blots

via.

But, my dear man, reality is only a Rorschach ink-blot, you know.

(Alan Watts, The Nature of Consciousness.)

Liberated Negative Space o’ the Day: Be Careful or Else