Posts Tagged ‘Attack of the Fifty Foot Woman’

Girls of Summer: Yvette Vickers, Miss July 1959

September 28, 2010

edit 5/3/11: Welcome, Yvette Vickers fans! For those unfamiliar with the site who are just swinging by to take a gander at Ms. Vickers’ Playboy spread, a quick heads-up — clicking on any picture enlarges it. Have fun!


Photographed by the one and only Russ Meyer.

I know it isn’t technically seasonally appropriate anymore, but as it’s going to hit 99, Fahrenheit, where I am today, and as I did not get around to all my saved up Girls of Summer, and as I promised to cover Ms. Vickers when discussing Fifty Foot Woman, I figured you wouldn’t mind if I made the summer a little more endless around here.

Ms. Vickers’ spread appeared after her part as Honey Parker in Attack of the Fifty Foot Woman and some other delightful B-flicks, but the Playboy write-up does not report this and focuses instead on her early love of coffeehouses and the bohemian lifestyle. It’s an interesting glimpse at her life outside of stardom, especially given that she was sort of stuck in these roles as a sexy blonde starlet which belied her active intellect and charming, offbeat personal interests. Of course, there was a lot of that going around back then: ask Ms. Monroe and Ms. Tate, right?


When [Playboy] spied Yvette Vickers at a small table in Hollywood’s Cosmo Alley, that question became an affirmative, exclamatory statement. Yvette — though possibly a mite more attractive than most — is representative of the girls who inhabit the beat coffee houses of Hollywood.

(“Beat Playmate.” Playboy, July 1959.)


She’s interested in serious acting, ballet, the poetry of Dylan Thomas, classical music (“Prokofiev drives me out of my skull!”). She has strong opinions and is more than a bit of a rebel, frowning prettily on conformity. She is also reckless and uninhibited enough to race a Jag in the desert for kicks.

(Ibid.)

Right on! Big ups to Prokofiev (Peter and the Wolf, “The March of the Three Oranges”) and dragging Jags! And of course, mad props to going ungently into the night with Dylan Thomas.


She confesses to being “somewhat of a nut” about health food: she’s often to be seen stowing away vitamins and minerals at an “organic food restaurant” called The Aware Inn.

(Ibid.)

So for 1959, she was well ahead of the health food curve. Don’t you love how “organic food restaurant” is in scare quotes? It’s cute. This write-up just tickles me. I think it is really cool and neat that Yvette Vickers was a beatnik.

It’s not a total surprise — Ms. Vickers was raised by two jazz musicians, Charlie and Iola Vedder (she went by Maria), with whom Yvette traveled the country and also recorded. They later settled in Los Angeles, where Ms. Vickers attended Catholic high school. (You know we Catholic girls start much too late!) Before catching the acting bug, she took classes at UCLA to become a writer. She then earned her B.A. in Theater Arts.

Films in which Ms. Vickers appeared include Reform School Girl, Shortcut to Hell, Attack of the Fifty Foot Woman, Attack of the Giant Leeches, and Beach Party (she played “Blonde Yoga Girl — recall our previous discussion of the AIP beach flicks?). She also had small roles in Sunset Blvd and Hud, but you know I’m far more in love with the wonderful B-credits.

Ms. Vickers was also featured in a slew of television parts, with roles on highly popular shows like Mike Hammer, Bat Masterson, the Rough Riders, The Texan, Northwest Passage, and Dragnet. In his book Stephen King: On Writing, Stephen King listed Yvette Vickers as one of his “matinee idols.”

The photographer of this spread, Russ Meyer, has had a long and (in my book) illustrious career which must really deserve its own entry one of these days. As this is Ms. Vickers’ entry, I will wind down by saying that the lovely and talented singer, model, and actress has continued to work in the arts and keeps on rocking in the free world. You can hear Yvette on the audio commentary track of the 2007 DVD release of Attack of the Fifty Foot Woman and pick up her CD “Tribute to Charlie and Maria,” a jazz album she dedicated to her parents in the late 90’s — and keep your eyes peeled for her forthcoming autobiography.

Movie Moment: Attack of the Fifty Foot Woman

July 10, 2010

Attack of the Fifty Foot Woman (Nathan Juran, 1958).


Credit for all these great screencaps is due to meltdownclown on the lj.

Oh, no, it’s a giant lady and is she pissed. I think everyone should see this movie so I will only give you the barest bones of the lowdown and let the caps do the convincing, here. I think I’ll blather about Allison Hayes after a brief plot summary.

Allison Hayes plays Nancy Archer, a wealthy but unhappy wife with a dick of a husband who drives her to drink. All that dandy Harry, played by William Hudson, wants to do is hang out at the bar with his trampy girlfriend named (wait for it) Honey.

Honey is played by the lovely and talented Yvette Vickers, who we will see much more of, well, ALL of, later this month in her Girls of Summer appearance.

Besides Honey and Harry pissing her family money away on gin and poorly rolled cigarettes in a van down by the river, Nancy has other troubles too, as ladies sometimes do, such as spending time in sanitariums and getting hit with rays from alien orbs that make her huge.

When Nancy sees evidence of aliens landing and insists on her story’s truth, Harry decides it’s the perfect opportunity to get her committed for good, the better to spend her money and bang Honey free of nagging.

Because it’s hard to ask your husband where he’s going or how come a check bounced when you’ve got that clampy-downy-so-you-don’t-bite-off-your-tongue-while-the-jokers-make-an-epileptic-of-you electroshock mouth guard thingy in your mouth. Better living through electricity. Tell a friend.

Honey and Harry, because they are good and god-fearing people, flirt with the idea of just o’d’ing Nance on her sedatives, but it’s too late! The most repressed and angry drunk in town, pretty much the last person you’d ever want to grow into a strong super-giant, has — grown into a strong super-giant!

Oh, shit, you did NOT expect her to come down to the bar and wreck the joint. And even if you thought it was a dim possibility, you probably didn’t picture her 50 feet tall.

Nancy’s well-deserved rampage doesn’t come until nearly the end of the film and is sadly brief at that, but she does manage to kill both Honey and Harry, so that’s a check in the win column.

Allison Hayes (née Mary Jane) was labeled by Life magazine in one of the few other before Fifty Foot Woman pics I found of her as “Miss Washington 1949,” confusing all the way around because she was really Miss District of Columbia and it was as a Miss USA candidate, NOT Miss America. More on Miss USA in a sec.

According to the wiki she was also crowned Miss Dixie in 1951, which pageant has come up before in our Valentine Vixen post on Nancy Jo Hooper. The lovely and talented Sophia Loren lookalike Ms. Hooper was runner-up in the 1962 Miss Dixie pageant. Remember?

To refresh your memory on the super-fair and reasonable rules of the beauty contest, via pageantopolis: “Each contestant was judged on five qualities: intellect (5%), personality (10%), appearance in evening gown (15%), talent (30%), and appearance in swim suit (30%).”

“The judges each picked the girls they rated from first to seventh in each classification of competition. The girl with the highest cumulative point score became Miss Dixie.”

You may sneer at the low rating of intellect on the judging scale and I agree it’s not entirely amiss. But if you are ruffled by the equal weight of “talent” and “appearance in a swimsuit” please remember that the Miss USA pageant continues not to have a “talent” portion at all.

Let’s give credit where credit is due: kudos to the Miss USA organization for not sugar-coating the fact that this is a contest where what really matters is bikinis.* Let’s call a spade a spade and make no bones of this thing — leave your cello at home, honey, because what we want to know about you is how you look in a “formal” dress that would make a pimp blush.

*The Miss USA pageant organization and its sister organization, Miss Universe, provide women with the opportunity to travel, further their education and serve the international community through philanthropy. Charities aligned with the Miss USA organization include the Susan G. Komen for the Cure® Foundation, the USO, and, most importantly to me, Gilda’s Club.

I’m not knocking Miss USA herself nor any titleholders or competitors past or present. They’re hard working good looking gals and that’s great. I’m just saying — a talent portion would make the pageant look better. Also, no more Donald Trump and reality television programs built around it would help.

Ms. Hayes was lifelong close personal friends with the quietly wonderful fag of our fathers Mr. Raymond “Perry Mason” Burr, beginning with the time of filming 1954’s Western film Count Three and Pray. After her own tv and screen careers started petering out, Burr wrangled her 5 separate guest appearances on Perry Mason.

That makes so much sense cause everyone knows that gay guys love beauty pageants, am I right. Hey everybody it’s mildly-hateful generalization day! mildly-hatefully generalize with me! Black guys like purple. Chicks like shoes. Irish people unilaterally drink.

I’m sure you will be shocked, given the care and craft evidenced in these photos, to learn that Attack of the Fifty Foot Woman was made for only around $88,000. The picture was a huge hit and talk of a sequel was shopped about but never materialized.

There was a 1993 remake by Christopher Guest (Best in Show, Spinal Tap) for HBO that was rated a critical failure. I disagree but I am widely known for my devotion to its star, one Miss Daryl Christine Flyass Mothafuckin’ Hannah!!!, so I admit to enormous bias.**

**Flyass Mothafuckin’ is a family name. If she was a boy it would have been her first name, not her middle. Girls in the family are named Daryl and boys are named Flyass Mothafuckin’. Did You Know?***

***This is the opposite of true.

In the 1993 update, the Nancy character is not so much an alcoholic, though she is neurotic and repressed. There is also the addition of a really overbearing father and her husband is bossier with her too. As with the original, when she gets her “day,” you are pumped as shit for her.

I like this type of story. I always liked to see the quiet kid with glasses ignoring his lunchroom tormentors just up and flip the fuck out and go nuts and bloody noses and make rich kids cry. But the truth is, the couple times I’ve seen something similar, and I am this way as well, come to think of it so I’ll switch to “we” on this one — it never quite works out.

We hold-it-all-in types are so out of practice at being expressively furious that we tend to sputter when we try to swear at our oppressors, and somehow we do not entirely break things that we throw at the wall even if we thought we threw it pretty hard.

Attack of the Fifty Foot Woman has been widely satirized and paid homage to, I hope I am convincing you justly.

As a few examples, the image of Nancy in her white dress from the poster pops up on album covers for alternative bands now and again, and on people’s walls in movies a lot. The shot of her next to the power lines (to demonstrate her shocking height!!) has become fairly iconic because it’s a great composition.

In the recent animated film Monsters vs. Aliens, the character of Susan, voiced by Reese Witherspoon, is an obvious parody of Nancy Archer. When Susan first becomes Ginormica, she is exactly fifty feet tall, although she grows slightly larger a few times throughout the film.

Susan/Ginormica’s character backstory is also similar to Nancy’s. She is a sweet, self-sacrificing girl who is put upon by her arrogant, grandstanding fiance, and frequently represses her own feelings in favor of giving his primacy. She does not consider herself strong and generally relies on others to rescue and advise her.

By the end of the film, she has become resolutely strong and self-sufficient, and it’s a very enjoyable transition to watch. I think I might have to give it its own Movie Moment one of these days, because it is also hilarious.

Subject jump. The mind is such an extraordinary thing. My grandmother has been having a terrible Bad Day, and keeps insisting I take her home and that we are in Idaho and not California, and that I am her cousin and not myself and she is sad because she keeps remembering that all of her brothers and sisters are dead and she just wants to see her dogs, and it has basically been a heartbreaking afternoon —- but as I was putting this post together and selecting the pictures for it, she came by and stood behind me (probably to ask me again to take her home, which we are driving to Washington/Idaho next week to do but likely only to clean it up and sell it, I hope to God that does not sink in).

She saw the pictures on the monitor and said immediately, “Oh, Lord, I remember that at the drive-in! That must have played all Summer after it first came out. What’s her name? Hayes, Hayward?”

I said, “You got it. Allison Hayes.”

She laughed and shook her head and said, “Fifty foot woman. My word. I think everyone in Spokane probably saw it three times each.”

Now she is on the phone with my mother patiently explaining that when she comes home from work, could she please just run her home because Priest River is not so far from Spokane and then she could sleep with her dogs tonight.

I hate what’s happening to her. I think I hate it enough to maybe need a book about how to deal with it or a meeting to go to or something.