Photographed by one-of-a-kind supafly sweetie pie Mr. Peter Gowland!
The lovely and talented Miss July 1957 was Jean Jani, from Dayton, Ohio.
Although Playboy implies in her write-up (emphasis on the lies half of that word) that Ms. Jani was a stewardess, she was actually a reservations clerk for United Airlines. Will explain shortly.
We were winging our way to a busy week of conferences with authors and agents, and our mind was filled with thoughts of the loftiest literary calibre. So lofty were they that we scarcely heard the dulcet voice of the stewardess requesting us to fasten our seat belt. She repeated the request, and we looked up into the brown eyes of petite (5’3″) Jean Jani of Dayton, Ohio.
(“Cloud Nine.” Playboy, July 1957.)
Barf to blarney and banana splits. Yay to little lookers.
Texture and busy-ness combine in contrast with Ms. Jani’s crisp features throughout the compositions in this spread. Top-notch, complex, and beautiful eye-catching work.
She told us she is saving money to buy a T-bird, her favorite drink is a Vodka Gimlet and she is the proud possessor of a pile of Frank Sinatra, Harry Belafonte and Jackie Gleason platters
(Ibid.)
Excellent musical tastes if that part is true. As for the Vodka Gimlet part, I have never had a gimlet of any stripe, but I think one of my friends, I am almost positive Mr. Kite, was recently deciding that Gimlet was the new retro drink of choice. I have strong faith in his trendspotting abilities, so I wager this will come to pass.
You know, like the way Singapore Slings sort of swept last year, at least in my tiny knowledge of central California circles — understand these are things I merely overhear up at the bar while ordering myself a beer.
My friends are really creative with mixed drinks, especially Christo and Gorgeous George, and Paolo and Miss D, either of which pair can find themself spontaneously hosting a party and expertly assess what they have on hand to come up with cramazing cocktails suited to the meal, occasion, and weather, but I am afraid I’m all thumbs at reckoning anything like that — I am also not so great at drinking hard alcohol, period.
For me, beer does the trick and almost never throws me any ugly curveballs. It is usually reasonably priced and you never have to worry about the bartender not knowing how to make it or mixing it too strong.
Beer puts me on familiar footing in what is usually an admittedly uncomfortable situation for me: public socializing. If I have safe, friendly, non-judgmental beer as my co-pilot, I know at least one part of the night will go well.
Like me, beer is a “what you see is what you get” kind of a thing. I feel a kinship and loyalty to beer unmatched by my feelings about any other type of alcohol. When I find something I like, I stick with it.
I like the case of her disappearing, reappearing mole. Like, “Disappearing, reappearing nuclear physicist husband” — Clue. The weird thing about that recurring line is that the nuclear physicist husband was the one Mrs. White beheaded and then cut off his dick; the one who disappeared was actually her first husband.
Without googling the script, I can tell you the conversation between Mrs. White and Wadsworth goes exactly like this (believe me, I watch this movie in my head all the time and I audio recorded it when I was a kid and listened to it on tape while walking around town — don’t you judge me):
“But he was your second husband. Your first husband also disappeared under, shall we say, ‘mysterious’ circumstances.”
“That was his job. He was an illusionist.”
“But he never re-appeared.”
(Spreads her hands and smiles) “He wasn’t a very good illusionist.”
Favorite shot of the spread. Peter and Alice are such wonderful and fun photographers. Man, they’re cool.
I’ve always wondered why those lines about “disappearing, reappearing nuclear physicist husband” were kept in despite being inaccurate. I think Clue might’ve gone through some rewrites and shit got forgotten. Anyway.
Back to marvelous Ms. Jani and the case of her on-again, off-again beauty mark!
“I’m sorry, Sire. It’s just … your mole. Wasn’t it on the other side?”
“I have a mole?!”
(Robin Hood: Men In Tights.)
Full of movie references today, jes.
If being a brunette knockout wasn’t enough for her, every so often Jani would put on a blonde wig [above] and do photo shoots under the name “Joan Brennan.” She retired from modeling in the mid-1960’s in favor of a more domesticated existence.
was portrayed as a sexy stewardess for United Airlines in the pages of Playboy, but in actuality she was a reservations clerk. Regardless, her appearance in Playboy cost her her job.
(Ibid.)
After more photoshoots with the Gowlands and with Ron Vogel, whose name you may remember seeing in the credits for many of the playmates highlighted on this journal, Ms. Jani embarked on a successful full-time career as a pin-up model which spanned the decade of mid-50’s to 60’s.
Jani appeared in several issues of Adam and Modern Man as well as other titles in the late 50’s and early 60’s.
She was also responsible for the jaw-dropping cover of Adam Bedside Reader #2 where she is wearing nothing but a red ribbon. This was a gal who was not afraid to show off her assets.
(Ibid.)
According to The Playmate Book, Jani forgot about her Playboy experience until her grown daughter gave her a copy in recent years. She has since embraced her pin-up past and become involved in the convention circuit.
(Ibid.)
Once more, enormous, immeasurably phat big-ups to Java’s Bachelor Pad for the credited shots and info above and for the hot tip about Jeanohs’ wigohs — her blonde alter ego, Ms. Joan Brennan. Your site is awesomesauce! Muah. Thanks a mil. ♥
Kelly prefers making most of her natatorial plunges in the neighbors’ back-yard pool. “Besides the pool, they own two darling dogs,” she explains. “One’s a $700 pedigreed toy poodle named Suzie; the other’s a mongrel puppy that they rescued from the local dog pound for only five dollars. He’s named Toy Tiger and, needless to say, I’m in love with the mutt.”
(“Freckle-Face.” Playboy, June 1966.)
Good choice!
I’m an across-the-board mutt guy from Way Back: dogs, cats — men. Actually, I think I’m genuinely allergic to so-called “well-bred” dudes without debt. I’ve tried to date them and their leather car coats and confident wine-awareness makes my skin crawl. On the other hand, if you got a busted grill and drive a ’92 Honda Prelude with one broken headlight that won’t raise, know the difference between a single- and a double-wide, and front a ZZ Top cover band? I’m all yours.
Actual example: my friend J-Mys once tried to set me up on a double date with her and her boyfriend and a mortgage broker Senor R knew from Morgan Stanley Dean Witter Polly Wolly Doodle All Day. J-Mys and Senor R cut out early and I was stuck with the mortgage broker, who was clearly not in to me either but was still talking some kind of folklore about variable rates and baloney sauce that I was not at all listening to because I was watching Clue in my head due to my crushing boredom, when I got up to get another pint of beer.
At the bar, this guy in a very dated No Fear t-shirt and battered, unironic John Deere ballcap saw I had actual folding money and asked me for change for the jukebox. We picked out a couple songs — I believe we went with Tom Waits, the Beatles, and “Thriller,” for novelty shits and giggles — and I told the boring mortgage broker that I was planning on going to the bathroom and going home.
I insisted we split the bill because I felt a few compunctions of guilt for wasting the early part of his Friday evening, even if I had in no way lead him to think the night had any kind of sexytimes in its future. Then I made sure the broker actually left, slipped out of the bathroom, and bullshitted with the ballcap guy on the porch about Quantum Leap and camping ’til my beer was done. Went home much happier than I’d been an hour earlier. Sneaky I guess but so much better.
As for the rest of the purple prose in that excerpt, I got hung up on “natatorial.” Really? Natatorial? Come on. That is some rich fertilizer right there. Talk about a needless fifty dollar word.
natatorial: (adj.) of, characterized by, or adapted for swimming.
Aww. Seems that some low-paid Playboy scribbler had a crush on his thesaurus.
That shot is freaking awesome. Hats off to Mr. Figge. “Natatorial” photography at its best? The reflection, the symmetry, the attention to every tile of the composition (rule of thirds) having something interesting in it — awesome sauce. Bill Figge is the shit.
As a medical buyer for one of California’s largest pharmaceutical cooperatives, Miss June has spent the past three years helping to supervise the selection of drugs destined to become shelf stock in hospitals and pharmacies throughout the Greater Glendale area.
(Ibid.)
Another stunning composition. The light-play is brilliant.
“My job can be fairly cut and dried one minute,” says the 21-year-old brunette, “and then, in typical Ben Casey fashion, a nearby hospital phones in an emergency order and I’m suddenly off and running all over the place to find the required medicines.”
(Ibid.)
The Ben Casey to which Ms. Burke refers was a popular television series which ran from the early- to mid-1960’s. The Bing Crosby-produced medical drama was filmed at Desilu Studios and starred Vince Edwards (Space Raiders, Return to Horror High*) as the titular surgeon Dr. Benjamin Casey. The opening sequence is famous for its serious, ominous overtones: this deep voice says, “Man — woman — birth — death — infinity.” Heavy shit, right?
*Yes, I deliberately picked the cheesiest, schlockiest, campiest of Edwards’ many legitimate credits to use as his two paranthetical citations, like those obscure B flicks would somehow make you say, “Oh, him!” I wanted to be funny. Vince Edwards is actually a talented and well-recognized actor who was very popular in his time: I am just a goofy rake.
Kelly now sports her own 1965 Oldsmobile convertible, in which she commutes daily from her new bachelorette bungalow in suburban Sylmar.
(Ibid.)
Just five months after Ms. Burke’s gatefold appearance, the Loop Fire wiped out huge swaths of the boundary between her new hometown of Sylmar and the Angeles Forest. The fatally unpredictable Loop Fire is still covered in firefighting course textbooks today as an example of the necessity for developing strong communication strategy to contain a dry canyon fire affected by high winds.
The Loop Fire began on November 1, 1966, at 5:19 am, on the edge of the Angeles National Forest. The El Cariso Interregional Fire Crew, which consisted of city and county firefighters, along with the El Cariso “Hot Shots,” a USDA-Forest crew of firefighters, sprang in to action to contain the blaze.
Tragically, a flare-up jumped from the forest to a canyon at the outer edges of Sylmar and created a wall of flame around it. A group from the Hot Shots crew was trapped inside, cut off from the rest of the firemen in a narrow and dry canyon of steep rock walls which, despite having no natural accelerants to move the fire along, still increases the energy of the fire because it functions as a “natural chimney,” creating tremendous heat and pressure.
Ten firefighters burned to death on site within minutes, while twelve others were injured, one critically.
Helicopter Pilot Troy Cook began rescue operations within 10 minutes after the men were burned. The diamond shaped area was still surrounded by fire when Pilot Cook hovered and picked up the first survivor.
(THE LOOP FIRE DISASTER – ANGELES NATIONAL FOREST – CALIFORNIA REGION: “A BRIEF OF THE REPORT OF THE GROUP ASSIGNED TO ANALYZE THE LOOP FIRE ACCIDENT.” US. Dept. of Agriculture, Forest Service. 1967: Washington, D.C.)
Pilot Roland Barton and his helicopter soon joined him and rescue operations continued with great courage and skill until all of the injured men were evacuated to the Los Angeles County Command Post on the Pacoima. From there the injured men were taken by auto to the hospital.
(Ibid.)
One of these injured men died at the LA County General Hospital November 6, but the rest survived thanks to the rescue efforts of the rest of the interregional team. A committee was formed by the Forest Service in conjunction with firefighting officials to use the tragic Loop Fire to improve fire prediction and containment methods, along with task force recommendations for the strengthening of safety and communication regulations.
The highly localized decisions and actions which resulted in the tragedy points to the need of:
(1) more specific direction on safe practices in similar topography; (2) specific control of helicopter attack; (3) scheduling of more complete inter- and intra-crew communication; and (4) adequate scouting to keep sector bosses currently informed when working in critical and possibly critical situations.
(Ibid.)
[We need to] make crystal clear in firefighting training that a “chimney,” “narrow box canyon,” or similar topographic feature is a Hazard Area even if devoid of fuel.
(Ibid.)
The El Cariso Regional Park on Hubbard in Sylmar is a memorial to the aforementioned El Cariso “Hot Shots,” the local United States Department of Agriculture – Forestry boys who were killed during their battle to keep the flames from entering the town.
That was kind of bummer stuff, so sorry, but an interesting slice of history. Wildfires in California are far more devastating than the earthquakes with which the rest of the country generally associates the state, and as a result, fire science in California is often at the cutting edge of research and methods for saving lives in the future.
But back to sunny Ms. Burke.
“I’ve become a real flower bug,” she reports, “since Mom and Dad bought a retail nursery in Yucaipa last year. Each time I visit them, I load up the back seat of the Olds with so much greenery before heading home that it winds up looking just like some sort of window box on wheels.”
(Ibid.)
That’s cute.
Weekends, June’s bantam (5′) beauty heads for the sun-drenched beaches of Santa Monica, equipped with an over-sized straw hat and nylon sailing parka. “My freckles still show no matter what I try!”
a) Yay for little lookers! Rock on with your pocket rocket self.
b) Why do freckled people always desire to hide them? Freckles are so unbelievably cute. I don’t get it.
c) It looks like she is Thumbelina laying in an orange peel. What the what is that stuff?
PEOPLE I ADMIRE: Albert Einstein, Dr. John Rock and Dr. Francis Kelsey, beause of their outstanding medical contributions.
MY IDEAL EVENING: Have cocktails and dinner, take in a movie, and then have a pizza.
(Playmate data sheet.)
Right on to Einstein, pizza, mutts, and having a serious job while attending Cal Poly Pomona during her appearance as a Playmate. Ms. Burke is the exception and not the rule of pretentious brandy-snifter marlarkey we went over earlier this week. Fun final fact: her sister-in-law, Allison Parks, was the 1966 Playmate of the Year.
Oh, and I guess a really fun final fact is that Ms. Burke was pregnant during this shoot. BOMBSHELL! Maybe that is why she is so adorably radiant. As you probably noticed, it’s another Cowboy Kate-influenced cover, I assume to reflect the “Girls of Texas” story. R.I.P., Sam Haskins.
I was feeling down, but I’m pulling myself out of it. I need to have more faith that things will work out for the best, for one thing, and for another, holy cannoli, is it ever a gorgeous day out there! I’ve been sitting on some of these shots for just about forever. I love this shoot. Lots of red clothes, cute hats, and opera-style makeup? Yes, please — I am a big These Pictures Guy from Way Back! Miss April 1958 is the lovely and talented Felicia Atkins.
Photographed by Bruno Bernard and Bill Bridges.
An awesome vintage brunette wonder from Down Under, Ms. Atkins still holds the record today for being the longest consecutively-employed showgirl in the history of the storied Folies-Bergère Revue at the Las Vegas Tropicana. Get it, girl!
Felicia Atkins: Pussy Magnet. Ow!
I find the history of Old School Las Vegas really interesting (mainly a result of the intersection between my undying love of The Godfather movies and the fact that I’m perpetually interested in the persistent concept of the fast-and-loose, fancy-free frontier “west” in the American mind especially as it played out in increasingly swift travel methods available to the middle class seeking recreation in the twentieth century — first, trains to national parks, then big steely cars on the new highways roaring along state routes dotted with crummy roadside teepees and Bob’s Big Boys by the mid-century; that interests the shit out of me, seriously), so I’m going to reproduce Ms. Atkins’ original write-up in its entirety and then go in to some historical Las Vegas points of emotional interest as far as the Folies-Bergère goes (went).
Gone are the drear, dread days beyond recall when we were led to believe that showgirls had a pretty bad time of it in the sunshine-and-health department — late hours, smoke-filled rooms, nightclub pallor, and other offenses to God and man. Today, tongue-clucking do-gooders would find it a tough task convincing us that the life of a showgirl (in Las Vegas, anyway) is anything but Reilly. Look at Felicia Atkins, if you haven’t already.
(“Showgirl in the Sun: A Vegas Venus Mixes Vitamins with Va-a-voom.” Playboy, April 1958.)
She spends her nights in the chorus line of the sumptuous Hotel Tropicana, gladdening the eyes of all beholders with her finely fashioned five-feet-seven-and-a-half-inches.
(Ibid.)
By day, she sleeps late in a swank suite of the same hostelry, eats a mountainous breakfast, then squeezes into a bikini and slips out to soak up a skinful of Vitamin C and splash about in a cool pool until it’s time to dry off the corpore sano andfoi get ready for the evening’s extravaganza. For this, mind you, she gets paid. Another nice thing that’s happened to felicitous Felicia is her appearance as our Playmate for the month of April. It’s nice for us, too. (Ibid.)
/End drivel. Phew! Before I go in to more about the show for which she famously worked, a few notes on Ms. Atkins — from what I can gather, after leaving the Folies, she went to work for the MGM Grand, which buffs know was bought by Bally’s. Sometime between the Bally’s acquisition, some bartending gigs at what is now the Crazy Horse, and the revamping of Vegas in to a family destination in the 1990’s (darkly pleased to see it returning to its roots after that failed experiment — boo to themed roller coasters, yay to sequined pasties), Ms. Atkins retired back to her native Australia.
The “Folies-Bergère” opened at the Tropicana Hotel in 1959. Famous for its Cancan girls and statuesque showgirls the “Folies-Bergère” has outlived many hotels as well as shows. The longest continuous running production show in Las Vegas has been updated many times over the years to keep its status as a sophisticated Parisian spectacular.
When you hear “showgirl,” and automatically picture a leggy glamazon in ostrich-tail and resplendently over-the-top headdress, you are picturing a girl from the Folies-Bergère, the hip grandma of all Vegas revues. As VegasRetro reported, it was the longest-running show in the history of the City, and Ms. Atkins, here, was its longest-running performer. That is really something!
Folies-Bergère, known the world over for gorgeous dancers is not just a show … it’s a legend. The theme of “women through time” beginning in the 1800’s to present day has gone unchanged, but the new interpretations enhance the Folies-Bergère experience.
The Dressing Room number gives the audience a behind-the-scenes feel of how the gorgeous showgirls prepare for their nightly appearance on stage. Each scenario flows seamlessly into the next such as in La Vedette where male dancers present a stunning showgirl who materializes through smoke with giant butterfly wings on her back.
(Ibid.)
Another popular scene is fashioned in the 1920’s where “women of darkness” were known as vamps. A private boudoir moment, black silk and velvet dressing gowns accompanied by tassels used as erotic props emphasize the sexual natures of these women.
(Ibid.)
The Las Vegas Folies-Bergère, which opened in 1959, closed at the end of March 2009, after nearly 50 years in operation.
The Folies-Bergère showgirls have been entertaining audiences at the Tropicana Resort and Casino in Las Vegas for 49 years. In the show’s heyday in Vegas, “The Trop,” where they performed, was considered the “Tiffany of the Strip,” attracting stars like Sammy Davis Jr., Frank Sinatra and Dean Martin. Patrons came to rub elbows with stars and with the Folies’ showgirls, who would “dress up” the hotel bar after performances.
But times are tight in Las Vegas, and the Tropicana can’t afford to produce the Folies-Bergère anymore. The showgirls’ last performance will be March 28, 2009 — just a few months shy of the show’s 50th anniversary.
These days, Felicia is, like I said, back in Oz. She now lives in a senior care facility where you can write to her at 4 Muller St., Salamander Bay, New South Wales, 4317. Be respectfully advised she has recently started being treated for advancing dementia and may not now recognize photos and autograph requests.
Speaking of these kinds of subjects, I need to go because I am being summoned to have a conversation with my grandmother, who is hot to tell me for probably the sixth time today about how her brother Alvin got the first Model T in Priest River when she was a kid with graduation money from their grandmother and he took all the kids in town for rides in it, and they were speeding and hit a bump and he had to jerk her back down on to his lap at one point because she flew up in the air and almost out the window of the car. She loves that story. He was her favorite brother. I don’t mind when she gets stuck in a groove for a day on the really sweet and good memories. It’s a wonderful break from the Bad Days, plus the repetition ensures that now I will hold on to the memory for awhile. And that’s what we’ve all got ears and got voice boxes for, most likely. Right? It happens. Catch you later!
Many more pictures from the exhibit here and here.
Photograph by Justin Sullivan
Hertel became known for his surrealist paintings with childlike and cartoonish characters, but the work that forms his master’s thesis is in a much more realistic style while still being recognizable as his. (“‘Forward’ by Ahren Hertel art reception.” Sullivan, Justin. April 16, 2009. Metromix Reno.)
You can also find Mr. Hertel and pictures of his work on the myspace, where he links to some of his past gallery shows and lists “History, things decaying,” and “alley ways with tons of fire escapes” as his general interests. Sold!
Bonus mega high-res portrait of nearly-lifelong obsession, Patron Saint and role model Sherilyn Fenn as Audrey Horne in Twin Peaks:
You may recognize Yael Naïm’s name, face, voice, or some combination of the three. Her single “New Soul” was featured in an Apple laptop commercial a few years back and for a little bit there she justly blew up. The track went to #7, making her the first Israeli solo artist to have a top ten hit on the USA charts.
Photo art for a poster promoting a January, 2007 concert at Studio d’hermitage in Paris.
Naim sang as a soloist with the [Israeli] air force troupe, starting in 1996. “Even though it was the army, it was pleasant,” she says. During her service, she was sent by the army to sing at a benefit concert in Paris. The organizers noticed her voice and took note of her name.
When she got out of the army, she was sent to another benefit concert in Paris. After performing a few songs at the piano she was approached by French producers who wanted to hear more. “I always had drafts of songs with me,” says Naim. “They just happened to be looking for someone for a musical project and when they heard what I do, they were all excited and offered me a contract.” Israeli recording companies had not been very enthusiastic about the music she made with her band, “The Anti Collision,” but four days after landing in Paris, at the age of 21, Yael Naim had a recording contract with EMI.
Paris was super, super kind to her; her 2007 self-titled album debuted at #11 on the French charts. Get it, girl!
Nobody expects an accordion.
When asked to explain her huge success among the French, she just asks: “Where are all these people coming from?
“It’s not the success that’s making me feel like my life is changing completely. Since I’ve had the opposite experience, when you’ve been told before that radio stations don’t want to play your music, that you should wait a few more months, I could really appreciate the speed and ease with which this record succeeded.
And from that moment, when I suddenly had this feeling of peace, this sense that evidently things are going to be fine, I’ve just felt surprised all the time and am always asking myself: ‘How can this be?'” (“Cinderella Song,” Tidhar Wald, Haaretz, November 2007)
I will be the one, you’ll see I’m the only one
Yeah I’m the only one, we belong together
I will be the one to see you’re the only one
Yeah you’re the only one, now until forever
You will see that we’re meant to be
Our love will grow peacefully
You should stay with me one more day
So how come you still walk away
If you are the only one
You are the only one
And I’m sure you feel the same
You became the one to blame, you’re the only one
Yeah you’re the only one who can make me so mad
I exclaim “where is the flame?”, you’re the only one
Yeah you’re the only one who can hurt me so bad
We will be happy as can be
Our love will grow tenderly
You will say you are here to stay
So how come you still walk away
If you are the only one
I am the only one
who can make you see that, yourself
You’re a star, let me take you far
I can really feel who you are
We will share everything that’s rare
So how come you still do not care
To know you’re the only one
Yeah you’re the only one
But it’s so unfair, I’m the only one
Yeah I’m the only one to see
It’s insane, now I remain, I’m the only one
You are the only one who can make me so sad
Can you see how fast I ran?
Yeah I’m the number one, two, three
You’re the only one who can play this game
I’m the only one, and I’m so glad you came
Give her official site, yaelweb.com, a spin to learn what Yael Naïm has been up to recently and order her 2001 and 2007 albums. This song is also a video with Readymade FC.
Originally named Kathy Kane, the character [Batwoman] was introduced as a love interest for Batman to disprove allegations of homosexuality in response to the backlash from the book Seduction of the Innocent (1954). (the wiki)
Lost the credit but it’s fairly obviously a character sketch from DC.
The modern incarnation of Batwoman, Kate Kane … is written as being of Jewish descent and as a lesbian in an effort by DC editorial staff to diversify its publications and better connect to modern day readership. Batwoman’s sexual orientation has been both criticized and praised by the general public and the character has been described as the highest profile gay character to appear in stories produced by DC Comics.
Batwoman, Kate Kane, with Det. Renee Montoya, now The Question via dance with shadows.
Sorry I skipped Day 13. Part of the day I was spending time with my daughter and the aforementioned estrange(st-people-on-earth)ed husband, and before that I was at church, you godless heathen. It happens! That’s right, I hella believe in something bigger than the frequently mucksucking shithole (it has its moments, though, I admit) that we’ve made of this Earth. Sue me.
To make up for yesterday’s lackage, I will post up more images than usual and cut the commentary.
“Gill,” the cover of Five Girls. This image has become somewhat iconic.
“Flutter,” 1972.
“The Apprentice.”
That last one, “The Apprentice,” features Ginny, who, like Gill, wound up figuring in a lot of Sam’s work. I haven’t gotten around to talking about her yet, but I will. I like the navel contemplation. She has a kind of interested but pleased look on her face. Good modeling, good shot.
Your magnificent Miss November 2001 was the lovely and talented and unremittently marvelous, in this shiksa’s opinion, Lindsey Vuolo. Ms Vuolo’s interview with Playboy touched on her recent trip to Israel, included a picture from her bat mitzvah, and set off a shitstorm of reactionary crossfire about pornography, sex, and religion in the conservative Jewish community, from which she valiantly refused to back down. Preach it, garrl!
Photographed by Arny Freytag – for some reason in this picture she looks like Raquel Welch, which is nothing to sneeze at, but she is a beauty in her own right and the resemblance is not present in the other pictures.
Lindsey’s Italian father converted to Judaism to marry her Russian mother. “I traveled to Israel as part of an exchange program and it was an amazing trip,” she says. “Being in Jerusalem was so emotional for me — I broke down and cried.” (“Lindsey,” Playboy, November 2001)
Holy shit, if that did not apparently ruffle feathers for her to be naked emotionally as well as physically by describing what being Jewish meant to her in terms of her personal identity and emotions. (You can bare your breasts, and you can bare your bajango*, but you can’t bare those with your soul and be religious!)
*thank you, Tina Fey, for the term “bajango.” I’ll get to the Playboy interview where she first dropped that term for ladyparts another day.
What happened next was, this guy Rabbi Shmuley Boteach caught wind of her appearance –especially her emphasis on her religion and what it meant to her identity– and publicly took Lindsey to task for posing for Playboy (though he had himself appeared in the magazine promoting his book, Kosher Sex).
Feminists and porn-purveyors alike took Lindsey’s side, and soon everyone from rabbis to radical social theorists was weighing in with their opinions on faith and sex. These are two topics that everyone has touch them in some personal way, so I’m not surprised that people felt personally authorized to comment on the issue. I remember noting in college classes that the discussions during lecture in which everyone was the most engaged usually involved universal human issues like religion, sex, or love. Everyone experiences these things, so everyone has an opinion!
Taking advantage of the publicity which resulted from the itty-bitty-titty holy war, Boteach enticed her to come to a recorded and Extremely Accusatory “discussion” with him of the issue of pornography and Judaism vis-a-vis what the religion’s teachings were and how pornography impacts marriage, traditional ideals of femininity, and sexuality. She had the balls to show up, and not only that, defend herself. Reading the interview, I felt ashamed. I could have never made it through to the end the way she does. I’m easily humiliated by disapproving men. Not so Ms. Vuolo. She has an admirable self-awareness and a respectful but strong spine of steel. Check some of these excerpts, which I’ve thoughtfully and even thought-provokingly interwoven with the quotes from the “interview”:
Shmuley Boteach: So tell me what you think about the following ideas, okay? Number one: Pornography or Playboy ultimately, far from being sexy and titillating, is actually boring and monotonous because the moment you see someone’s body in its entirety, the first few minutes, sure, it’s very exciting but after that nothing is left to the imagination. It loses its erotic allure. I mean, all studies show that when women go to bed with guys too early, it almost always destroys the relationship because the thrill of the chase is gone, the mystery is gone. The human body requires mystique in order to retain its attractiveness. There also has to be the involvement of the mind in order for there to be fantasy, and nudity and sexual over-explicitness actually hinders fantasy.
For example, as a marriage counselor, I always say to wives, don’t ever walk around the bedroom naked unless it’s time for sex and he has to earn the right to see your body naked because–
Lindsey Vuolo: I disagree with that.
SB: You disagree with that?
LV: Yeah. Because you know, my husband–well, I don’t have a husband but if I had a husband, and we share everything together and I’m his, I’ll run around naked for him. That’s for him, I mean, then he doesn’t need to see anyone else naked.
SB: I wish what you were saying was true but according to the Hite report the fact that 75% of husbands are unfaithful and the fact that half of marriages end in divorce shows that unfortunately men need variety when they feel they get bored. Many men who cheat on their wives claim to love their wives. They do it only because they need something new. So clearly, it is very possible to get bored of your wife’s body, no matter how much she runs around for you.
LV: Well, I think for all time men will always look at women whether it’s their wives or someone else. And I don’t think that they get bored, you know, they look–
RS: No, no, we know they look at women’s bodies. The question is, will they look at the same woman’s body. You’re Miss November. They’re not going to make you Miss December under any circumstances. The reason is the guys have seen you and they’ve just seen you. They want someone new now. Doesn’t that alone prove to you that pornography gets boring?
Playboy has used you and you’ll never be a playmate again.
LV: I posed for this for me. So if I’m degrading anyone, I’m just degrading myself. What other women do–
SB: But the biggest sins in life are where we hurt ourselves even more than other people.
LV: But I don’t feel like I’m hurting myself.
Holy fuckballs, what a passel of ice-cold punches to the gut. If you have sex or display yourself as sexual, you have used up your ace in the hole, blown your wad of feminine mystique, as it were, and will forever forth be undervalued. Um … is this so? I don’t even know! I just want to go shower and cry! Bitch magazine, help a Catholic girl with deep-seated Daddy Issues out:
Unwilling to cow to the rabbi, (who, it should be noted, promoted his own book in Playboy) Lindsey stood her ground, explaining that she had done nothing wrong. According to Lindsey, Playboy doesn’t even count as pornography because to her the word conjures up images of “penetration, urination, and things like that.” (“My Meidel is a Centerfold,” Bitch Magazine, Deborah Kolben, May 2002.)
Okay, well, at least I know other women will give me a hug and a “it’s okay, honey,” whether or not we are any of us sure about anything after the tirade about how men will grow tired of us and we must not be naked in front of even our husbands.
So. Quick word about this shoot: okay, obviously I have a majah girl-brain-crush on Lindsey Vuolo, but, strictly from an unbiased perspective, from the artistic standpoint, I strongly believe that this photoshoot stands head and shoulders above most of the others from the 2000’s.
It has a clear unity of vision: the story is, this super-super-cute, vintage-lingerie-loving, wholesome, upbeat gal works at an old-fashioned pie-and-coffee kind of diner as a pastry chef or baker of some kind, and it's after-hours.
If this does not melt your heart with its brain-asplodin’ cuteness, you are made of STONE and we have nothing to offer each other.
First she’s with you in the dinette, then she’s showing you around at home. It’s cut and dry and adorable as shit. Love it. Okay! Back to the hot button side of the story. Final thought, for clarification and prompting of to-be-determined further discussion:
Some have incorrectly claimed that Vuolo is the first Jewish Playmate. Vuolo herself has agreed it is more likely that she merely is the first openly Jewish Playmate. (the wiki)
This has been certainly a long enough entry already, all apologies, so perhaps we ought to save the important and striking issue of why a beautiful woman looking to be famous in America might consider her Judaism a liability rather than an asset and choose to downplay this important aspect of her heritage and womanhood (*cough, cough* Holly Madison) for another day.
But Don’t Think I’m Forgetting. I got a memory like Babar — but a figure like Bettie Page. Ow! Call me!
Another playmate who began as a bunny, 1965’s Miss November was the lovely and talented Pat Russo, a Connecticut girl who modeled briefly in Manhattan for the famous Barbizon Agency(kind of scammy in my opinion but some real careers have started there, so I’m not going to hate too hard). She hated the cold, relocated to Florida not too much later, and said in her interview that, after one winter in Florida, “‘Autumn in New York’ was just another pretty song as far as I was concerned!” She was scouted for the centerfold while working at the Miami club (“Pat Pending,” Playboy, November 1965).
Photographed by Pompeo Posar
This is kind of a weird one. I believe that Playboy did two different photoshoots (very common), but the stylists communicated poorly … if they communicated at all. Here’s what I think happened with this shoot.
Maybe the people in charge of hair and makeup on the different days this shoot was done were in a fight and not speaking, or maybe they had a conversation about ideas for Ms. Russo’s “look” but came away without a unity of vision, or even maybe some other type of accident or act of God intervened vis-a-vis the two different colored hairpieces, styling, etc. I mean, the girl is blonde one time and solidly ash brunette the next; she doesn’t even look like the pictures were taken in the same year, let alone afternoon.
Whatever happened here, too much time has passed to tell. But the end result is that it appears from some of the pictures, when you take the spread as a whole, as though Ms. Russo could be two almost totally different women.
All pictures are of her, though — I verified it with her Yahoo! groups fan club leader (last post on their bulletin board was in December of 2006, but the moderator still checks his email, bless his vintage-pin-up-lovin’ heart; thanks again for the lightning-fast response time, buddy!).
Speaking of styling, the cover is a blatant and (I checked the table of contents) totally unattributed rip off of the magnificent, incredible, erotic work of photographer and personal patron saint Sam Haskins, specifically his picture book/mystery/western short story Cowboy Kate (1964). I guess imitation is the highest form of flattery, but I am so genuinely bummed and perturbed by the fact that you might mistake the originality and brilliance of this composition —
Totally uncredited rip-off photographed by Pompeo Posar. (Model’s name is Beth Hyatt.) Pompeo, I am hella disappointed in you.
— the parted lips which echo the round opening of the gun barrel, the swinging curtain of blonde hair beneath the rounded black cowboy hat, the always-a-great-idea toplessness — as belonging to some cover designer at Playboy (all respect to their often-clever work) and not to the living god that is Sam Haskins that I do believe, holy shit, you guys, December is going to have to be Official Sam Haskins Month! I will do my best daily throughout December to scrounge up some of my saved photos from his enormous and thought-provoking body of work that are either permissible or I can reasonably say are ads and therefore in the public domain.
Boy, oh boy! Let’s see if I can continue my streak of not getting sued before the year is up!
Ms. Brendlinger did get slightly more specific about that wacky “men” fetish of hers in the more detailed article that accompanied her pictorial:
She eschews the possibility of ever becoming a career woman and anxiously looks toward the day when she can move to the wide-open spaces with her special brand of male, who will be “tall, fair, and smart enough to know he doesn’t have to prove he’s brighter than I.” (“Hallelujah, the Hills,”Playboy, November 1964)
TURNOFFS:
Dirt — I can’t stand anything dirty.
FAVORITE BOOKS:
Only the Bible and I still don’t understand it.
The Thought Experiment 