12 Days of Highly Tolerable Holiday Movies: The Nightmare Before Christmas

The third and final “Tim Burton” film in the 12 Days of Highly Tolerable Holiday Movie countdown is The Nightmare Before Christmas (Henry Selick, 1993). The guy has two favorite times of year and we all know what they are.

Jack Skellington, king of Halloweentown, discovers Christmas Town, but doesn’t quite understand the concept.

(the imdb)

Regarding just how much of a Tim Burton film it really ended up being, Mr. Selick told Sight and Sound in 1994,

It’s as though he laid the egg, and I sat on it and hatched it. He wasn’t involved in a hands-on way, but his hand is in it. It was my job to make it look like “a Tim Burton film”, which is not so different from my own films. …

… I don’t want to take away from Tim, but he was not in San Francisco when we made it. He came up five times over two years, and spent no more than eight or ten days in total.”

Be that as it may, Burton had conceived the project while still working for Disney back in 1980. It was originally a narrative poem. He began toying with the idea of making something of it. Disney agreed, and they discussed a short film like Vincent, or maybe a televised holiday special.

He shared his vision with friend Rick Heinrichs in the mid-1980’s, and the two worked up some concept art, storyboards, and even early character sculptures. By the time Burton actually had a budget for the movie from Disney, he was overextended across the board with Ed Wood and Batman Returns. He brought in his friend Mike McDowell, with whom he’d worked on Beetlejuice, but they couldn’t agree on a direction for the screenplay.

Burton reimagined the story as a musical and put together the bare bones of it with Danny Elfman’s help, also collaborating on most of the music and lyrisc. Then Caroline Thompson, who Burton worked with on Batman Returns, came in as a writer. She has also written The Addams Family, Edward Scissorhands, and Corpse Bride. Caroline first came to Tim Burton’s attention because of a short story she wrote in the early ’80’s called First Born, in which an abortion comes back to life.

Director Henry Selick said in that same Sight and Sound article where he dissed Burton, “there are very few lines of dialogue that are Caroline’s. She became busy on other films and we were constantly rewriting, reconfiguring and developing the film visually.” Okay, Henry. We get it. You did it all, buddy.

In all honesty, the guy is an artistic auteur, with the attendant talent that entails, and it probably sucks for him to have to rely on other people so much in a project. And he probably did do more than anyone else. Hence: director.

In vino lepidopteras.

The stop-motion animation was produced by a crew of over 200 animators in San Francisco, headed up by Joe Ranft and Paul Berry. The production yielded some cool new inventions, including a silent alarm that went off if a light failed to go on during a shot.

For just one second of film, up to 12 stop-motion moves had to be made. Can you imagine this being done today? When even the Mickey Mouse Clubhouse is done with CGI? I feel like there is an aesthetic suffering accompanying the automated innovations in the direction that film has been heading. I can’t see a production like The Nightmare Before Christmas, with the meticulous labor and attention to craft it requires, being approved and given a budget by Disney today.

Although that’s not totally fair, since they’ve been doing that 3-D re-release thing. I guess I should not be quite so cynical about The Mouse Who Sold the World. I just really, really dislike that company.

On the other hand, sourpuss Mr. Selick is something of a dear and mercurial curmudgeon to me. He has continued working in stop-motion since The Nightmare Before Christmas, and I have a deep respect for the artistry in his body of work.

He has directed Coraline and James and the Giant Peach, and worked with Wes Anderson on The Life Aquatic with Steve Zissou. Although I find it curious that he seems to have had nothing to do with Fantastic Mr. Fox if Life Aquatic was Anderson’s first foray in to stop-motion (which, once you see Fantastic Mr. Fox, you feel like it should have been his exclusive genre all along: the static stiltedness of Anderson’s compositions, against which his wildly inventive dialogue is such a perfect foil, are absolutely born for stop-motion).

I’m guessing from the stories about the rest of Mr. Selick’s projects that they probably stopped seeing eye to eye on something and Anderson went his separate way.

Collaborator Joe Ranft, the one who headed up production in the City, the 415, the sparkly town where we leave our hearts, for The Nightmare Before Christmas, said that Selick “has a rock’n’roll meets Da Vinci temperament,” with bursts of brilliance and, occasionally, the passionate need for solitude.

Mr. Selick is presently working on an adaptation of the YA mystery-comedy Bunnicula, which makes me want to cry with joy. I only hope it is successful enough that they can do one of the sequels: The Celery Stalks At Midnight, which I have believed since I was seven years old to be the greatest pun ever written in my native tongue.

If you want more of the backstory on all this Nightmare Before Christmas production shenanigans, pick up a copy of the Frank Thompson book Tim Burton’s The Nightmare Before Christmas: The Film – The Art – The Vision, to read all about it.

All photos via the Pumpkin Patch.

Daily Batman: Girl Talk

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I think there was a board game called “Girl Talk” when I was young but if it was ever played at a party I was either not invited or in some other room reading Bunnicula. Probably both. I think there was a game called that, at least … shoot. Now that’s bugging me … I’m giving it a googly-moogly.

Girl Talk was one of a rash of “teenage girl-themed games” that appeared on the market in the 80s and 90s based around boys, talking on the phone, dancing, having parties and sleepovers, and other “girl-ish” themes.

Like, omgz! Gag me with a spoon! Math is hard!

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It was similar to Truth-or-Dare. … Each action (or question) is worth a certain amount of points. If you did not perform the action or answer the question, you had to wear a zit sticker. Some people actually thought the zit stickers were fun as well.[citation needed]

“Citation needed.” I should fucking well say so! None of that sounds fun even at all: it just sounds like junior high gym class.

Guess who likes you in this talking telephone game. I’m guessing that boy who threw the music stand at me and keeps riding his bike by my house wearing black socks with teva sandals. I always attract the sanest, winningest dudes on the planet.

All that is missing from that game description being my eighth grade P.E. period is me trying to grab my clothes and get them on as quickly as possible before Jamie Sawyer [not her actual name but in case she has turned her life around I do not want her to feel persecuted] gets done in the bathroom (having no need to change clothes, as she refused to dress for gym class, she would merely use the changing time to reapply her layers upon layers of black under-eye liner) and starts roaming the locker room looking for things to steal and people to punch.

This is strikingly close to Jamie’s middle school “look,” including the hickey from specious older sources, only she also teased her hair up very high in the front.

The first several weeks that my old friendoh Tweaky Lawn was at our school, she had transferred from Texas as a pre-established rather badass bully and all-around riot grrl and needed to establish herself in the ladies’-prison-yard-style pecking order of the middle school ne’er-do-wells, so she had winning scuffles with some scattered pretenders to the crown of All Time Baddestass Girl.

I heard a rumor one Friday morning on the bus that Tweaks was going to fight aforementioned thief, boxer and brigand Jamie Sawyer (basically a girl pirate in Doc Martens) but found that too incredible to be true. She had only just got here, and who would invite flannel-fist enclosed, painful death by pummeling like that? To voluntarily choose for that half-inch of eyeliner and, I shit you not, nearly-foot-high mound of teased bangs to be the last thing I ever saw?

Like this only shitty and too much so that you look tired and cheap.

No, thank you. I told the person who told me they’d heard from reliable sources about Tweaky Lawn’s intention to fight Jamie that Tweaks was smarter than that and it couldn’t be so. Jamie was more than a bully or tough girl, she was heading toward being a full on junior psychopath who regularly terrorized people she considered weaker than she with more than normal relish, like, picking on the special kids and working herself in to a froth cussing out teachers who were like 100 years old. She also liked to set fires. (I know, right? Aileen Wuornos much??) I figured Tweaky wouldn’t get herself tangled up with that, even if she had mentioned that “that bitch” needed “her attitude adjusted.”

Shortly after lunch the news came down through gossip channels that both girls had been suspended, and I wondered over the weekend what the outcome had been. I really liked Tweaky by then and I hoped she hadn’t been hurt too badly and wouldn’t be embarassed.

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I found out those fears were in vain when Jamie came in to our first period gym class that following Monday. She haughtily refused to look at anyone but actually went to her locker and pulled out sweatpants and a properly labeled “‘J. Sawyer,’ S__ Tigers” shirt that I did not even know she had and started putting them on like it was something she always intended to do. Two of her fingers were taped together with a splint. For once she wore no makeup, because not only was one eye black, but the other was nearly so and was also entirely red from the outer corner to her pupil — Tweaky had broken the blood vessels. I’ve always viewed her as a kind of lady Hercules since then.

The story has to do with this.

The story of how Tweaky and I met, when I gave her a bloody nose and shockingly lived to tell the tale, I will save for another day. I told it to my eighth graders when subbing last February and it apparently made the rounds of the small private Catholic school at which I substitute teach — where you have a conference with your teacher and the principal if you have below a B in a subject — and was such a popularly horrific tale of the gritty public school world that when I subbed in the seventh grade a few weeks later, I was scarcely done with attendance before they demanded to hear the story firsthand.

Wow. All donesies. This has been your Girl Talk edition of the Daily Batman.