Posts Tagged ‘cowboy kate’

The Girls of Summer: Kelly Burke, Miss July 1966

June 25, 2010


Photographed by William Figge.

Kelly prefers making most of her natatorial plunges in the neighbors’ back-yard pool. “Besides the pool, they own two darling dogs,” she explains. “One’s a $700 pedigreed toy poodle named Suzie; the other’s a mongrel puppy that they rescued from the local dog pound for only five dollars. He’s named Toy Tiger and, needless to say, I’m in love with the mutt.”

(“Freckle-Face.” Playboy, June 1966.)

Good choice!

I’m an across-the-board mutt guy from Way Back: dogs, cats — men. Actually, I think I’m genuinely allergic to so-called “well-bred” dudes without debt. I’ve tried to date them and their leather car coats and confident wine-awareness makes my skin crawl. On the other hand, if you got a busted grill and drive a ’92 Honda Prelude with one broken headlight that won’t raise, know the difference between a single- and a double-wide, and front a ZZ Top cover band? I’m all yours.

Actual example: my friend J-Mys once tried to set me up on a double date with her and her boyfriend and a mortgage broker Senor R knew from Morgan Stanley Dean Witter Polly Wolly Doodle All Day. J-Mys and Senor R cut out early and I was stuck with the mortgage broker, who was clearly not in to me either but was still talking some kind of folklore about variable rates and baloney sauce that I was not at all listening to because I was watching Clue in my head due to my crushing boredom, when I got up to get another pint of beer.

At the bar, this guy in a very dated No Fear t-shirt and battered, unironic John Deere ballcap saw I had actual folding money and asked me for change for the jukebox. We picked out a couple songs — I believe we went with Tom Waits, the Beatles, and “Thriller,” for novelty shits and giggles — and I told the boring mortgage broker that I was planning on going to the bathroom and going home.

I insisted we split the bill because I felt a few compunctions of guilt for wasting the early part of his Friday evening, even if I had in no way lead him to think the night had any kind of sexytimes in its future. Then I made sure the broker actually left, slipped out of the bathroom, and bullshitted with the ballcap guy on the porch about Quantum Leap and camping ’til my beer was done. Went home much happier than I’d been an hour earlier. Sneaky I guess but so much better.

As for the rest of the purple prose in that excerpt, I got hung up on “natatorial.” Really? Natatorial? Come on. That is some rich fertilizer right there. Talk about a needless fifty dollar word.

natatorial: (adj.) of, characterized by, or adapted for swimming.

Aww. Seems that some low-paid Playboy scribbler had a crush on his thesaurus.

That shot is freaking awesome. Hats off to Mr. Figge. “Natatorial” photography at its best? The reflection, the symmetry, the attention to every tile of the composition (rule of thirds) having something interesting in it — awesome sauce. Bill Figge is the shit.


As a medical buyer for one of California’s largest pharmaceutical cooperatives, Miss June has spent the past three years helping to supervise the selection of drugs destined to become shelf stock in hospitals and pharmacies throughout the Greater Glendale area.

(Ibid.)


Another stunning composition. The light-play is brilliant.

“My job can be fairly cut and dried one minute,” says the 21-year-old brunette, “and then, in typical Ben Casey fashion, a nearby hospital phones in an emergency order and I’m suddenly off and running all over the place to find the required medicines.”

(Ibid.)

The Ben Casey to which Ms. Burke refers was a popular television series which ran from the early- to mid-1960’s. The Bing Crosby-produced medical drama was filmed at Desilu Studios and starred Vince Edwards (Space Raiders, Return to Horror High*) as the titular surgeon Dr. Benjamin Casey. The opening sequence is famous for its serious, ominous overtones: this deep voice says, “Man — woman — birth — death — infinity.” Heavy shit, right?

*Yes, I deliberately picked the cheesiest, schlockiest, campiest of Edwards’ many legitimate credits to use as his two paranthetical citations, like those obscure B flicks would somehow make you say, “Oh, him!” I wanted to be funny. Vince Edwards is actually a talented and well-recognized actor who was very popular in his time: I am just a goofy rake.


Kelly now sports her own 1965 Oldsmobile convertible, in which she commutes daily from her new bachelorette bungalow in suburban Sylmar.

(Ibid.)

Just five months after Ms. Burke’s gatefold appearance, the Loop Fire wiped out huge swaths of the boundary between her new hometown of Sylmar and the Angeles Forest. The fatally unpredictable Loop Fire is still covered in firefighting course textbooks today as an example of the necessity for developing strong communication strategy to contain a dry canyon fire affected by high winds.

The Loop Fire began on November 1, 1966, at 5:19 am, on the edge of the Angeles National Forest. The El Cariso Interregional Fire Crew, which consisted of city and county firefighters, along with the El Cariso “Hot Shots,” a USDA-Forest crew of firefighters, sprang in to action to contain the blaze.

Tragically, a flare-up jumped from the forest to a canyon at the outer edges of Sylmar and created a wall of flame around it. A group from the Hot Shots crew was trapped inside, cut off from the rest of the firemen in a narrow and dry canyon of steep rock walls which, despite having no natural accelerants to move the fire along, still increases the energy of the fire because it functions as a “natural chimney,” creating tremendous heat and pressure.

Ten firefighters burned to death on site within minutes, while twelve others were injured, one critically.

Helicopter Pilot Troy Cook began rescue operations within 10 minutes after the men were burned. The diamond shaped area was still surrounded by fire when Pilot Cook hovered and picked up the first survivor.

(THE LOOP FIRE DISASTER – ANGELES NATIONAL FOREST – CALIFORNIA REGION: “A BRIEF OF THE REPORT OF THE GROUP ASSIGNED TO ANALYZE THE LOOP FIRE ACCIDENT.” US. Dept. of Agriculture, Forest Service. 1967: Washington, D.C.)


Pilot Roland Barton and his helicopter soon joined him and rescue operations continued with great courage and skill until all of the injured men were evacuated to the Los Angeles County Command Post on the Pacoima. From there the injured men were taken by auto to the hospital.

(Ibid.)

One of these injured men died at the LA County General Hospital November 6, but the rest survived thanks to the rescue efforts of the rest of the interregional team. A committee was formed by the Forest Service in conjunction with firefighting officials to use the tragic Loop Fire to improve fire prediction and containment methods, along with task force recommendations for the strengthening of safety and communication regulations.


The highly localized decisions and actions which resulted in the tragedy points to the need of:
  • (1) more specific direction on safe practices in similar topography; (2) specific control of helicopter attack; (3) scheduling of more complete inter- and intra-crew communication; and (4) adequate scouting to keep sector bosses currently informed when working in critical and possibly critical situations.

    (Ibid.)


  • [We need to] make crystal clear in firefighting training that a “chimney,” “narrow box canyon,” or similar topographic feature is a Hazard Area even if devoid of fuel.

    (Ibid.)

  • The El Cariso Regional Park on Hubbard in Sylmar is a memorial to the aforementioned El Cariso “Hot Shots,” the local United States Department of Agriculture – Forestry boys who were killed during their battle to keep the flames from entering the town.

    That was kind of bummer stuff, so sorry, but an interesting slice of history. Wildfires in California are far more devastating than the earthquakes with which the rest of the country generally associates the state, and as a result, fire science in California is often at the cutting edge of research and methods for saving lives in the future.

    But back to sunny Ms. Burke.


    “I’ve become a real flower bug,” she reports, “since Mom and Dad bought a retail nursery in Yucaipa last year. Each time I visit them, I load up the back seat of the Olds with so much greenery before heading home that it winds up looking just like some sort of window box on wheels.”

    (Ibid.)


    That’s cute.

    Weekends, June’s bantam (5′) beauty heads for the sun-drenched beaches of Santa Monica, equipped with an over-sized straw hat and nylon sailing parka. “My freckles still show no matter what I try!”

    a) Yay for little lookers! Rock on with your pocket rocket self.
    b) Why do freckled people always desire to hide them? Freckles are so unbelievably cute. I don’t get it.
    c) It looks like she is Thumbelina laying in an orange peel. What the what is that stuff?


    PEOPLE I ADMIRE: Albert Einstein, Dr. John Rock and Dr. Francis Kelsey, beause of their outstanding medical contributions.

    MY IDEAL EVENING: Have cocktails and dinner, take in a movie, and then have a pizza.

    (Playmate data sheet.)

    Right on to Einstein, pizza, mutts, and having a serious job while attending Cal Poly Pomona during her appearance as a Playmate. Ms. Burke is the exception and not the rule of pretentious brandy-snifter marlarkey we went over earlier this week. Fun final fact: her sister-in-law, Allison Parks, was the 1966 Playmate of the Year.

    Oh, and I guess a really fun final fact is that Ms. Burke was pregnant during this shoot. BOMBSHELL! Maybe that is why she is so adorably radiant. As you probably noticed, it’s another Cowboy Kate-influenced cover, I assume to reflect the “Girls of Texas” story. R.I.P., Sam Haskins.

    Sam Haskins Month, Day 17: Kate and Rosie, the plot thickens

    December 17, 2009













    I feel like I should mention I’ve been putting these up out of sequence so I don’t totally spoil the plot for you. Don’t forget to add Sam’s Cowboy Kate and Other Stories, the Director’s Cut to your Christmas wish list. You can get it from Powell’s Books, Amazon, or get on a mailing list with Dashwood to see when they get another copy.

    Sam Haskins Month, Day 15: “The Marshall’s star”

    December 15, 2009

    Sam Haskins Month, Day 12: A slick ballet

    December 12, 2009

    Technically, the telling has more in common with a slick ballet sequence from a well directed film than with the conventional picture story. It flows and it tingles. It has continuity and superb presentation. It is made up of an agreeable mixture of fun and hyperbole, extravagance and restraint. Nothing is just plain statement, so that the reader has the pleasure of exercising his own powers of interpretation.(Norman Hall, review of Cowboy Kate)

    Spiritually, it is a song of praise for the loveliness of woman and it has a lyrical fragrance which harks back to Spenser or Ben Jonson. In all there is a pervading sense of fun.

    Sam Haskins Month, Day 11: Cowboy Kate, “One Dark Blue Night” edition

    December 11, 2009

    Sam Haskins Month, Day 4: The straight Kate

    December 4, 2009

    Sam Haskins Month, Day 3: Kate and Rosie

    December 3, 2009






    (Blondes and brunettes. They are a Thing.)










    It’s not looking good for Rosie, eh? More to follow.

    Sam Haskins Month Day 1: When art imitates art

    December 1, 2009


    “Kate in Jail”: one of the photographs that launched a thousand rip-offs.

    Sam Haskins’ legendary collection Cowboy Kate is beautiful, wild, incredible art. I believe you can see its influence in nearly every major photographer working in erotica and artistic nudes today, and the influence spills over in to other art forms (Sin City, anyone? — I will prove that point another day) as well.

    It is all well and good when art imitates life. But what happens when art imitates art? And uncredited to boot? All hell breaks loose is what!

    I have already pointed out the low-class ripping off of Haskins done by Pompeo Posar on the cover of this 1965 November issue of Playboy, but, not having a hard copy of the magazine in front of me, I admit that I do not 100% know for certain that there is not some tiny line of text buried in the masthead citing Haskins as the source of the idea, so I am only partially incensed on that one: jury’s out, you know?


    Photographed by Pompeo Posar: model’s name is Beth Hyatt

    Much more recently, some shit the fan when, on his very entertaining blog, Sam Haskins took photographer Tom Munro and the UK edition of Elle magazine to task for what is inarguably very blatant and unmistakable composition thievery, with an unforgivable lack of credit.

    Of course there are those who say that imitation is the highest form of flattery but that’s garbage, when it looks like theft, tastes like theft and smells like theft – then guess what?

    The May 2008 cover shoot for British Elle featured Madonna as Cowboy Kate. This wasn’t a case of ‘influence’ – dipping into my books for a spark of inspiration or developing an idea or a variation on a theme – this was plain stealing.


    One of the highly disputed and disrespectable Munro Madonna images in question.

    One monitor in the studio was plastered with images from my books including the iconic shot of Kate with her black hat over one eye and next to it another monitor with the copies – literally an identical copy of Kate, live digital images of Madonna from Tom Munro’s camera. This is as brazen an example of photographic plagiarism – straight forward stealing – as you will ever see.


    left: Kate from Haskins’ book; right: Madonna in Munro’s shoot

    … Arianne Phillips holds forth on “the concept” of the shoot without mentioning Sam Haskins or Cowboy Kate at all. The commissioning magazine Elle also stays silent in print and online. The photographer Tom Munro who, (at the time of writing ) has a Cowboy Kate rip-off image on his website cannot find the honesty to give credit. Many of his photographs are very ‘reminiscent’ of my work as well as that of Richard Avedon, Irving Penn, Sarah Moon and on occasion, David Hamilton.

    Munro, you are straight called out! What is that like??

    I wish I could say those are the only cases, but Sam Haskins is such a superfly amazing guy that he “inspires” slews of eager young b&w photographers. For example, Haskins aficionados on the tumblr have observed this well-liked picture floating about which is a clearly Kate-derived piece:


    Via bebe le strange.

    In every case now when that photo gets reblogged on tumblr, the text “This is such a rip-off of Cowboy Kate by Sam Haskins,” accompanies it. Yes. Good on them for spotting an imitator and making sure the original source got proper credit. It’s well and good to appreciate a new, well-shot photo, but when the roots are so clear-cut, it’s important to cite that source. Sam himself said so; come on!

    Now here is how you do such a thing right: the company Valdés Wright represents fashion photographers. On their website they have a lovely portfolio shot by Tom Sorensen and produced by AVK, which is specifically titled, “Cowboy Kate 2008,” and described as, “Inspired by Sam Haskins’ famous 1964 book, Cowboy Kate & Other Stories, a beautiful outlaw eludes the sheriff while awaiting her lover.” Below is an example from the shoot, which is not very NSFW, so feel free to click through safely for once.


    By Tom Sorensen

    That’s how you borrow an idea while still gracefully paying homage. None of this sneaky stuff. Amateur hour with that Munro chicanery, I swar to gar. Can you believe that shit? I love that Haskins ripped him a new one.

    This has been Day 1 of Sam Haskins Month!

    NSFW November: Pat Russo, Miss November 1965

    November 27, 2009

    Another playmate who began as a bunny, 1965’s Miss November was the lovely and talented Pat Russo, a Connecticut girl who modeled briefly in Manhattan for the famous Barbizon Agency(kind of scammy in my opinion but some real careers have started there, so I’m not going to hate too hard). She hated the cold, relocated to Florida not too much later, and said in her interview that, after one winter in Florida, “‘Autumn in New York’ was just another pretty song as far as I was concerned!” She was scouted for the centerfold while working at the Miami club (“Pat Pending,” Playboy, November 1965).


    Photographed by Pompeo Posar

    This is kind of a weird one. I believe that Playboy did two different photoshoots (very common), but the stylists communicated poorly … if they communicated at all. Here’s what I think happened with this shoot.

    Maybe the people in charge of hair and makeup on the different days this shoot was done were in a fight and not speaking, or maybe they had a conversation about ideas for Ms. Russo’s “look” but came away without a unity of vision, or even maybe some other type of accident or act of God intervened vis-a-vis the two different colored hairpieces, styling, etc. I mean, the girl is blonde one time and solidly ash brunette the next; she doesn’t even look like the pictures were taken in the same year, let alone afternoon.

    Whatever happened here, too much time has passed to tell. But the end result is that it appears from some of the pictures, when you take the spread as a whole, as though Ms. Russo could be two almost totally different women.

    All pictures are of her, though — I verified it with her Yahoo! groups fan club leader (last post on their bulletin board was in December of 2006, but the moderator still checks his email, bless his vintage-pin-up-lovin’ heart; thanks again for the lightning-fast response time, buddy!).

    Speaking of styling, the cover is a blatant and (I checked the table of contents) totally unattributed rip off of the magnificent, incredible, erotic work of photographer and personal patron saint Sam Haskins, specifically his picture book/mystery/western short story Cowboy Kate (1964). I guess imitation is the highest form of flattery, but I am so genuinely bummed and perturbed by the fact that you might mistake the originality and brilliance of this composition —


    Totally uncredited rip-off photographed by Pompeo Posar. (Model’s name is Beth Hyatt.) Pompeo, I am hella disappointed in you.

    — the parted lips which echo the round opening of the gun barrel, the swinging curtain of blonde hair beneath the rounded black cowboy hat, the always-a-great-idea toplessness — as belonging to some cover designer at Playboy (all respect to their often-clever work) and not to the living god that is Sam Haskins that I do believe, holy shit, you guys, December is going to have to be Official Sam Haskins Month! I will do my best daily throughout December to scrounge up some of my saved photos from his enormous and thought-provoking body of work that are either permissible or I can reasonably say are ads and therefore in the public domain.

    Boy, oh boy! Let’s see if I can continue my streak of not getting sued before the year is up!

    It’s nice to have goals.

    Back in the saddle

    October 13, 2009

    It happens: Shy librarian type seeks a couple of stallions.

    I’m pulling out of my weird place that I was in where I was both busy and feeling avoidant. Today I am going to start accelerating until I’m back at full tilt boogie ASAP. I will not allow my lazy, hide-in-bed side to break promises to myself.

    It’s like, the longer I stay away from writing about personal things, the more insurmountable it seems to resume. But that is a cowardly road. I can’t go down it again. It takes me to dark places. Time for some navel-gazing, I guess, then. When I hide from writing, I hide from myself, which means I must know what my problems are and what I ought do to solve them.

    Ugly thought. Spoonful of sugar? Yes, please.

    Better but not great.