John Milton June: Long is the way and hard

                                        Long is the way
And hard, that out of Hell leads up to Light.

(John Milton. Paradise Lost, Book 2, 432-3.)

Goethe Month: Imagine me and you

Photographed by Jimmy Backius, via feaverish.

The world is so empty if one thinks only of mountains, rivers and cities; but to know someone here and there who thinks and feels with us, and though distant, is close to us in spirit — this makes the earth for us an inhabited garden.

(Johann Wolfgang von Goethe, Wilhelm Meister’s Lehrjahre: Bk. VII, Ch. 5.)

Giving the people what they want, 3rd edition — and a special shout-out to a lonely heart

Giving the people what they want: in which I glance over my blog stats, spot the trends in what brings you party people of the internet sliding on down to my place, and accordingly and with mutual thanks throw you some bone(r?)s.

Farewell and adieu to you fair Irish ladies.

First, a shocker. With mixed emotions I must report that the rack of Miss Megan Mullally is no longer the sheriff of Googlesearchy Town.* The first two editions (1, 2) of “Giving the people what they want” were dominated by amused-but-puzzled nods to the bafflingly large number of searches for the diminuitive Will and Grace star’s cleavage which lead droves of folks to my door. Megan held her own, beating out for many months running distant contenders such as “Drew Barrymore naked,” and “lesbian kiss,” which I would have thought any such phrases would easily eclipse “Megan Mullally’s breasts,” her “boobs,” her “topless” and variations therein and they never did. Until now.

*(By Googlesearchy Town I mean the searches that people enter in google to land on this journal — wordpress keeps track and ranks the most popular for me)

Top searching honors now rest in the tiny but mighty vintage hands of busty, bespectacled aspiring astrologer, the lovely and talented Fran Gerard — Playboy’s Miss March 1967, the self-help loving little looker whose cups runneth over.

The lovely and etc Ms. Gerard. For Science.

With 5,909 searches since her relatively recent appearance on the journal in March, Ms. Gerard beats out Megan at 2,503 since her inaugural boob-airing last September. Well-played, Ms. Gerard!

Sweet, lovely and talented heiress to generations of hot Italian culinary genius, Amber Campisi.

Rising Star Awards must go to three special up and comers. First, the talented family gal Amber Campisi (Miss February 2005); next, beautiful and tragic playmate and poet Marlene Morrow, aka Persephone (Miss April 1974) — whose gripping story has justly been getting attention from a number of outside sites linking in, enough so that her sister Landi was able to find this blog and send us an optimistic update on Marlene’s present condition about which I’m thrilled, check that post’s comments to get the latest — annnnnnnnd Yvonne Craig, BATGIRL!; all of whom are beginning to trend up the stats list with great and deserved speed. I look forward to what the next edition of “Giving the people what they want” will bring!

The very special Marlene Morrow/Marlene Pinckard/Persephone. Please, please read the account of how Paul Zollo found her with notebooks of poetry and an envelope holding her centerfold photo, living on the streets in L.A., and consider following the non-profit links which follow the write-up?

Finally: Quick note to the person who has found this blog by searching google three times in the space of the last two weeks — with “only assholes” in quotes so’s as to make maximal use of boolean exceptors — for the exact phrase “‘only assholes’ fall for me“: In case you ever come back a third time, I’d like to hope you hit this entry.

Vintage hottie Yvonne Craig has suited up!

First, you probably keep landing here because I frequently tag what I consider to be interesting graffiti with the words “only assholes write on walls” a la cult classic Rocky Horror. So I am sorry for the “only assholes” mix-up. But, more importantly, I am genuinely really sorry that you feel like only assholes fall for you and I wish I could make it better. I’m sorry that you’ve felt that way strongly enough to search the phrase three different times recently. I hope the next person you date is not an asshole. I hope that he or she is really nice to you — no, not just nice, because that is mealy-mouthed and hollow. That is a bullshit expression of my actual sentiment and is weak tea compared to the depth of my empathy, here. Okay:

I hope that that next person you date is genuinely amazing to you, like I pray that their very existence makes you believe in a loving God and you see the echo of your love for them in all the shapes of nature, and you don’t just love him or her but admire and value them, and that you curl your toes when you think of him or her even while driving and that they fill you with so much passion and love that you would kill tigers for them without a blink and you stay together until you die in each other’s arms after fantastic geriatric sex.

Scroll to bottom for caption.*

I hope that the grace of his or her presence in your life is like a lightning strike that inspires you forever after always to strive to be a better person, to laugh with surprise at an unexpected joke they make when you are having an argument, to give new ideas a thorough-think-through and peek behind closed doors; I hope in short that he or she deserves every drop of the deep well of love you were created to share and renews your faith in all the anonymous fellow upper primates all over our world with whom we must trek in our stewardship of this nutty mudhole in order to improve our karma and with every go ’round perfect our souls.

ByTim Weber and Sue Noble via environmental graffiti.

Good luck to you.

*Long caption to second to last shot: The dish ran away with the spoon but what can you do? They have opened a comic book store in the City and on rare nights off they like to order dim sum and watch TVLand; the comic shop is honestly not doing so well, their apartment is super-tiny, the bride’s mom won’t take their calls, their used car’s a/c is on the fritz, and they have never been happier.

Movie Moment: A story in stills — I Tre volti della paura, aka The Three Faces of Fear, aka Black Sabbath

A touch of giallo and genuine fear in the rainy April. In honor of the upcoming thirtieth anniversary of his death, I declare this Mario Bava Movie Moment Week. He was a really terrific director of plenty of genres, though he is best known for his work in horror, with a good sense of fun AND fear, and a truly great gift for cinematic expression. His colors, lighting, and cinematographic choices are amazing. I look forward to highlighting some of my faves from him over the next seven days!

Bava big pimpin’! image via Thizz Face Disco right here on the wordpress.

Thought I’d start with I Tre volti della paura, aka The Three Faces of Fear, aka Black Sabbath (1963). It’s a story in stills edition, folks, so skip to the bottom if you don’t want spoilers!

(stills via proximity seamstress in the Nostalgia Party community on the lj. YOU ARE SO COOL!)

Arguably Bava’s masterpiece, Black Sabbath is broken in to three segments. I feel that each of the three segments explores a various type of terror: from the psychological, to the monstrous, to the uncanny. The only element of continuity between the three stories is a cinematic one: Boris Karloff, one of the kings of classic horror, comes out to introduce each segment in the version with which I’m familiar (though I’m told this is not the case with the original U.S. release), and plays a vampire in the second of the segments.

These screencaps are exclusively from what I’d term the strictly psychological thriller segment, “Part I: The Telephone,” a noirish story about wicked people with ulterior motives couched in deceit, coupled with the dramatic sexy violence and twists characteristic of giallo films. Set in Paris, the short is familiar pulp territory, with the titillating added thrill of bisexuality, but it’s shot with a Hitchcockian tension to the angles and edited with sustained, lingering frames interrupted by abrupt cuts that really ratchet up the anxiety level.

The story takes place in pretty much one location over a single evening, almost in real time, which contributes considerably — along with the short length of the segment — to a swiftly rising pitch in suspense.

This hot ticket is Rosy, played by mega-hottie Michèle Mercier. Rosy is a call girl whose boyfriend and former pimp, Frank, has just escaped from prison. As she testified against him in his trial, she’s understandably concerned after hearing the dramatic news of his escape that he is going to seek her out soon for reprisals.

(And you thought nervous girls getting all naked and wet was a trope that was invented for seventies slasher flicks. Silly you. Friday the 13th ain’t got nothin’ on Sgr. Bava!)

It seems Rosy’s concerns are well-placed, because she begins receiving mysterious, threatening phone messages from a gruff caller who says he is Frank and warns that he is coming to get her.

Rosy calls a girlfriend, Mary, to confide her fears. Over the course of the conversation, you realize, oh, snap! This is a girlfriend-girlfriend! And Rosy is now even hotter. A high-femme damsel in distress, she is relieved when her more strong, slightly domineering and weirdly “off” ex promises to hurry over to the apartment and help Rosy relax.

Mary’s “offness” is explained when she turns right back around and calls Rosy back, disguising her voice and pretending to be Frank — she is the one who’s been making the threatening phone calls that have Rosy so shaken up. Also, she is a very smart dresser, as you can see in the following still.

Look at you, girl! All a dominant and crafty lipstick sixties lesbian, all suited up and catty in your emerald green, all situated in the bed looking cosmopolitan with your little sherry glass — I said goddamn, Lidia Alfonso: haters to the left. She’s looking mighty good. That shit would sooo work on me.

Mary is just full of good counsel and reassurance for her frightened former lover. As an example, she suggests that Rosy put a carving knife under her pillow …

… and take a nutritious, delicious tranquilizer. Those are two things that always go together really, really well, especially in a film called The Three Faces of Fear.

Man. The trustworthy Miss Mary’s lifestyle tips are practically gold. She should start a magazine. How to Put Your Ladytimes Lover in Serious Danger: Accessories and Cocktail Suggestions for the Scheming Butch on the Go!

To Mary’s credit, once Rosy drops off, Mary pens her a letter which explains her motivations (something we’ve been curious about, too, since making prank calls saying you plan to end your lover’s life is kind of a sketchy thing to do).

Mary writes that she had missed Rosy terribly since their breakup and, when she heard about Frank the scary pimp’s prison break, she decided to use the opportunity to invent a scenario where Frank was threatening to murder Rosy so that Rosy would call Mary for help. After being around Mary again, the plan went, Rosy would realize the mistake of their separation and invite her back in to her life. Mary’s sorry it had to be done in a deceitful and scary way (which it didn’t, actually — that kind of convolution is pretty much strictly the logical provenance of giallo), but she writes that she loves Rosy and hopes to make it up to her.

Stop — Boris Karloff time! (Please, Boris Karloff, don’t hurt ’em.) I have inserted this interruption completely out of sequence. I just really wanted to throw it out there. Back to the story. Are you ready for the twisty turn of the screw?

While Mary is busy writing her love letter to the tranqued out Rosy, a man steals in to the apartment, clearly intent on murder. It is Frank, the pimp, now a genuine threat even though thirty seconds ago we thought he was not! He didn’t call but he was actually coming all along.

Crap! Mary, with whom we have just become totally sympathetic due to her big reveal of being a lover not a murderer, does not hear him because she is wrapped up in her lovey-dovey explanatory note-writing, and Rosy is asleep in the arms of Prince Valium in the other room.

He grabs the silk stocking off of the chair where Rosy discarded it earlier before her steamy I’m-scared-so-I’ll-strip bath and subsequent frightened call to Mary.

He sees the back of Mary’s dark head and, oh, no!, without seeing her face, begins to strangle her with the stocking. He assumes she is Rosy, his intended target.

The muffled thumps of Mary and Frank’s struggle Rosy slept straight through, but her lover’s death rattle finally wakes Rosy.

Maybe some kind of sympatico mental thing. She knows she has just heard something bad. She realizes it was Frank and deduces that he killed Mary. She is frozen in fear, looking at his face.

Suddenly, Rosy remembers the knife that poor dead Mary suggested that she stash beneath the pillow back when we still half-thought Mary might end up using it on Rosy herself.

Rosy stabs Frank with the knife, killing him, then breaks down sobbing and freaking out and crying, surrounded by the corpses of people she used to have sex with. I assume someone found her and stopped her screaming eventually. In any case, that knife sure ended up being a danged good idea. Why did you say it wasn’t? Sheesh.

Bava at work.

Mario Bava said repeatedly that this was the best of all his directorial work, placing it even above the classic La Maschera del Demonio/The Mask of Satan/The Black Mask (it is in Italian horror directors’ contracts that all their movie titles have at least three crazy names. Did You Know?). The man — Quentin Tarantino — has cited the narrative structure of Black Sabbath as his inspiration for the disjointed cinematic discourse in Pulp Fiction.

Why did I choose the least-flattering picture of QT ever? Answer: So that he will look at it and think I’m the best he can do and we can get married.

Seeing this motion picture on its release in Great Britain also inspired one Mister Ozzy Osbourne and his associate, a Mister Geezer Butler to change the name of their heavy blues/rock ensemble Earth to the film’s U.K. title: “Black Sabbath.” Previous band names included Mythology and effing Polka Tuck (I have a really hard time with that), so you may thank Sgr. Bava for inspiring one of the badassicalest band names in the history of rock-and-or-roll*, chosen by a group that would go on to become the Greatest Metal Band of All Time. Grazie!





*The worst band names ever are “Green Jellÿ”** and “The Alan Parsons Project.” Documented fact.

The first instance is the most idiotic use of an umlaut in recorded human history, and the second name sounds like a public access show about whittling that you watch by accident in a hospital because the batteries in the clicker have died and the only magazine in the deserted waiting room is a copy of People featuring Kathie Lee Gifford. Which you have already read since arriving. Cover to cover. Twice. (“Former ‘Brady Bunch’ star’s new lease on life — thanks to gem meditation!” “Dr. Mehmet Oz lists the surprising holiday foods that you can load up on!”)

image via the smart and sexy towleroad on the typepad.

Agree with me that the second cover story on that phantom hospital waiting room’s phantom Kathie Lee issue of People is: “Plus — Mario López: Why hasn’t TV’s most eligible (and ripped!) bachelor found a lady?” Oh, such a head-scratcher. Poor Mario! Sigh. Just like Liberace.

**In Green Jellÿ’s defense, they actively set out from the moment of their inception to be literally the worst band ever, beginning with their name. To my knowledge, the Alan Parsons Project was titled in earnest and has no such excuse.