From the album In My Life, compiled by Sir George Martin, 1998, this is a shockingly good cover of the Beatles’ cryptic classic by a dude who holds a special place in my heart.
Jim Carrey — I Am the Walrus (Lennon/McCartney, 1967).
I do not care one whit about the Ace Ventura movies or Dumb and Dumber: I’ve never even seen them. That’s deliberately due to the fact that I really, really like everything else about Jim Carrey. I just think he’s an excellent, sensitive, even somewhat tragic human being. A real person.
Not long ago, someone started that old, “If you could have dinner with one person, living or dead–” question, and I immediately blurted out, “Jim Carrey!” Then I felt bad for not saying Jesus.
I guess I just want to see if I’m right about him. He seems like such a levelly cool guy.
Listen for Jim on both vox and keyboard in this cover.
I am he as you are he as you are me and we are all together.
See how they run like pigs from a gun, see how they fly.
I’m crying.
Sitting on a cornflake, waiting for the van to come.
Corporation tee-shirt, stupid bloody Tuesday.
Man, you been a naughty boy, you let your face grow long.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g’joob.
Girls Like A Boy Who Plays Music.
Mister City Policeman sitting
Pretty little policemen in a row.
See how they fly like Lucy in the Sky, see how they run.
I’m crying, I’m crying.
I’m crying, I’m crying.
Yellow matter custard, dripping from a dead dog’s eye.
Crabalocker fishwife, pornographic priestess,
Boy, you been a naughty girl you let your knickers down.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g’joob.
Sitting in an English garden waiting for the sun.
If the sun don’t come, you get a tan
From standing in the English rain.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g’joob g’goo goo g’joob.
Expert textpert choking smokers,
Don’t you think the joker laughs at you?
See how they smile like pigs in a sty,
See how they snied.
I’m crying.
Semolina pilchard, climbing up the Eiffel Tower.
Elementary penguin singing Hari Krishna.
Man, you should have seen them kicking Edgar Allan Poe.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g’joob g’goo goo g’joob.
Goo goo g’joob g’goo goo g’joob g’goo…
And finally —
— because it’s extremely true. (I do not number among the nameless hordes of diehard Titanic haters, I simply disagree with many of the characters’ choices.)
Eternal Sunshine of the Spotless Mind (Michael Gondry, 2004.)
Silence is only frightening to people who are compulsively verbalizing.
(William S. Burroughs qtd. in Odier, Daniel. The Job: Interviews With William S. Burroughs. (Paris: Editions Pierre Belfond. 1969). Print.)
I really can’t stand it when people pester me about communication. It’s insecure and suggests that I’m some wild, changeable, untrustworthy person who the other party may turn to find is plotting some mutiny behind their back or necking with the bartender while their car is being stolen. I wish it could just be assumed that I am a solid human and that if I had anything new to report, I would. It’s so disrespectful to be unceasingly pressuring people to talk if they don’t feel like it or have requested time to think: the kind of person who fears silence, as Mr. Burroughs points out, is a self-involved control freak who is only waiting for their turn to start nattering on about their own problems again.
“What are you thinking? You’re so quiet.” Aren’t you thinking about me? I want to be talking. It tells me that the other person doesn’t give a shit about what I’m actually like, and I am just another in a long line of replaceable intimate nobodies to whom they confess everything, manipulate endlessly, and discard for someone more dramatic when they are bored of baring their soul to me. Like, screw that, you know? Thank god my friends get it and are like that themselves: we respect each other’s silences and alone times, and come together with love and boisterous support when the time is right, not when we demand it to be so. So much better. Why can’t we just marry our friends and family?
I’ve had a lot of friends celebrating romantic occasions recently. This is for them, and for hope.
i like my body when it is with your
body. It is so quite a new thing.
Muscles better and nerves more.
i like your body. i like what it does,
Eternal Sunshine of the Spotless Mind (Gondry, 2004).
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh . . . . And eyes big love-crumbs,
and possibly i like the thrill
of under me you quite so new
(E.E. Cummings, “i like my body when it is with your.” Written for Elaine Thayer. They divorced in December of 1924. The poem was published Valentine’s Day, 1925.)
Jean Seberg, À bout de souffle/Breathless (Godard, 1960).
If you feel often like me then these Cummings love poems might make us lost ones a little lonely, but if I can glean a positive from it, they are written with such passion that you cannot help, with some surprise, hoping to find a fraction of that abandon and joy, whether again or for the first time. And believing such a thing is possible to find even after you’ve experienecd deep pain or felt yourself set always apart from the crowd of the easily popular, incomprehensible, “normal” socializing world, the idea that you might still connect with someone in a deep, resonantly real way, one that isn’t predicated on current conventions of date-marking-success like alcohol or knowing lines from an eighties sitcom, is something that is never bad. I think too that stripping away all the trappings that surround a date or relationship, and seeing how well the vibe between you stands up absent of distraction, mood-altering substances, and the intervention of entertainment technology is maybe a good idea, too.
Katharine Hepburn, Woman of the Year (George Stevens, 1942).
Maybe it’s even vital and something you should do right out of the gate instead of triking along together parallel-playing in front of the television at being in touch when really you are still little materialistic children faking love for someone else in a thousand ways while you prevent yourself from really loving anyone by putting up these walls of text messages and reality shows you have to watch and social networking and earbuds and booze and — hey-hey-hey — blogging. We make ourselves alone even when we’re together, and then we can’t understand why we can’t form connections… I am totally depressing myself. This was supposed to be about hope and it still is. Maybe I’m just whittling away the non-reality of all the malarkey that’s kept my hope from fulfillment in the past.
This post originally appeared on November 11, 2009. I’m getting to be in kind of a dark place but a few good things have happened (I’ll share the spoils of the cool email I got from Milo tomorrow) and I’m trying to stay in a positive frame of mind. When this post came up in a random search to find a worthy take-two entry, I decided it would be good for me to get uplifted.
I am not ready to go all the way in to this movie. I feel a tremendous amount about it and have a lot of memories tied too closely to it to possibly ever discuss it. But I had a few quotes and a small piece of advice associated with these pictures to share.
Clementine: Am I ugly?
Joel: Uh-uh.
Clementine: When I was a kid, I thought I was. I can’t believe I’m crying already. Sometimes I think people don’t understand how lonely it is to be a kid, like you don’t matter. So, I’m eight, and I have these toys, these dolls. My favorite is this ugly girl doll who I call Clementine, and I keep yelling at her, “You can’t be ugly! Be pretty!” It’s weird, like if I can transform her, I would magically change, too.
Joel: [kisses Clementine] You’re pretty.
Clementine: Don’t ever leave me.
Joel: You’re pretty… you’re pretty… pretty…
(Eternal Sunshine of the Spotless Mind. Gondry, 2004.)
This off-set picture below was taken the day that they shot the scene where Clemmy stops the children from making fun of Joel in his memory and hustles him out of there: that is such a great moment. I have always fantasized about being able to do that for people I love, my dearest and best friends, to be able to go back in time to their saddest moments and ease their suffering, do something to take their pain away and help them see that things will get better. But it is not just my friends’ times of despair that I apply this mental exercise to. I do it for me, too.
Sometimes when I find myself haunted by a particularly painful memory, I honestly try to walk backward in my mind and picture a moment of great agony as clearly as I can, and I give my younger self a hug. I promise me it’s going to be okay. Try it. Maybe that’s how you got through it the first time, to begin with.
I am not ready to go all the way in to this movie. But I had a few quotes and a small piece of advice associated with these pictures to share.
Clementine: Am I ugly?
Joel: Uh-uh.
Clementine: When I was a kid, I thought I was. I can’t believe I’m crying already. Sometimes I think people don’t understand how lonely it is to be a kid, like you don’t matter. So, I’m eight, and I have these toys, these dolls. My favorite is this ugly girl doll who I call Clementine, and I keep yelling at her, “You can’t be ugly! Be pretty!” It’s weird, like if I can transform her, I would magically change, too.
Joel: [kisses Clementine] You’re pretty.
Clementine: Don’t ever leave me.
Joel: You’re pretty… you’re pretty… pretty… — Eternal Sunshine of the Spotless Mind, 2004.
This off-set picture was taken the day that they shot the scene where Clemmy stops the children from making fun of Joel in his memory and hustles him out of there: that is such a great moment. I have always fantasized about being able to do that for people I love, my dearest and best friends, to be able to go back in time to their saddest moments and ease their suffering, do something to take their pain away and help them see that things will get better. But it is not just my friends’ times of despair that I apply this mental exercise to. I do it for me, too.
Sometimes when I find myself haunted by a particularly painful memory, I honestly try to walk backward in my mind and picture a moment of great agony as clearly as I can, and I give my younger self a hug. I promise me it’s going to be okay. Try it. Maybe that’s how you got through it the first time, to begin with.
The Thought Experiment 