Posts Tagged ‘green’

Liberated Negative Space o’ the Day: Never mind / Doesn’t matter

December 7, 2010


By John Furnival. Can’t find a date for it. From the “Somewhere between poetry and painting” gallery show at England & Co., London. May 8, 2010 – June 5, 2010.

Ghost World Half-Day — It isn’t easy being green

June 12, 2010

There are a lot of eye-popping colors in Ghost World, but the three most consistent elements of what I think of as the Enid Palette are vivid primaries: red, blue, and green.

A very specific and bilious shade of green emerges early in Enid’s wardrobe. This poisonous-snake shade appears in her clothing, which complements the strong primaries in which Enid usually dresses, as well as her black bob and dark glasses with her fair skin and blue eyes.

In the above shot, both girls wear green, but the colors and their function are totally different. Rebecca’s simple, anonymous knit shirt is kind of leaf-green and yellow, characteristic of the dusky rose, natural understatement in the palette associated with her character — in contrast, Enid’s plaid schoolgirl skirt is deliberately shockingly green, an unflattering color in a style that is a send-up of conformity.

As a symbolic or character-establishing color, it’s pretty elementary to suppose that Enid favors this green because she, herself, has some wide streaks of biliousness and poisonous-snaky snark.

Enid: Hello there, young employee of the Sidewinder.
Josh: I already told you I’m not going to give you a ride.
Enid: What can you tell me, young man, about the various flavors of “frozen yogurt”?
Josh: Look, I’ll be done in a minute. Just wait outside.
Boss: JOSH! WHAT ARE YOU DOING!?
Josh: (sighs) The flavors we’re featuring this week, in addition to old favorites chocolate and vanilla, are Six-Gun Strawberry, Wild Cherry Round-up, and Ten Gallon Tangerine.
Enid: Hmm. I don’t believe I care for any of those.

Over the course of the film, as Enid begins more deeply probing who she “is” and what that will mean for the rest of her life, the green starts to migrate. It appears on her lips; she wears green lipstick— I think not coincidentally — while she and Rebecca are deliberately lying to Seymour, leading him on to think Enid cares about his blues .78’s so they can laugh at his expense later. When she is inspired by old punk music and seeking to try new identities, the green moves to her hair.


Rebecca: (disdainful) When did you do that?
Enid: What? How long have you been standing there?
Rebecca: Did you have to buy new hair dye or did you still have some left over from eighth grade?
Enid: Fuck you, bitch!


Enid: Hi… what’s your name?
Man: (looks at watchless wrist, then down the street) Norman.
Enid:…Are you waiting for a bus?
Man: Yes.
Enid: I hate to tell you this, but they cancelled this bus line two years ago. There are no buses on this street.
Man: You don’t know what you’re talking about.

The green hair and the identity with which Enid associates it has surprising side effects: for one thing, it makes her ballsier. She is able to admit she wants to see Josh, even though he isn’t home. She finally brings to an end (shown two caps above) Rebecca and her long-standing speculation about the man who waits for the bus. And she gets mouthier than normal (partly due to defensiveness) with people she usually settles for being subtly rude to.

(Inside Zine-O-Phobia Bookshop)

Creep 1: I’m telling you, you’re wrong — carpet beetles are the only way to get the flesh off a corpse… Boiling is strictly for amateurs!
Enid: Don’t you creeps ever talk about anything nice?? Don’t you ever talk about … fluffy kittens or the Easter Bunny?
Creep 1: Look who’s talking — Little Miss Badass.
Creep 2: Yeah, nice outfit. Who are you supposed to be, Cyndi Lauper?
Enid: Blow me, doofus!


John Ellis: Oh. Didn’t they tell you?
Enid: Tell me what?
John Ellis: Punk rock is over.
Enid: I know it’s over, asshole, I —
John Ellis: Yeah, if you really want to “fuck up the system,” you should go to business school. That’s what I’m gonna do. Get a job at some big corporation and fuck things up from the inside!

You can see the wheels turning for Enid during this exchange and she is reasoning through her attempt to adapt a punk identity; she doesn’t like all the flak she’s getting for it and she doesn’t want people to think she’s a blindly-anarchic bomb-tosser, either. (I think Enid is mainly far too socially scarred, which manifests itself as smug mistrust and smirking aloofness, by other people to “join” any kind of revolution, ever.)

Enid: That’s not even …
John Ellis: Yeah, yeah, yeah. Do you have my money?

(She wads up a twenty-dollar bill and throws it at him.)

John Ellis: Ooh, how “punk”.
Enid: That tape sucked, by the way.


Enid: It’s not like I’m some modern Punk dickhead… It’s obviously supposed to be a 1977 Punk look, but I guess Johnny Fuckface is too stupid to get it!
Rebecca: I didn’t get it either.
Enid: Everybody’s too stupid!

She dyes her hair back to black and continues trying to express herself (still having yet to realize in the bildungsroman tradition that she must find herself first, and expression will follow much more easily) through wardrobe, smart mouth, and hasty decisions.

That was fun. Maybe I’ll do red or blue later.





All the screencaps for Ghost World Half-Day will come from a combination of sources: heartstopper, augustusgloop, and vodiak on the LJ; Movie Screenshots on the blogger; various imdb caps and old, unsourced still shots. Also I might scan some pictures from the graphic novel since I am right now looking at the spine of it in a pile of books on my desk.

Monocle Monday: Dino-mite tat edition

April 19, 2010

Happy Monocle Monday, dino-mite edition!

If you must get a tattoo, I will not make too much noise over this one, chitlins.

This shot pretty much fires “awesome” on all six cylinders; if I had a gun to my head and someone was like, “You HAVE to get a tattoo to prove you believe in at least one thing, E, or we will kill the people you love most!” I would frantically shout back, “Okay, okay! — I assume I will never stop thinking a t-rex sporting a monocle with top hat and balloon bouquet is pretty great, so, fine — tattoo that on my untouched milky skin, you fiend!” and be pretty much okay with it. (Seriously, my skin is caramel-macchiato-con-skim-leche-fine paradise. You will probably never experience it. What is that like, suckaaaa?)

Daily Batman: The Importance of Being Ivy

January 11, 2010

Dr. Pamela Isley goes green.

These businesses are destroying the planet. Pollution, deforestation, overharvesting — and all for the one thing they already have too much of to begin with. Money.



“Daring Do.” Bowles, Hamish. Photographed for the Costume Institute Gala by Craig McDean, Vogue (U.S. edition), May 2008.

Click here to view Newsweek‘s 2009 ranking of Greenest Companies in America. If a company in your town, from whom you buy a majority of your products, or in whose product you are interested is not on the list, consider writing to them and politely explaining why you would like to see them begin environmentally-friendly practices in order to keep your business. We can’t all just poison the bad guys like the good green doctor, here, but you can still do your part.

It’s more honorable and in keeping with the theme of the issue to keep it clean in your fight, anyway. No ELF-style bombing baloney, which is dangerous and eliminates jobs from the humanitarian standpoint, and only plays in to the hands of the opposition from the strictly political and pragmatic end of the argument. When it comes to corporations and their interactions with politics and the environment, you definitely catch more flies with honey than with vinegar — ask any venus trap.