Posts Tagged ‘illustrated ladies’

Liberated Negative Space o’ the Day: Ginsberg and Galliani edition

July 7, 2010


The weight of the world
is love.
Under the burden
of solitude,
under the burden
of dissatisfaction

the weight,
the weight we carry
is love.


Who can deny?
In dreams
it touches
the body,
in thought
constructs
a miracle,
in imagination
anguishes
till born
in human–
looks out of the heart
burning with purity–
for the burden of life
is love,

but we carry the weight
wearily,
and so must rest
in the arms of love
at last,
must rest in the arms
of love.


No rest
without love,
no sleep
without dreams
of love–
be mad or chill
obsessed with angels
or machines,
the final wish
is love
–cannot be bitter,
cannot deny,
cannot withhold
if denied:

the weight is too heavy


–must give
for no return
as thought
is given
in solitude
in all the excellence
of its excess.

The warm bodies
shine together
in the darkness,
the hand moves
to the center
of the flesh,
the skin trembles
in happiness
and the soul comes
joyful to the eye–


yes, yes,
that’s what
I wanted,
I always wanted,
I always wanted,
to return
to the body
where I was born.

(“Song” by Allan Ginsberg.)

All photos by Francesca Galliani.

Art and The City, or, “Why I have a brain-boner for Jeremy Forson.”

April 7, 2010

Reppin’ SF.


“Red Dress.”

San Francisco-based artist Jeremy Forson’s work has appeared in Proteus Mag, True Eye, Juxtapoz and Spectrum.


“Light Thief.” My topmost favorite in a field of favorites.

The troop number on the scout’s vest is 415, which is a reference to the telephone exchange for San Francisco. The area code for numbers in The City is 415 (probably at this point another has been added, but that’s what I always think of). I dig it.


“Green Shirt.”

The 2005 CCA grad (although then it was still called California College of Arts and Crafts) also does LP covers and skate decks, because he is too cool for school, and I mean that with the most far-sars and sincere admiration. Also he rocks Stand By Me specs like me and all the other inadvertently hep cats! Witness:


Mr. Forson is on the far left.

See? Super-cute. You feelin’ that?


“Lyon.”

You can enjoy more artcrush cyber-stalkytimes by becoming imaginary friendohs with Mr. Forson on the myspace, fanning him on the facebook, reading his profile at Illustration Mundo, subscribing to his blog, or following him on the twitter.


“Perfect Predator.”

He is also on the flickr, and don’t forget to swing by his etsy shop and pick up some prints. The man has got web presence in spades, which is both smart of him and nice for people who want to see more of his awesome shit. A win-win all day.


“Peonies.”

“The general theme of the series captured all things mundane and beautiful and guilty in San Francisco– documenting night life, body art, apathy within crowds, Victorian homes, fashion, trees, and light pollution; all told through Forson’s mastery of color and haunting imagery.”

(“Artist Spotlight: Jeremy Forson.” 15 Sept 2009. Hilario, Raymond. Weekly Comic Book Review.*)


“Pain Investments.”

“I’m here early, but the kind folks at Edo Salon are nice enough to let me in. Thank you for that. This time around, Jeremy Forson, essays on life in San Francisco– elegant, genteel and Victorian for the most part, but sometimes it can be a long hard night. His tattooed tarts appear to basically update the Patrick Nagel idiom. Nice quality work overall.”

(“Edo Salon: Jeremy Forson – The Lost Fight.” 4 Sept 09. Alan Bamberger. ArtBusiness.com.)


“Gatekeeper.”

If I had to reluctantly accept it at all, I’d have to say that the Nagel comment is at best a dramatic oversimplification. So, no. … No, I just plain respectfully disagree. There was much more to that show than “tattooed tarts,” to boot. So it seems like an upbeat review that is nonetheless somewhat misleading. Nagel reference image in case you’re lost:


Let me be absolutely clear: this is a “work” by Patrick Nagel. It is not done by Jeremy Forson. At all. Do not get confused. Stay with me.

But the gentleman in the review was approaching his visit to Edo from an art-business-consulting p.o.v., so perhaps that plays a part? Like, maybe it benefits art-business-consultants to generalize and “pitch” the “look” of an artist because of how galleries and private collection operate? That weird liminal bit of space between salesmanship mixed with snobbery where the business guy admits he has an artistic side, but knows his primary goal is not to criticize art but to move it into people’s hands? It seems so arbitrary and subjective and also frighteningly commercial to me. Whatever. If it made some old school Nagel-loving collector pick up some of Mr. Forson’s work, then I guess no harm. Back to the good stuff.


“SF Mag noir.” A very scarrry cover. San Francisco Magazine.

Of course, Mr. Forson does not focus his talents exclusively on the clever incorporation of physical and cultural references to San Francisco into already kickass portraiture. He also has some relatively un-415 related work as well.


Cover for “Poe,” Boom! Studios.

“This is one of the most unique ideas I’ve seen cross my table” said BOOM! Studios Editor-in-Chief Mark Waid. “There’s always so much about our classic writers we don’t know, and examining their works and their history can reveal new information, but that’s hardly any fun! POE is alternate history with a horror twist, and is perfect for fans of mysteries.”

(“Enter the World of Poe With Boom! Studios.” 18 May 09. News team. Comic Book Resources.)


“Stargazer.” Unrelated to the Poe information preceding and following it, I just wanted to include it to show Mr. Forson’s range. “Tattoed tarts,” indeed. Pfft.

BOOM!’s new four issue mini-series reveals Poe’s relationship with famous characters and stories from his body of work — like The Raven, the Mask of the Red Death, and many more! Similar to the way SHAKESPEARE IN LOVE showed how William Shakespeare was inspired by his own life events to create some of his creative masterworks, POE takes Edgar Allen Poe on a supernatural adventure that proves to be the fodder for his life’s greatest accomplishments in literature.

(Ibid.)


“Valentine’s teddy bear.”

Dude, that Poe comic sounds all kinds of hella cool. Now I want to get that. Final thought: I. Love. This. The “miwk” part is the part that cracks me up.

Taking Special K up to Humboldt for the next several days, so I’m going to pack, schedule some ghost posts, and be mainly outie. Don’t take any wooden nickels and I’ll catch you on the flip!





*I kind of ♥ the WCBR forever. Swar to gar. Smart, genuinely heartfelt reviews. I rely on them a lot when I have spare cash burning a hole in my pocket and it’s a Wednesday (comics day).

Daily Batman: Bat tats, too — “Friends for a reason.”

February 7, 2010

Illustrated friendohs by PookaBurra.

Quelle surprise.

October 6, 2009

I got another writing project. This one a) is legit-illegitimate, where I have to straightforward plagiarize and cannot delude myself the person needs the help or is using this as a model paper or some folklore, and b) has some whiff of the racysauce to boot. Double ooh!

Cheezits, I don’t even like being bad, this is me putting an upbeat face on it. Well…I can’t say the topic is the worst thing ever in my book, I admit.


Alternative Secretary poster design by Dawn Patrol on the IMP awards website.

So, yes, I came home from the SJ trip with Miss D and, after meeting up with Paolo at Chevy’s for some strategy and relaxation (gown is safe and sound in the actual town where the wedding will be, one less care on the list this week, thank god!), I got back to the ol’ compy and found I’d won a bid on a paper for which I’d forgotten even devising a quote. Got all those dogs in the fire, stanimal, I keep saying so, and a few other frankly distracting things swirling around me.

Quelle surprise: the topic is masochism. SS Funtimes, ahoy!