Daily Batman: Inspiration Station — From Boudicca to Selina to Dana Scully (and Bettie in between)

Bettie Page in catsuit. Unknown date. R.I.P., Queenie.

Like Batman, the Catwoman operated outside the law within her own code of morality. She predated the creation of Alfred, the Penguin, and even famous heroines like Wonder Woman, Miss Fury, and Black Cat. Catwoman broke the glass ceiling of the comic industry and raised the bar for future female characters. From their first battle in Batman #1, the caped crusader has uniquely allowed her to escape.

Selina Kyle became a foil to Batman, a reflection of his own dark desires and need for healing, as well a Jungian anima to his animus.

(Fies, Elizabeth. “History of a Femme Fatale.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Fans of different generations of the Catwoman archetype make their own attractions to the character. Obviously she fills a void in comics of complex female characters; women that both male and female readers can relate to and admire. The largest difference between our modern mythology and the fairy tales and Greek myths of yore is the silent exclusion of half of our population.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Originally comics were bought by almost as many females as males, so economics does not explain the lack of female representation in the DC universe. Unlike societies that told tales of Hera, Diana, the Amazons, Boudicca, Judith, Matilda, Cleopatra, Inana, Jinga, Queen Elizabeth, Morgan, Joan of Arc, and many other strong women, as a culture Americans lacked the archetype of the Warrior Queen.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Gillian Anderson (Dana Scully, The X-Files) in purple catsuit. Jesus wept.

The invention of Catwoman begat a new generation of powerful characters like Wonder Woman, Xena, and Agent Scully that may not have been heard without Selina’s birth in 1940.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Inspiration Station: Star Wars, “That’s no moon” à la Magritte edition

As seen on the forums of somethingawful.

cf:

“La Trahison des Images/The Treachery of Images” (Magritte, 1928-29), sometimes translated as “The Betrayal of Images.”


Final thought:

Sign on one of the back doors of Vintage Gardens, Modesto, California. I took this at Paolo and Miss D’s wedding and was thinking of Magritte’s pipe the entire time.

Rainy days and Mondays: Inspiration Station and Movie Moment — Wizard of Oz edition

Sheets of rain keep falling here. It’s pretty when a little sun comes through, it makes it look like glass. But otherwise it’s overall a very dingy scene and it bums me out even more than a rainy day normally would (I actually like the rain, mainly) because I am waiting to hear from my husband about his grandmother. She’s not expected to live much longer than the next few days; when she passes away, I will fly to Portland to be with him and the family. I simply can’t let him go through that alone, and I would never disrespect my in-laws by even considering not going, to say nothing of the fact that I would like to say goodbye to a woman in whose home I lived (we rented from them once they moved to a retirement center), whose son I spent a great deal of time with, and to whose grandson I got married. It will be difficult, but it has to be done.

So today, being that it was raining cats and dogs and I think I even saw a ferret, and as kidlet had a school holiday, I wanted to have special bonding time before I travel without her. We are almost never separated, so I’m anxious about that as well.

We decided to make chicken noodle soup and grilled cheese sandwiches (total rainy day food) and watch us some uplifting movies. First up was The Wizard of Oz, and it started my wheels turning about the books and about the pluses and pitfalls of escapism.

Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.

Yet the old time fairy tale, having served for generations, may now be classed as “historical” in the children’s library; for the time has come for a series of newer “wonder tales” in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale.

Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident.

Having this thought in mind, the story of “The Wonderful Wizard of Oz” was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

L. Frank Baum

Chicago, April, 1900.

(The Wonderful Wizard of Oz, Introduction.)

A lovely sentiment, but I find Baum’s assertion as to the lack of nightmares and heartache in the final product of the Oz books — of which I am one of the world’s staunchest and most highly devoted fans — intriguingly debatable. If I have time later this week, I will try to have a movie moment with Return to Oz, which will shed some light on what I mean.

Holly Owens as Dorothy in the Emerald City, for Tarina Tarantino’s “My Pretty” collection.

— Can you even dye my eyes to match my gown?
— Uh-huh.
— Jolly old town!

(The Wizard of Oz (Victor Fleming, 1939)).

Kate Moss as Dorothy Gale by Francois Nars.

“If I ever go looking for my heart’s desire again, I won’t look any further than my own backyard. Because if it isn’t there, then I never really lost it to begin with.”

Did You Know? … two of the images in this post are pictures of my daughter at Christmas. She gets a new pair of ruby slips every year.