Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.
(Anaïs Nin. D. H. Lawrence : An Unprofessional Study. 1932.)
This is a challenge breathtaking in scope. Wanting to change is so much easier than actually having the courage of the deed. I think it is a thing that happens by degrees, so that you look at yourself one day and realize you are totally different than the person you had been six months or a year or a decade ago. Where we elect the state of stasis and suffer that kind of death is where we mistake sameness for security, security for happiness, happiness for living. I wanted for very long to stay hidden, because I thought there was safety in that.
It is not just about a rut. It’s more like a trench, and the longer you stay in it, the more likely you’ll be hit by a Howitzer if you try darting topside. You have to climb with calculation, sometimes big leaps to get over a tough, deeply rooted, scrabbly stretch, sometimes taking ages of care to navigate your foot to a safe path. I have no idea what waits at the top. It might not be happiness. But how much better to see the whole field and enter the battle than to cower at the bottom of the trench?
To elect to “become” is to elect to risk. Risk is frightening because, whether it pays off in your estimation or disappoints you horribly, it guarantees one certain result: change.
Human beings can reach such desperate solitude that they may cross a boundary beyond which words cannot serve, and at such moments there is nothing left for them but to bark.
(Collages. 1964. p. 116.)
I am only alone if I am in the bath or driving. So the shower is where I generally get my barking out. I made an ocean in the pipes while I was pregnant, a terrible time for me because of the earth-destroying fights I would have with her father, and again when I left my husband, horrible silent sobs of shock and regret that would make me vomit. I have written before that I dislike crying or admitting to feeling feelings. But in the last few years, since this journal started, really, I’ve grown better at admitting to crying. I even sometimes let a few public tears go, if the occasion is momentuous enough that I forget myself, and I have oil on hand to keep my robot face from rusting.
All this context is by way of avoiding the content of this quote. I think I’ve sufficiently lambasted myself for one day (see below).
The bulk of this post originally appeared on February 5, 2010 at 9:04 am.
Photographed by Mario Casilli.
First up is the lovely and talented Cheryl Kubert. In going through my files to prep this entry, I realized I’d already saved several pictures from this shoot here and there for the last year, so I’m pretty pumped to share.
It’s not a cute or even particularly “themed” shoot at all, but Ms. Kubert has an almost accusing serenity that makes what would be standard shots if it were any other model seem more arresting and beyond ordinary than their composition would dictate.
It’s the eye contact, I reckon. She has deep eyes. The downward cast of her chin, the unparted lip, the steady gaze; she seems so solemn. It makes the shoot feel heavy, but in a beautiful, ruminating, kind of sad way. She has this kind of practical but somewhat unhappy sincerity to her expression and posture, an unvarnished and troubled vulnerability. It’s moody.
The written copy that accompanied this pictorial is absolute drivel. I mean, just pure shit. Its more pun-ridden and meaningless even than the b.s. that they printed up for Marlene Callahan, and that is saying something, believe me.
The strangest part about the article is that, besides being empty apple fritters and pretty nonsense, the endless stream of non sequitirs about Scandinavian idioms seemingly have almost nothing to do with the pictures.
The write-up, titled “Playmate on Skis,” describes skiing in great detail and alludes to its history in Scandinavia, which is well and good, but in the pictures Ms. Kubert is mainly not around snow whatsoever; furthermore, the article lays no claim to her being of Scandinavian descent. Just a poor job all around. Banana boats and baloney sauce, Playboy, I’m sorry. Thankfully the pictures are unique, sensitive, and artistic.
Okay, I just spent fifteen minutes hard-searching and I found the above missing link. ONE SHOT of her with skis in addition to the centerfold (which is generally shot separate from the rest of the pictorial spread). Pfft. And if that is not a fake scene outside the window, I’ll eat my hat. Total cheezits (I’m trying to swear less this year and I’ve found that food items make handy and amusing euphemisms).
(The nude Jayne Mansfield spread will come up again in several days, actually. Really interesting story, but we’re focused on Ms. Kubert right now. Keep your shirt on.)
I can only conjecture that Cheryl Kubert was a stage name, because there is pretty much nothing known about her prior to her centerfold appearance or what she did following, other than that she had appeared in a bit part in the film Pal Joey in 1957.
According to the Playmate Book, Ms. Kubert died April 25, 1989 of apparent suicide. Because Playboy did not keep data sheets prior to September of 1959, it is not known how old she was at the time of her appearance in the magazine or her death. It makes those deep eyes seem much sadder to know that. R.I.P.
edit: I was sitting here trying to think where I had just seen the name “Kubert” recently, and finally remembered that yesterday’s Daily Batman of Catwoman and Batman throwing plates at each other in the Super Dictionary (Warner, 1978) featured art work by the cartoonist Joe Kubert. Found his official website and have fired off a quick email using his “contact” form, inquiring if he is related to Cheryl Kubert or has heard anything about her before. It’s a longshot, but I’ll let you know what comes of it.
edit 11/2/12: In the original post, the following comment was left
John Hawksley Says:
Hello, I was Cheryl’s husband and we were married at the time of her death(may 28,1988) Cheryl Kubert was her real name. Born in Los Angeles, went to Fairfax High School. We had one child(Rachel). She was 50 at time of her death. She was a glamour lovlie in Ken Murry’s Blackouts and she did extensive modeling, traveled with U. S. O troupe and was a member of SAG and SEG. She had the heart and the looks of an angel. She could sing, play the piano and dance. If you need anymore information you can text me. John
Thank you for the further info, Mr. Hawksley.
edit 11/2/12, 2.0: The late Joe Kubert, comic legend, also corresponded with me briefly in regard to this post. He passed on in August, and I am not sharing because I believe death negates privacy, but merely because I never shared originally. As with Mr. Hawksley’s comment, I meant to go back and edit again, but the time gets away from you.
Thank you for your email and your interest. To my knowledge I am not related to a Cheri [sic] Kubert. She looks like someone I would not have minded knowing! Please continue to read, write, and care about comics. You may also share a link with your readers to The Kubert School.
“The Kubert School, based in Dover, NJ offers students a high quality and challenging education in Cartooning and Graphic Art.” They also have correspondence courses.
Well, hell and goddamn, a month for the O.G. navel-gazer. It’s difficult not to admire a woman who lived with such spontaneity combined with introspection, a kind of fearless but reflective courage uncharacteristic of the time. Kind of a startling oversight that this Anaïs Nin November hasn’t happened yet. Perhaps she is too good of an example of the merciless self-audit, and I become shamed by my own inability to look unflinching in to the abyss the way she did. Or the sex talk. Does that make me uncomfortable? Not sure. If it does, like, okay, but why all the breasts and vaginas then, if the talky talk is a problem? Where are my lines?
So… Sorry? Spilled milk. And impetus for improvement.
Davy Jones and Jul-Newms, The Monkees Get More Dirt Out.
This post originally appeared on April 5, 2010 at 2:59 pm.
Had a lot of dogs in the fire lately, Stanimal, but wanted to share these gorgeous caps of Jul-Newms in her guest appearance on The Monkees.
About a month ago, I thought I’d lost my specs and was going to have to get new ones and I was super-bummed, because I’ve gotten loads of compliments on my dorky, deliberately dowdy and thick black frames. I found them, but the brief transition back to my old, unobtrusive, lightweight and thin frames, and the corresponding dip in compliments and double-takes, hammered home to me how fun and harmlessly fetishistic a nice pair can be. Of glasses. Get your mind on track.
There’s a pervasive and misguided old saw that men aren’t attracted to a girl in glasses (I believe it runs, “Men seldom make passes at girls who wear glasses,” and I’ve seen it attributed to patroness Dorothy Parker, but I am not so sure it was she), which I feel is unfortunately still believed to this day.
I have not found this to be true, and I think these stills dispell that ugly myth once and for all. As the countersaying goes, “Men do make passes at girls who wear glasses — it all depends on their frame.”
So leave ’em on, ladies!
All stills from “The Monkees Get More Dirt Out,” Season 2, Episode 29, The Monkees. (Original air date April 3, 1967.) Ms. Newmar plays April Conquest, who works at the local laundromat, and with whom each of the Monkees falls in love.
In polls, questions at conventions, and weight of fan mail, the episode has been voted the most popular and favorite of the series. Get it, girl!
Edit 3/1/2012: In memoriam, extra stills of Davy and the gents.
A few days ago, I got the following comment to a post from alert reader R-K-A:
I am leaving this comment here, because I can’t find any other way to contact you.
[Nice stuff that came next in the comment is omitted because in addition to the virtues of beauty and wit, I am super modest, possibly the most extraordinarily modest person that you’ll ever find. When I die, they’ll probably give me a holiday for it. “In loving and eternally awed honor of E, the government presents Modesty Day: A day for being super modest.” I get teary thinking about it. Because of how great I am. Back to the mailbag.]
I was looking for information on Playmate Angela Dorian who was sentenced in September 2011 to nine years in prison for the attempted murder of her husband. Specifically, I was looking for her booking photo or photos from her sentencing, yet I can find nothing anywhere on the web.
And I was surprised as newsworthy as that was, that there was no mention of that here. It is as if Hef has exerted control over the entire interwebs to keep this story on the on the down low. Even The Smoking Gun didn’t have her recent photos. You seem to be able to unearth the most interesting stuff…anything on Angela??
Totally fair questions and observations, especially about how I write interesting things. Very astute.
Truth is, I got burned a while back by Miss November 1988 (she and I’ve agreed that I am not to mention her name any longer) when she found an entry alluding to past court troubles, and owing to the headache and anxiety of that experience I have avoided reporting on Playmate crimes — accused or convicted — as a result. While I do keep up with PB news, I don’t generally report it if it seems salacious or … how shall I put this? Lawsuit-threat-inducing.
As Charisma Highcloud in “The Indian Affairs Affair.” The Man From U.N.C.L.E. (1966).
Victoria Rathgeb/Victoria Vetri/Angela Dorian’s arrest was a strong blip on my radar when it happened in October of 2010, especially because we are both Italian-American and she’s done fun sci-fi and cult stuff, but I lost track of the story.
As Sanna in When Dinosaurs Ruled the Earth (1970).
I’m disappointed to hear now of such a hefty penal outcome for someone of her age and moderate notoriety (which can be a genuinely dangerous liability for a woman in jail), especially considering that, though she has a history of a bad temper, she’s never attempted murder before. Nine years seems excessive to me, but I do not have access to all the facts, and, like I said, I’m Italian-American: am I not taking this seriously enough? My first thought was, “Jeez, it’s not like he’s dead. He probably needed scaring. What’d he do?”
As Florence of Arabia, partner to King Tut, in “I’ll be a Mummy’s Uncle.” Batman (1967).
But, lord, that’s a terrible thing to do, shooting someone with intent to kill, even in the heat of the moment. However, in this case, nine years? She’s 66. She’ll be 75 when she gets out. That’s … I don’t know. Seems disproportionately tough to me.
As Isis in “Assignment: Earth.” Star Trek, TOS (1968).
Detailed intel on Mrs. Rathgeb’s arrest and trial has been sparse, maybe through lack of interest on the press’s part given that, though she seriously winged her husband Bruce — the bullet remains lodged in his chest and his use of his left hand is minimal … and it probably didn’t help that she tried to stuff a plastic baggie down his throat while he was down — she didn’t actually kill him.
As Sanna in When Dinosaurs Ruled the Earth (1970).
Or the lack of coverage is more likely due to editors’ determination that even stories about Playmates focus on modern celebutards — Hef’s recently former fiancee auctioning the ring, Lindsay Lohan completing her nude shoot before sentencing, etc. All the articles on Mrs. Rathgeb’s sentencing state pretty much the same bare facts, in limited terms, and seem to prefer to use her PMOY cover as the accompanying pic, which I agree is frustrating.
As Florence of Arabia, partner to King Tut, in “I’ll be a Mummy’s Uncle.” Batman (1967).
Luckily, I’m a good detective. First, here are pictures of her mostly-recovered husband Bruce’s injuries. Click to enlarge. (Raise your hand if you think he looks like a douche.)
And here are pictures from her trial. Click to enlarge. I’m uncertain whether this is her sentencing or her original trial, but looks like she’s a lefty. Who knew?
I’ve always had a soft spot for Victoria/Angela, given that she was not just a PMOY but also appeared on Batman, Star Trek, AND the B movies When Dinosaurs Ruled the Earth and Invasion of the Bee Girls. Perhaps a lawyer will appeal her sentence, or perhaps the sentence is just. It’s difficult to say. That’s all I have for right now, having quickly dug for twenty minutes or so. I may return to this question in the future, but for now I need to close this post so I can learn more about “chunking” on the ukulele for a lesson plan on antonyms. Also, full disclosure: I have to go to the bathroom.
As Charisma Highcloud in “The Indian Affairs Affair.” The Man From U.N.C.L.E. (1966).
Before I dash away, a quick poll: would you like a Winter Wonderland post on Ms. Dorian, aka, Mrs. Rathgeb? She is a Miss September, technically, but it would be topical. However, it would not go in to details of her trial and sentencing. What do you say?
Finally, in other news, I also got a comment from “Anonymous” on a recent repost of William S. Burroughs’ “Thanksgiving Prayer,” which said simply
stupid post – 1 minute of my life i will never get back.
To you, Anonymous, I say in equally succinct reply, “Suck my modest dick.”
Been buried in academic work, but I needed to throw out a quick, sad retread of Ms. Myers’ “Baby, It’s Cold Outside” post. Beautiful, adventurous Cynthia passed away yesterday of undisclosed causes, per Hef.
R.I.P., Ms. Myers (9/12/50-11/4/11).
Photographed by Pompeo Posar.
“Wholly Toledo!” is the name of the article that accompanies the pictorial for the lovely and talented Cynthia Myers, Playboy’s Miss December 1968. Her wildly popular centerfold shot her to stardom among the troops in Vietnam, and a pinup of her is featured in the film Hamburger Hill. She has been a teen model, a television personality, played a lesbian songstress in one of the most famous camp films out there, and become an unwitting space cowgirl in her 60 years on this planet. Buckle up, because here we go!
Cynthia wrote to Playboy a few years ago, informing us that she’d like to be considered as a centerfold beauty. Assistant Picture Editor Marilyn Grabowski answered with a reminder that our Playmates must be of legal age but that Cynthia should keep in touch. She did just that.
Well, kind of.
The shoot was in June of ’68, and Ms. Meyers was born in September of ’50, but Playboy waited until Cynthia was comfortably 18 to publish her pictorial. It had become common practice for the magazine after the scandal with Elizabeth Ann Roberts.
In fact, the most recently featured “Baby, It’s Cold Outside” playmate, the fantastic Susan Bernard, was also 17 at her photoshoot and saw her spread published after she turned 18.
Posing underage for Playboy is not the only common ground between Ms. Bernard and Ms. Myers. While Ms. Bernard was featured in Russ Meyers’ cult classic Faster, Pussycat! Kill! Kill!, today’s special gal starred in his 1970 film Beyond the Valley of the Dolls.
I promise to have a full-out Movie Moment for Beyond the Valley of the Dolls one of these days. For my friend’s recent 31st birthday, I sent him a picture of the cast of Beyond the Valley of the Dolls with him tagged as Dolly Read and me as Cynthia Myers. I explained that I originally had me as Dolly and him as Cynthia, but I switched it because it was his birthday.
You know Roger Ebert wrote it? I don’t think he ever gets to criticize a movie again.
Cynthia is pictured reading a five-year-old palmistry pamphlet about what the following year once held for her because she placed a large credulity in psychic phenomenon.
“I’ve known since I was 15 that I’d be a Playmate. It’s almost as if this had been fated to happen.” Cynthia’s penchant for precognition can be traced to her early teens.
“A junior high school friend of mine in Toledo,” she says, “was a nut on palmistry, astrology and even reading tea leaves and crystal balls. Like most people, I thought is was just a bunch of baloney. But when I began reading about prophets like Edgar Cayce, I began to realize that there are strange spiritual forces in the world undreamed of even in The Playboy Philosophy.”
Ms. Myers, I think you’d be surprised by what the Playboy philosophy can dream of.
In 1994, it was revealed that a picture from Ms. Myers’ centerfold pictorial was among several that crafty NASA jokesters have launched in to space over the years. Ms. Myers, together with Leslie Bianchini, Angela Dorian, and Reagan Wilson, was snuck in to the checklist for the Apollo 12 mission that was placed in astronauts’ suit cuff on their trip to the moon in November of 1969. Ms. Myers specifically took her space journey with astronaut Al Bean.
Don’t forget: Describe the protruberances.
Boobs : Geeks :: Horse : Carriage. I think it’s kind of funny and sweet.
And the gals didn’t just go up in the lunar landing module: they straight moon walked. The astronauts found their pictures while fulfilling their extravehicular (read: outside the module on the lunar surface) mission duties on the moon itself.
Pete Conrad got Miss September 1967, Angela Dorian, (“Seen any interesting hills and valleys?”) and Miss October 1967, Reagan Wilson (“Preferred tether partner”). Al Bean got Miss December 1968, Cynthia Myers (“Don’t forget — Describe the protuberances”), and Miss January 1969, Leslie Bianchini (“Survey — her activity”).
Conrad told us in 1994: “I had no idea they were with us. It wasn’t until we actually got out on the lunar surface and were well into our first moon walk that I found them.” Bean recalled: “It was about two and a half hours into the extravehicular activity. I flipped the page over and there she was. I hopped over to where Pete was and showed him mine, and he showed me his.”
A large, color version of the shot of Cynthia that was smuggled up to the moon in the Apollo 12.
Lest we forget, the lovely and talented DeDe Lind, Miss August 1967 and, like Cynthia, one of the most popular Playmates in the magazine’s history, also rode shotgun on the Apollo 12 mission. She was in the control console, her picture labelled, “Map of a heavenly body.”
I always feel compelled when talking about the Playmate pictures and NASA to bring up the fact that my sorority’s badge is on the moon. Neil Armstrong put it there for his wife. It’s my sorority’s badge and it is on the moon. The moon that is in space. Sorry, but I get pretty cocky and excited by that. Tell a friend.
This much more recent picture of Ms. Myers just might get her kicked out of the Red Hat Society.
Can our prescient Playmate predict anything about her future? “I’m going to be an actress,” she says simply. “Notice I didn’t say ‘I’d like to be,’ but ‘I’m going to be.’ I don’t know how good I’ll be as an actress, but I’ll be one.”
(“Wholly Toledo!” Playboy. December 1968.)
Judging from her track record as a prophetess — and from her already abundant attributes — we’d like to venture a prediction of our own: Playmatehood should be just the beginning for the remarkable Miss Myers.
Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.
(Auden, W.H. “VI.:Autumn Song.” Twelve Songs. March 1936.)
If ever there were a view on which to turn your back à la Gertrude Stein, a sweeping vista of the Mountains of Instead would be the one. No going back. Too late. Prams rolling on. Breathtaking strong tide of inevitability that takes all the water with it and leaves you and your petty fears and dreams dragging in the dust.
Time is stolen from us in such tiny ways — although I guess it is scarcely a theft when you never lock the door or look out the window to see if there is a shadow waiting for you to turn your back, as if all you possess are invincible by dint of being yours — and we use landmark occasions to mark the loss, but we only once in a while really look at what momentous and yet totally miniscule shit comprises what is destined to be our one and only, short history.
This Autumn was already weighing as heavily on me as last year. Now all I feel like I can handle doing is to take a hot bath and climb back beneath the covers (you see what I mean about aiding in our own robbery by time?). Thanks a lot, Auden. I guess what scares me most about it is does it always steal up on you? Does it just sneak up and you turn around and cry out, “Oh, not yet. It can’t be time yet. I’m not finished. I thought I would have more time.”
Is there any way to escape that, that moment of realization, that punch in the gut when the waste, all the time you wasted suddenly comes rushing up around you so you can’t even breathe? Your life is over and you’re not ready because you thought you could always keep backsliding, that there would be special accounting for prodigal, last minute, golden you, who always slid in under the wire, who always got a second chance if you smiled big enough when you asked. There is no talking or charming or dodging your way out of final reckoning, and no method by which I can imagine escaping the horror of that realization, and you finally turn around and see the Mountains of Instead. You made them that tall. What do you do about the regret which will follow. Is there a way to soften that blow?
I don’t think there is. I can make vows about viewing this poem as a cautionary tale, and shine you on about how I plan on avoiding such a fate by making every moment count, and on and on until the sun goes supernova, but a plucky attitude does not lower the Mountains of Instead even an inch. No changing the past. No erasing regrets. That is just some fucked up shit right there.
Pretty flimsy allusion to Catwoman, but … it’s my blog. I mean, I can chuckle sheepishly, but I’m not truly sorry. If you feel it is too tenuous and I’ve pushed the envelope too far, start your own blog with stronger and super-safe-for-work daily connections to Batman and watch me never visit it.
So, it’s still in the 80’s in my little pocket of the universe— that’s around 30 to you metric friendohs — and I say that calls for one last Girl of Summer. (Don’t call it an Indian Summer; call it Global Warming’s Brief and Only Benefit.)
The lovely and talented Heather Ryan was Playboy‘s Miss July 1967. She is an all-around smashing girl and I’m super-psyched to finally finish the write-up on her. Whatch’all know about unusal pets? Cause this strawberry blonde here’s ’bout to change the game.
Says Heather, I don’t think there’s anything unusual about owning an ocelot, but people always stare when we go walking together.”
(“Call of the Wild.” Playboy, July 1967.)
Not so sure it’s the ocelot they’re double-taking on.
[Heather] currently resides at her family’s Glendale home, on the brink of the canyon: “It’s pretty desolate out there, but we’re lucky that we have no close neighbors, because the ocelot often screams at night.”
No couch potatoes looking for a BJ and a Blockbuster night need apply:
“I am,” she says, “fascinated by adventure, and I suppose it pervades most of my tastes. I like actors like Paul Newman, Charlton Heston and Steve McQueen, because they usually portray men who are as untamed as my ocelot.”
Speed-loving Heather admits to driving her 1966 Mustang faster on occasion than the law prescribes.
Attagirl. Speaking of which, the most terrible Mustang experience befell me this week.
I was running a bit late on my way to work. I headed on to the freeway with a newish Mustang ahead of me. The guy crawled down the ramp and inched his way through the merge, then continued to torture me by poking around in the middle lane, keeping me from getting in to the leftmost, fastest lane.
I was totally shocked. You’re in a Mustang, man! You do not drive a Mustang in the middle lane! Somewhere in Germany, the Cappy just felt a pang in his heart and shook his head, and he didn’t know why: now you know, brother. A guy was driving a Mustang in the middle lane at about 60 mph. I know. It was a scandal.
Though she hasn’t had much exposure to the psychedelics-freedom-love movement currently the kick among West Coast youth, Heather recently witnessed a mass “love-in” at Elysian Park.
“I’d never seen such a crew — everybody walking about and presenting the most unlikely gifts, like fruits and flowers, to each other.”
But she was not much in to the hippie scene, particularly the men —
TURN-OFFS: Men with long hair, and the unnaturalness of women today.
(“Playmate Data Sheet.” Playboy. July 1967.)
Totally agree. I don’t like long hair on men … sorry long-haired friends, it’s just a personal preference. No long hair, no skinny jeans. Spread the word.
As for Ms. Ryan’s dislike of the “unnaturalness” of women, who can argue with that? Besides girdles and foam butts, there was already plastic surgery and ubiquitous hairpieces. Of course, the problem has only gotten worse. I can only imagine what Ms. Ryan thinks of some of today’s Playboy centerfolds.
Number one favorite shot with a bullet.
AMBITIONS: A legal secretary or model, or perhaps I’ll enter a biological institute and become a laboratory assistant and transcriber.
Ms. Ryan did not fulfill those ambitions …
…Because she totally exceeded them. Get it, girl! A wildlife biologist, Ms. Ryan is a published author and has lead all-female eco-tours. Taxidermy is her hobby. In the Playboy article, she mentions enjoying hunting quail and rabbit, so it’s kind of a natural progression.
Ms. Ryan also mentions, when asked what she thinks is a great read, Something Wicked This Way Comes. Bradbury’s little masterpiece is one of my top favoritest books of all time, too. I just re-read it last weekend, as I like to read it every year around Halloween. Synchronicity! One of these years when I’ve sufficiently expiated my sins of ignorance to Mr. Auden, I will have to have a “Something Wicked” October.
There are many books I read at special times of year, but Something Wicked is one which I never fail to get toe-curling excited about in my anticipation. The descriptions are gorgeous, the writing crackles and terrifies and moves you — I adore all Bradbury, but I put Something Wicked in the most special, highest place.
Click above to scope the original Playboy article scans; there are pictures included in the spread that are not in this post, so give those a spin!
Cover model Venita Wolfe was photographed by Mario Casilli, who shot the following month’s centerfold: the lovely and talented sweetheart DeDe Lind.
Prohibit sharply the rehearsed response
And gradually correct the coward’s stance. …
Harrow the house of the dead; look shining at
New styles of architecture, a change of heart.
(W.H. Auden, “Petition.”)
Like that bird, for instance — do you think he woke up knowing he’d get to perch on a pert ass today? I expect not: I expect he thought it would be just another day, the same as all the others he has lived.
I guess what I’m suggesting is that, as Auden petitions, it is worthwhile to defy the lessons of experience, throw caution to the wind, and look with a hopeful heart for the unexpected and unpredictable new. How to completely go about doing that I am less certain of, but I know that it must be worth trying.
Aw, geez, man. Here’s the thing: I don’t like the Avengers. I haven’t seen a single one of their setup movies. Not even the Iron Man flicks, and that’s in direct violation of a personal blood oath I made to Robert Downey, Jr. in the 1990s. (Chances Are, Heart and Souls, Only You? — totally irrestible.) I can’t help it: I just don’t care about the danged Avengers. On the plus side, I can finally see the viewpoint of all those good but non-dorky friends whose sphincters clench when I start in on Batman.
New feature: “What does Jessica Fletcher think?” in which, at the end of an account of events, we ask, “…but what does Jessica Fletcher [of Murder, She Wrote] think?” and she tells us.
I was recently at the Giants ballpark in San Francisco (mad heyos to Panda for making that happen) and had been cruising for a garlic fries vendor who would take a card so I didn’t have to hike down to the ATM. Lingering near a promising concession stand, I nearly bumped in to this man carrying garlic fries. I had noticed him earlier because he was sitting near our section, and I had thought he was attractive. We did the whole “almost ran in to each other, whoops” thing and he smiled.
“Cool. Your glasses are the Giants colors,” he said.
This was where a normal woman, one adept in communication skills with the unfair sex, would take the opportunity to introduce herself, but I wasn’t switching gears fast enough, so I pointed at his fries and said, “Did you buy those here?”
He said, “Yes,” with friendly, expectant body language, but I then blurted out, “Did you use your ATM card?” He gave me a very strange look and said, “Yeah…?” slowly.
I realized that was an oddly specific, even nosy question out of the context of my last five minutes. I tried to scramble for a way to explain, but his friend came up and they walked back to their seats.
I blew the save.
Or did I? Sure, cute boy, but — garlic fries. It was urgent.