Baby, It’s Cold Outside: Lynn Karrol, Miss December 1961

Photographed by Frank Eck.

The lovely and talented Lynn Karrol was Playboy‘s Miss December 1961.

If you’re looking for a girl with both feet on the ground, look elsewhere, for December’s air-borne miss, Lynn Karrol, is smitten with the life aloft – at least part of the time.

(“She Floats Through the Air.” Playboy, December 1961.)

Platter party. Hey-o!

She’s a lissome 22-year-old ex-Pittsburgher transplanted to Manhattan, has held a pilot’s license since she was 16 and has recently taken up the exhilarating sport of skydiving (she’s logged nine jumps so far).

(Ibid.)

I always figured why jump out of a perfectly good airplane?, but the thrills I generally seek are of a totally different nature, so I’m essentially unqualified to comment.

Miss Karrol’s somewhat singular avocation has not been plucked out of thin air: her father owns a small flying field on the edge of Pittsburgh and Lynn returns there several weekends a year to perfect her technique.

(Ibid.)

I did always want to learn to fly, both a plane and a helicopter. I can ride a motorcycle and drive a boat already, so, the way I see it, once I knock out flying, I’m that much closer to being the first full-out Bond villainness.

I do not count Elektra King because she was acting out against her daddy and was initially partnered up with that schmuck Renard: what I’m envisioning is a self-motivated woman who has solely built up her empire with the express intent of world domination, with no Y chromosomes helping other than, you know — stress relief.

Speaking of which, the Bond Girl project is already 100% in the works! I am keeping this promise: been collecting pictures, quotes, and trivia already, and I’m probably going to buy Maryam d’Abo’s book this weekend. So do get back to me with anyone you want to see included, because February is not long enough to do all of the Girls. The most swaying arguments will have to include pictures.

When she isn’t hitting the silk, she’s donning it – as a fashion and television model. Lynn acquired her mannequin’s poise at a Pittsburgh finishing school; after graduating, she stayed on to teach her newly acquired social skills (make-up, styling, speech, etc.) to fledgling models.

(Ibid.)

Maybe I have not yet met the right Pittsburghers, but I’ve just never pictured “Pittsburgh” and “finishing school” in the same sentence. “Keep your pinky finger in the air while you eat cheesesteak sandwiches and holler ‘Jagoff!’ at the ref in the Steelers game, ladies. Always. It’s Continental.” Then again, I’m sure people would say the same of cotillion and pageants in my dusty corner of California and it still happens.

Surprises are everywhere: diamonds in the rough.

But how fun is the idea of a finishing school teacher who weekend skydives? I love it.

AMBITIONS: To be the best in my field, in either television, commercials or motion pictures.
TURN-OFFS: Rock ‘n’ roll, untidiness, rude cab drivers.

(Playmate data sheet.)

Rude cab drivers? Is that a Thing? Like if there was a group of people who did find that attractive, so much so that you’d have to let people know, “I’ll tell you one thing that does not turn me on, is those rude cab drivers,” and the people might respond thoughtfully, “Now, see, I kind of like that.” I’m not being clear. I guess I just mean to say that I’d think it goes without mention that rude people are generally not anyone’s turn-on. Doesn’t it? So I wonder if she’d recently had a bad run-in that was weighing on her when she filled out her data sheet.

Once a guy was a horrible, horrible dick to me from in front of me at the ATM line and I’ve never forgotten. So I try to be extra-nice in lines on purpose because of how bad it was. Not even kidding — I don’t know if the guy was a mean drunk or was having the worst day of his life, or what. But the man I was dating at the time could tell you more if he hadn’t walked away while the guy was bitching me out. Later, when I asked him about it, he said, “I just knew if I didn’t walk away I’d yell at him or punch him.” I thought, what do you think I felt like doing? He placed such a premium on staying in control of his emotions that I was left to defend myself. And from then on I felt like I couldn’t count on him to stick up for me, like he’d always put himself first.

Ms. Karrol mentions in the article that her ambition is to become a television and film actress. She certainly seems to have had both the raw materials (beauty and poise) and the drive for it, but I’m coming up goose eggs on credits.

Whether her dream came to fruition under another name altogether is lost to the annals of the internet, but according to the IMDB, a “Lynn Karol” — one “r” — featured in the film Guadalajara en verano (Julio Bracho, 1965).

The movie featured the Dean Reed twist song, “Don’t Tell Him No,” and I have no other information about it other than that the actual star of the film was o.g. luchadora Elizabeth Campbell, aka the Golden Rubi. Dang. Old school.

Ms. Karrol / Karol returned to Playboy in 1964 to pose with none other than superfly jam-master Peter Sellers in a “Sellers Mimes the Movie Lovers” pictorial which parodied classic pairs from the movies. The article’s subtitle was “Peter the great creates antic take-offs on famous lovers of the silver screen.” Soon as I get my hands on scans, I’ll try to throw some of that up for you.

Movie Millisecond: Dr. Strangelove

via.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964).

The Girls of Summer: Gale Olson, Miss August 1968

Adorable cuteness photographed by Ron Vogel. Brain-asplosions. See what I mean about the ’60’s being the Heyday?

Your Miss August 1968 was the lovely and talented Gale Olson, who as you can see didn’t need cheesecake poses and a strained, pageanty smile to turn in an adorable and upbeat photoshoot for this issue of Playboy.

It’s really interesting how some of the playmates are capable of keeping the material erotic instead of porny. I don’t know that I can pinpoint the exact difference … but I look at this shoot, and I look at something like the gatefold of Miss November 1995, Holly Witt, and I feel like Edwin Meese quoting Justice Potter Stewart about classing porn: I can’t define it, but I know it when I see it.

Kind of funny since he was describing the opposite; Meese made his referential remark in regard to the history in America of attempts at distinguishing sexually themed content from straight-up obscenity. I’m kind of talking about the reverse. Either way, it’s a dicey issue. Reagan appointed Meese in 1985 to head the Meese Commission, also called the Attorney General’s Commission on Pornography, who published their report in 1986 to lip-smackingly salacious public interest. Everyone loves a good witch hunt, am I right?

I mentioned all these shenanigans once back in November when we talked about the experiences of Miss November 1986, Donna Edmondson, the Virgin Playmate who got hit with a steamy little shitstorm of media criticism. As though it were her fault. The Meese Commission’s report on pornography had the moral majority howling for naked people’s blood and she got caught in the middle. And don’t get me started on what happened fifteen years later — as we still live in a nation of, if not puritans, then at least sweaty hypocrites — to sweet Lindsey Vuolo, Miss November 2001, with that publicity-seeking, accusatory, diminishing misogynist Rabbi Shmuley Boteach. Ugh.

I almost didn’t include this shot because it wasn’t very sharp or high-quality, but then as I contemplated it, I decided I actually liked the hazy quality, and the visible wrinkles in the image became dear and touching to me. There is something incredibly personal and human about the almost sad little private story one must conclude has lead to its well-worn threadbareness. Someone scanned this one with love, having either held on to it themselves, or acquired it from someone who had, for a long time. That idea is interesting as hell to me. What would someone make of the objects — letters, pictures, cards, old shirts — that you have secretly packed along with you to every new home in which you live, all these years, because of an emotional value, an identity-establishing familiarity, that far exceeds those objects’ original costs?

Pyjama Jam!

I do not want to use the word sentimental, per se, because these can be things that you keep for the gut, visceral reaction they can still incite. These are things that are part of the rhythms of your mind and body that I’m talking about, things worth holding on to because they are become part of how you operate. A roadmap to the art of you being “You” is this small collection of things so beloved that calling them cherished diminishes their import. These objects which represent long-passed moments or ways of feeling are part and parcel of the entirety of your experiences, your past, your emotions and stomach acid and sweat.

Things that have lasted longer than the relationships from which they came or phases in your mode of dress and hairstyle. To everyone else, because these objects are mixed in with other items, there is no shine or particularity about them. Only you know.

It is so incredibly personal and private, but the plain fact is that it will be gone through and picked over, someday, that collection of your private, true “belongings.” Because you’ll be dead, and those things that mean so much to you, those talismans of purpose and associative emotional properties won’t mean anything to anyone anymore.

I apologize. That was really downbeat. I’m getting close to a hard-hitting deathiversary (if you will) and I get all fucked up over it. Still. No need to drag anyone along.

Whew! Hot cross buns, enough with the self-audit, and enough with the needless sex-in-America history lessons as I retread ground I have already indignantly covered. Sorry — let’s get on with Ms. Olson!

The Olsons, who now live in Costa Mesa, are a large, closely knit family. “Having six brothers and three sisters really teaches you a lot about sharing things, materially and emotionally,” Gale says. Our August Playmate hopes one day to raise a family almost as large, but that won’t come about until she first fully satisfies her penchant for adventure.

(“Star-Spangled and Starry-Eyed.” Playboy, August 1968.)

“Last year I decided to become an astronaut, so I called the National Aeronautics and Space Administration in Houston to find out qualification requirements.” Gale spent enough time being briefed on the phone by NASA officials to acquire four pages of notes. “So far, things are turning out fine for me,” she reports.

(Ibid.)

A model (36-22-35) of American femininity, Gale (who delivered talks on girl scouting over German television) stays in shape by practicing ballet and exercising, and plans to study Tahitian dancing next year.

(Ibid.)

I have said before that we superfly Girl Scouts are a bombass bunch. Take it to the bank.

“I think every girl who has the figure for it wishes she could be a Playmate, and I’m no exception,” [Gale] observes. “All I can say is that I was lucky!”

Lucky Gale, lucky readers.

(Ibid.)

Photographed by by Stephen Wayda and Barry Fontenot. Very close to the same pose!
And thirty-one years later, the readers were lucky again when Ms. Olson’s daughter, the lovely and talented Crystal McCahill, above, was Playmate of the Month for Playboy’s May 2009 issue.

It’s a different kind of Darwin Award: the Playmate gene, passed from mother to daughter, ensuring survival of the fittest and constant attention from males of the species. Examine the evidence before you in the curvy form of Crystal McCahill, the 25-year-old daughter of Miss August 1968 Gale Olson.

(“It’s Crystal Clear.” Playboy, May 2009.)

\

“I think every girl who has the figure for it wishes she could be a Playmate, and I’m no exception,” said Gale in her Playmate interview. “All I can say is, I am lucky!” Yet when luck strikes twice, it seems less like luck than destiny. It has happened just once before, when Miss December 1960 Carol Eden saw her daughter Simone grace the Centerfold in February 1989.

Says the Illinois-born Crystal, “I remember telling my brothers and sisters, ‘I’m going to do that one day. I’m going to do the exact same pose.'”

(Ibid.)

A fun-loving, positive, and thoroughly modern gal, you may follow Ms. Olson’s present doings on the twitter.

This picture is one of my favorites from the shoot. From a strictly aesthetic point of view it may possibly eclipse for me even the swan-butt ones. I love the movement and the colors in this composition. The impact of the yellow in all those little flowers around her is joyful and riotous, and her closed eyes imply a savoring of the moment. There is nothing forced or deliberate in this picture. It’s excellent.

The cover was photographed by Mario Casilli and Caroll Baker. The pose and styling of the model, Aino Korva — Miss Universe Denmark 1963, and first-runner-up in the 1963 Miss Universe pageant (in which Peter “Dr. Strangelove/The Pink Panther” Sellers was one of the judges!!), making her bid the closest a Dane has ever come to winning the title — are strikingly similar to the centerfold of Miss July 1967, Heather Ryan. I’m saving the lovely and talented Ms. Ryan for later this month. But you’ll see what I mean then.

As with the post on the lovely and talented Miss March 1967, Fran Gerard, I must throw up huge thanks to Fabrizio, an awesome and generous moderator over at the vintage erotica forums, which are free, well-moderated, full of fun, and they won’t give your computer any wack infections or the hantavirus. Grazie, bello♥!, and, to the rest of you, run — don’t walk — to the site. Enjoy!