via.
Friday night’s all right for fighting.
via.
Friday night’s all right for fighting.
I do not believe in God; his existence has been disproved by Science. But in the concentration camp, I learned to believe in men.
(Jean-Paul Sartre.)
Magneto: I remember my own childhood … the gas chambers at Auschwitz, the guards joking as they herded my family to their death. As our lives were nothing to them, so human lives became nothing to me.
Storm: If you have a deity, butcher, pray to it.
Magneto: As a boy, I believed. As a boy — I turned my back on God forever.
(Uncanny X-Men #150. October 1981. Qtd in Jacobs, Rivka. “The Magneto Is Jewish FAQ.” 11 Nov 1998.)
Right?
I think it’s interesting that while Sartre takes it as given that there is no God, Magneto doesn’t say he doesn’t believe in God: just that he’s turned his back on God.
Do you believe there are events so breathtakingly beyond our tiny human processing powers in their scope that even the fallout we ourselves witness is tiny compared to the ripples they create in the universe? Do you think those ripples can become so powerful as they reverbate out in their effect that they can negate the existence of God? I’m not explaining my question well.
Okay. Obviously there are events that can make a person declaim God’s existence, as Sartre does, just as those same events might crystallize another person’s faith, reaction to the primal scene taking a different effect on each in their turn. That part I do not question or debate. But suppose that there was certainly a God: could something happen that was so bad it could kill God? Would not the events of the second World War, the Holocaust and the bombing of Hiroshima, be such a thing? And have we not compounded that as humanity daily ever since with the usual million atrocities and ungrateful offenses that people have committed toward one another and their environment since they first slithered on to land and grabbed hold, just continually jackhammering cracks in the material of the universe? It’s like two in the morning, why am I even writing this. I guess if Nietzsche’s right and God is dead, I’m saying we killed Him. Right? Don’t shoot the messenger, baby.
Kind of a sequel to the “asphinctersayswhat” pearl of Freudian wisdom from a few weeks back.
Photographed by David Samson.
When a woman has scholarly inclinations there is usually something wrong with her sexuality.
(Friedrich Nietzsche)
You have no idea.
via suicidewatch on the tumblr.
Percent of women in the U.S. with a Bachelor’s Degree or higher, according to the recent United States Census: 10.9, versus 9% of males. Folks who dig deviant dames, it is looking good for you!
Nobody expects an accordion.
R.I.P. to Bruno S., aka Bruno Schleinstein. June 2, 1932 – August 11, 2010. May you never descend to a loch der vergessenheit.
Mr. S. was most famously featured in the Werner Herzog film Stroszek (1977), which was written expressly for him after his turn as the titular character in Herzog’s The Enigma of Kasper Hauser (1974). Herzog insisted on Schleinstein for both roles despite his total lack of acting experience. The character of Bruno Stroszek was broadly based on the real-life Bruno Schleinstein, insomuchas he was able to convey himself to Mr. Herzog, though Herzog reports he was suspicious and uncomfortable beneath the focus of the director’s attention.
An unbelievably accomplished accordion player with a love of classic performance, Mr. Schleinstein was an abused child who spent much of his young life in mental institutions. When Herzog knew him, he was an weekend accordion player and forklift driver at a car manufacturers’. Mr. S. had recently quit smoking and drinking for health reasons.
via chainedandperfumed right here on the wordpress.
“Do you know who that is?” my friend Ingrid had asked me when she came by my family’s apartment one day late last spring. An old musician was seated before a rickety cardboard box below the window. He sang in a croaking voice on the empty sidewalk in the afternoon sunshine, his back toward the brick church across the street.
“That’s Bruno S.,” Ingrid said excitedly. She looked as if she had come across Marlene Dietrich, returned from the dead.
(“From Berlin’s Hole of Forgottenness, a Spell of Songs.” Kimmelmann, Michael. The New York Times. December 24, 2008.)
Recently, with Christmas coming, we dropped in to ask how he was doing. This is not a good season for people who are alone. He said he hated the Christmas markets around town, where “the gentlemen who go in come out like plucked chickens with all their feathers flying, and such beautiful colored feathers.” That’s how Bruno tends to talk. He makes up words and phrases or borrows them from old songs and gives them a twist. Liederbann: a spell of songs. Das Loch der vergessenheit: the hole of forgottenness. He says he transmits (durchgeben) his songs, he doesn’t sing them.
When the conversation turns to Mr. Herzog or to his mother or brother and sister, words tend to fail him, and he becomes distraught. Otherwise he’s mischievous, puckish, remote but always glad for the company.
(Ibid..)
Schleinstein says he transmits (German: durchgeben) his songs, he doesn’t sing them.
(the wiki)
What a lovely and expressive thought in terms of art and our relationship with the universe. When I write my nonfiction work, I like to describe the process as an archaelogist brushing and digging gently away at a vast skeleton, a fossil buried in the earth which only resembles sense as it takes shape. Once, I read in a philosophy book that a particular german philosopher’s translation of “this is the chair” was better expressed as “The chair gives itself to us.” Is this so and can anyone recall which philosopher? Because that blew my mind.
R.I.P. again to a true individual. Many happy returns to this earth, Mr. S.
Special thanks to @SashaGrey for bringing Bruno Schleinstein’s death today to my attention, ahead of news and wiki alerts. She’d heard it from Chris Campion. Please do give her a follow on the twitter: like the Transformers and all truly good things in life, there is more to the admirable, lovely and talented Ms. Grey than meets the eye.
edit: This was my original source for this entry. I came online this morning expecting to find more official notices, obits, etc, and none have turned up yet, so if it turns out to be a case of mistaken identity and Mr. S has not yet shuffled off the mortal coil, I will be the first to toast the fact that he’s still with us. Now I’m really looking forward to the chance he’s not yet passed. I’ll keep searching periodically and keep you posted.
edit, 8-12-10, around 5 pm PDT: Fuck, dudes. It looks like Bruno Schleinstein definitely is dead. The German Press Agency is reporting that he died of heart failure. Sorry for the king-sized cuss but I’d got my hopes up earlier today that it was one of those “rumors of my blah have been greatly blah” situations. R.I.P. to Mr. S. again. God bless him and everyone who is always themself no matter what.
Adam Hughes Catwoman cover via hellyescatwoman.
The deep pain that is felt at the death of every friendly soul arises from the feeling that there is in every individual something which is inexpressible, peculiar to him alone, and is, therefore, absolutely and irretrievably lost.
(Schopenhauer.)
“Catwoman Warrior,” by PurgatorioInferno on the deviantart.
“Courageous, untroubled, mocking, and violent — that is what Wisdom wants us to be. Wisdom is a woman, and loves only a warrior.”
— Friedrich Nietzsche
It’s true, I think I don’t have a great enough store of anger, or, if I do, I sublimate it into something else, repress it so it snaps out in an unguarded moment over something unrelated, or manifests itself in a sleepless night. I’m not saying I want to be rage-filled in perpetuity. But a little bit of healthy expression of displeasure would be good. I haven’t got enough anger. Not enough to defend myself when I maybe should, that’s the thing of it. I let myself get bulldozed. I don’t fight back. I need to work on that.
I feel like I may have got a little down here and there on that last gal, what with my none-too-pleased remarks alluding to what I consider to be her lamentable decades-long trail of desperation, so here’s one of those Playmates who makes me proud to be a Playboy defender.
Gloria Root, the lovely and talented Miss December 1969, is proof that beauty often does come with brains.
Photographed by Pompeo Posar
It is Gloria’s conviction that a major upheaval is both necessary and inevitable in the United States. “We’ve managed to narrow down all the freedoms we take pride in. We’ve created a political aristocracy that we didn’t want, and too many of us are hopelessly trapped in that tired old business of getting an ‘education’ and a job that doesn’t mean anything.” Gloria believes that American society today contains a “hard-core revolutionary middle” that bridges economic, racial and generational gaps — “not just a radical rabble, as the politicians would have us believe.”
“Individuals who have used hallucinogens or pot can experience life in more subtle ways and accept each other more readily than people who haven’t.” And unorthodox costumes, according to Gloria, serve to remind orthodox citizens “that there are other ways to live than what happens to be considered ‘normal’ here and now. If more people cared enough to expand their viewpoints by studying history or anthropology, they’d realize how many different life styles are natural and they’d be more tolerant. Young people aren’t pushing any particular life style — just the freedom to choose. And the youth revolution bridges all boundaries.” (“Revolutionary Discovery,” Playboy, December 1969.)
[Gloria] graduated from Rhode Island School of Design with degrees in fine arts and architecture. She then took a Master’s Degree in City Planning and a Master’s of Architecture at the University of California, Berkeley.
In 1980, she opened her own planning firm, Planning Analysis and Development, in San Francisco. She headed the firm until 1998, when she relocated to New York. While in New York, Root headed the strategic planning services division of Skidmore, Owings and Merrill. She returned to San Francisco in 2002 to a job as a project manager for Auberge Resorts. She later took a senior position with RBF Consulting.
From 1990 to 1998, Root was a board member of San Francisco Urban Planning + Research Association, a public-policy think-tank promoting good government and sustainable urban planning. (the wiki)
Gloria died of cancer in January, 2006.
When not grappling with environmental and growth issues, Gloria was both an avid fan of professional football and an aficionado of the performing and cinematic arts. She was a world traveler, which contributed to her distinctive savoir faire. Long before it became fashionable, Gloria deserved to be called a “foodie” wowing her chums with her culinary delights. Dancer, skier, runner, Gloria was gifted with an exceptional physical grace. Of all her accomplishments, however, the power of Gloria’s mind was the most remarkable. Few possessed her ability to probe and debate current events with such intellectual horsepower and insight. When Gloria’s flame burned, it burned bright. (Obituary in the San Francisco Chronicle.)
I think Gloria Root is a woman who was definitely quite a total package. Beauty, brains, compassion, “different-ness,” and drive. RIP.
Picture via littleredhead on the tumblr: many more X-Files features to come thanks to her screencapping wonderfulness!
“Amor fati.”
I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who make things beautiful.