This entry was originally posted March 1, 2010 at 11:50 am.
Yesterday I was reminded that I had a bunch of these “Way They Were” entries planned and had only followed through on one (Jayne and Mickey). That’s cowardly. I’m going to try to motor through more in the coming months.
“Sitzende Frau mit hochgezogenem Knie”/”Seated woman with bent knee”, 1917.
Although artist Egon Schiele had been separated from Valerie “Wally” Neuzil and married to Edith Harms for two years by the date of this painting, most everyone agrees this is from an earlier study of Wally. It looks too much like her not to be, and he uses the colors that are associated with the Wally work. It’s my favorite work by him. It was on the cover of the Schiele book that my husband, who is a painter, had at our house in Portland, and was the entire reason I found myself opening and reading the book one day. I was interested in Schiele’s work, which is provocative and weird and has many shockingly modern features, all things I like, but, because his life was tragically cut short by disease, his career arc is brief. Coming away from the slim book about his life and art, I felt that his work was dominated by the chief feature of his life, which is to say in a nutshell his time with the real love of his life, which he royally fucked up, and it was the story of that, of Egon’s eventually jacked-beyond-repair relationship with Wally Neuzil that really sucked me in.
“Das Modell Wally Neuzil”/”The model Wally Neuzil.” 1912.
Artist Egon Schiele and his model, Valerie “Wally” Neuzil, were together from 1911 to 1915. He met her in Vienna when she was seventeen and he was twenty-one. Supposedly they were introduced by Gustav Klimt. Supposedly she had been Klimt’s mistress before she got together with Schiele. These things are all conjecture because everyone involved is dead, and they happened before the Great War, which so influenced the German-speaking art world in the years just following it that anything which contributed to or influenced an artist’s work before the War kind of fell by the wayside until later generations resumed their scholarship of turn of the century artists. That’s fair. Such radical changes happened during and after the War that I imagine it seemed crazy, outdated, and irrelevant to really consider too deeply the little emotional outbursts and criminal trials that came before the dramatic political events of the 1910’s and 20’s that literally reshaped the landscape.
“Rothaarige hockende Frau mit grünen Strümpfen (Valerie Neuzil)”/”Crouching figure with green stockings” (Valerie Neuzil).” 1913.
Egon and Wally left Vienna because they considered it too oppressive. They sought an inspirational, romantic, and bucolic lifestyle of freedom in the countryside, moving to Krumia — which also had the more practical benefit of much cheaper rent than Vienna — where, though Schiele’s mother was born there, they were summarily run out of town not too long after for being a little too inspirational, romantic, and bucolic: they’d been using the town’s teenagers as “models”. There’s a Schiele museum there now, so I guess that, like cream cheese, their hearts eventually softened to a spreadable cracker topping. That analogy got out of control in a hurry. It’s almost time for me to grab lunch, sorry.
“Wally in roter Blouse mit erhobenen Knien”/”Wally in red blouse with raised knees.” 1913.
Essentially fleeing the angry mob in Krumia, Egon and Wally moved again, this time north to Nuelengbach, where it was apparently same shit, different day, as they were not there even six months and Schiele was arrested for seducing a minor. Once in custody, they dropped that charge (apparently the young lady changed her tune when the absinthe wore off?) and an abduction charge the parents had insisted be levied originally, and instead tried and found him guilty of displaying inappropriate art in a place where minors could see it. He was released from prison after serving twenty-four days in April 1912 — are you getting the idea of what an awesome prince he was? such the lucky girl, that Wally — and they moved back to the Vienna area.
“Auf einem blauen Polster Liegende mit goldblondem Haar (Wally Neuzil)”/”Reclining female figure with gold blonde hair on a blue pillow (Wally Neuzil).” 1913.
Settled with Wally in Heitzing, a Viennese suburb, Schiele wrote to a friend in early 1915 that he was going to marry one of the Harms sisters, two locksmith’s daughters named Edith and Adele who lived across the street from his studio, for money. I guess running around for three years painting erotic pictures and pissing people off while sleeping with teenagers and doing jail time had not turned out to be the lucrative life of luxury he’d anticipated; the cash flow was getting low, and, despite that he considered Wally his partner and soulmate, marrying for money was Schiele’s timeless solution to their financial woes. He followed through on this, marrying the older of the daughters, Edith, on June 17, 1915, exactly 91 years before my own wedding day.
“Frau in Unterwäsche und Strümpfen (Valerie Neuzil)”/”Woman in underwear and stockings (Valerie Neuzil).” 1913.
A few days after his wedding, Schiele was called to the war, but managed to always serve in Austria, so he was able to continue with his art and stay close to his ties in Vienna. Wally had broken up with him when he told her he was getting married. Schiele wrote to friends expressing shock and grief: he’d actually expected her to understand and stay with him. He wrote a letter to Wally asking her to meet him at a billiards parlor that he liked to go to. There he gave her another letter, proposing that every year they go on an extended holiday, without his wife. She did not write back or respond positively to this. Instead, she left him and never saw him again.
“Frau mit schwarzen Strümpfen – Valerie Neuzil”/”Woman with black stockings – Valerie Neuzel.” 1913.
I was furious when I read this. I still remember sitting in my little house in Portland and my jaw dropping, and my blood boiling, all this anger and resentment simmering in me, directed at people I never met who’d been dead nearly a century, but I couldn’t help it. I hate him for marrying someone else, I hate him and I hate the story of how they were because it reveals that through all that time they spent together, Schiele must have considered Wally lower than him, and though she stood by him , asshole though he could be, he thought her to be the unimportant one, expendable and suppressable, and he literally threw her away like garbage even though she was the best thing that had happened to him; his drawings of her are the best things he did. But that is how some stories are, and I deserve to feel angry because I need to accept that, I have to work through my sadness about the fact that nothing and no one has ever been perfect not even for a day or an hour or a moment, every joyful thing is secretly riddled through with the knowledge that this is so good now because there will be pain later and every lucky penny has a tail side of the coin, and if I have to search my soul and see if there is any gold in the dross of this love story that I in my infantile understanding of human nature found so devastating than I guess I must say that I do love that Schiele really loved Wally in an incredibly broken way, and had that time with her in which there must surely have been good moments.
Photograph of Wally and Egon from the Schiele Museum online.
Schiele died only three years after his breakup with Wally, on Halloween 1918, in an influenza epidemic which had several days earlier killed Edith and their unborn child. He passed away completely unaware that Wally Neuzil had herself succumbed to death from disease around Christmas of the previous year. She’d become a nurse for the Red Cross and, stationed at Split in Dalmatia, she caught scarlet fever from one of her patients and died in the same hospital at which she’d been working for over a year.
edit 7/6/11. Question for discussion: on a large enough timeline, aren’t we and all our petty passions and tragedies truly sound and fury, don’t we signify nothing after all? I want to think not — likely only because of vanity and childish fear of my own meaninglessness — but it seems so true.
I was wayyyy too lazy about actually posting up my thoughts each day on the reading and research I was doing on Wonder Woman and I’m playing catch-up now. In order to make up for that lost time and have something properly worthwhile to represent the span of days lost, here’s a little drawing and expounding on the Amazonian from superfly amazing Adam Hughes, whose Catwoman work has been spotlighted here numerous times in the past.
Wonder Woman is the greatest comic-book superheroine of all time, and I can prove it with math. If you need proof of Wonder Woman’s stature as the greatest comic-book superheroine of all-time, then, PLEASE, go add up all the issues of any other female character and see if you come close to SIX HUNDRED.
No other female character has remained in print, consistently, since the Second World War. Think about that. Are there ANY? From ANY company? Nope. Sometimes, simple statistics speak volumes: Wonder Woman has been around, month-in-month-out, for almost 70 years. How many heroines (or heroes!) can boast such a feat? How many PUBLICATIONS have been in print since WWII?
She has inspired, intrigued, and entertained – NON-STOP – through 5 American wars, 13 U.S. presidential administrations, and she’s even outlasted regimes like the Soviet Union. Wonder Woman endures because she’s the best of the best, the baddest of the bad, the bluest of the blue.
Dang if that is not a convincing argument. Actually what I’ve found is that I am growing to like her the same as I do any of my regular favorites (perhaps with more respectful acknowledgement than, say, fervent love), and wonder why I didn’t before. Like it’s not even a big deal.
Writing is easy. You only need to stare at a piece of blank paper until your forehead bleeds.
Douglas Adams
If one more person uses my recent illness as the basis of a “you should” type sentence whose predicate is, “finish some of your writing,” I am going to jump off the roof. This threat is less dramatic than it seems: I live in a one-story house. I just figure that if I’ve got a lot of stitches and splints, maybe it will give these well-meaning loved ones something else to talk to me about.
Sin City (Frank Miller and Robert Rodriguez, 2005). Jessica Alba portrays Nancy Callahan. Rescued from kidnap and rape in her youth by Detective John Hartigan (Bruce Willis), Nancy is now an exotic dancer at a divey downtown night spot guarded by my crowd-pleasing favorite character, Marv (Mickey Rourke).
Nancy as drawn by Miller in the original comics.
Things have been kind of heavy for me lately. Et tu? Seems like everyone I know is kind of down this week; guess Mars is in retrograde or some kind of similar jello salad. So I encourage you to hit “play” on the song below and watch in amazement as Nancy Callahan “dances it out” in the exact same beat at that there ol’ Kadie’s Club Pecos in fabulous Basin City, a sunny place for shady characters.
FIRST PLAY THIS:
Les Paul and Mary Ford — Goofus (1950).
THEN WATCH THIS:
Actually, it works with all kinds of songs, but “Goofus” is the one that struck an absurd and juvenile chord of laughter in me. If you’ve been feeling a little out of sorts today, please do have a laugh and promise to try and make some of your own fun.
Last year my friendoh’s rad son came up with a superhero who was made out of number 19s and was named, appropriately, “19 Man.” That drawing has been lost to time so he made me a new one.
19 Man has a sidekick and a nemesis who has his own sidekick, and they all have kickass pets. Please click to enlarge and enjoy the awesome creativity. I especially like Mustache Dog — the very combination of the words of his name is something like “cellar door” or “fiddlesticks;” it pleases, yes?
I think I’ll start including some of my daughter’s work in liberated negative space as well. Like Picasso said, “All children are artists. The problem is how to remain an artist once he grows up.”
‘Nam-native Beetle-Bailey ear-necklace update: I still suck.
But seeing me hunched over and going through a ream of paper trying to do studies inspired kidlet to grab one of her own most recent “commissioned pieces,” the last assigned coloring project she had before school ended. Speaking of Jurassic Park and bloodthirsty drawings:
When she first brought it home, knowing what a girly-girl she can often be, I asked naively, “Is your T. Rex a girl dinosaur? With lipstick and fingernails?” She gave me a long-suffering, how-sad-that-my-mother-is-Grimace-from-Ronald-McDonaldland expression and said, “Mommy. Tyrannosaurus Rex was a killer. That is blood.”
Check. It was already all cut out so we put it on a couple popsicle sticks so she could use him as part of her various paper puppet shows.
Think about it: wouldn’t every single puppet show you’ve ever seen have been improved by the introduction of a tyrannosaur? It’s like a recipe for Imaginary Awesome and you just kicked it up a notch. T. Rexes are truly the paprika in the potato salad of the toybox.
So I was trying my hand yet again at drawing Beetle. The problem is I want his shirt open to display the necklace to best advantage as well as convey how unhinged he’s become, but both the open shirt and his chest itself are giving me trouble as far as drawing them as simply but representatively as possible, and I can only imagine my plan for his right hand to be flashing a peace sign will also end in tears. Meanwhile, kidlet, like I said, went and fetched her T. Rex puppet.
She made “Blarrrghhh, Gahrrrrr, Rawrrrrr” kind of noises at me from the other side of the table, kneeling so only the puppet showed and, when that did not sufficiently distract me, she snuck up beside me and pounced, pretending the dinosaur was biting my hand (very convincing flesh-tearing noises accompanied this move), and I said, “You’re very scary, but I’m kind of in the middle of this. Why don’t you go eat a Barbie? We can play later. Promise.”
First the T. Rex turned his cap backward, then they started the arm-wrestling. If you do not understand this humorous reference and you want to get in on the cheesey action flick joke, rent Over the Top (Menahem Golan, 1987). Don’t necessarily buy it though, heh.
Kidlet danced the dinosaur away, making stomping noises with her feet to simulate his weight stalking out of the room, then stuck the puppet back around the corner and said loudly in a deep, ominous voice, “You haven’t seen the last of Tyrannosaurus Rex!!”
I said, “I’m pretty sure I have, actually.” Extinction is a bitch. But the whole exchange cracked me up and lightened my mood. She’s so wonderful. I don’t know where she came from but I’m damned lucky she’s here.
Lastly, the best thing I have ever seen, a comic panel that never fails to cheer me up:
Where is this afternoon going? Super-sorry. I know I’ve been poo about posting up the usual shenanigans today — no Blake, no Girl of Summer, no Batman, like practically nothing at all yet — but I was fully absorbed in a project this morning. Must’ve been all this Vietnam talk lately, but I basically woke up today with only one goal on my mind:
Draw Beetle Bailey with a necklace of human ears.
Reference image.
Not in a funny way. In a dark and serious, satirical but sad way, like to make a point.
Way harder than it sounds, as it turns out. Reminds me of this great idea I had a few months back for a single-panel comic of a rat in hawaiian shirt and boater hat with a little cane and tiny specs, standing upright, top legs like arms spread grandly, saying, “Welcome — to Thoracic Park!” And the rat-John Hammond saying this was to be inside a rotting human rib cage along with little precious mousey-rat versions of Doctors Sattler, Grant, and Malcolm, and it would have been wonderful (is there a name for what’s wrong with me?) but for the ass-huge stumbling block of my complete inability to transfer the idea in as effective a way as I’d hoped from mind to paper. Blocked it fifteen different ways and it never gelled.
It’s the end of the world as we know it. Did You Know?
Looks like that’s going to be the story with Beetle going Apocalypse Now-style native. Another for the Fail tray. I’m going to try a little more later today. Keep you posted.
I hate it when my ambition oustrips my art skills. Blarg.
Sorry for the re-tread on a Sunday and not on a Flashback Friday or Take-two Tuesday, but I’m nearly through my major June series which I have done every summer for nine years because of that there ol’ deathiversary due to my crushing unbearable survivor’s guilt and repressed rage, then snap! it’s almost time for my much-more-voluntary-and-less-moody yearly re-read of The Handmaid’s Tale, and then over Fourth Of July I do The Tommyknockers. I must reach the part where Ruthie McCausland blows up the clock tower on Independence Day on the Fourth of July in my own time for true Summer synchonicity to occur, and the times I haven’t done I’ve felt all kinds of crawly about it, so why invite trouble? Then I will wind things down with the Doomsday Book, which, entering my life in 2004, is a comparatively recent addition to my duties.
Librarian-type girls are hot. I’m saying that I’m hot.
Also somewhere in there I’m to become at least glancingly conversant with Elisabeth Kübler-Ross’s work on grief because my aunt said it’s time we try facing up to how we feel Ways About Things and try to let go. I’m all like, “Okay! if you think that’s best,” but really I mean, “WE’LL SEE,” or even, “NO.”
When I’ve attended to all my obligations, which should be done in about a month, THEN I am hoping to get started on this awesome book the Gentleman is loaning me about Abraham Lincoln hunting vampires, which is appropriate because as we all well know vampires suck and werewolves are going to the dogs.
See? Hot! The Bookworm knows. (Another retread; you may remember this picture from the “Enter the Bookworm” post a bit back.)
Christo brought the vampire hunter book down for me the night I went to the house to watch the finale of Lost with Gorgeous George, but I declined, telling him to loan it to someone else because I knew I’d be tied up for a while. But soon! I’ll let you know how it is!
I was taking a break from yardwork to make lunch and my daughter was dancing around me swinging something little and slappy on a stick at me. This exchange followed:
Me: Dude! Quit hitting me with that.
Kidlet: (continues trying to hit me)
Me: What even is that?
Kidlet: (stills long enough for me to see it is a miniature U.S. flag on a thin wooden dowel)
Me: Oh, no. That is not — (starts hitting me again) — Hey! Not okay! The flag is NOT a weapon!
Kidlet: The flag IS a weapon! (holds up the dowel end and mimicks stabbing the air Psycho-style)
“American Headache” via the awesome broken spectre on the tumblr.
Tomorrow is Flag Day here in the United States and while I am wary of overdoing it in an oppressive way such as our founding fathers would not have favored and accidentally sewing the seeds of jingoism, I do expect informed respect for patriotic symbols, especially the flag. (See my vitriolic Memorial Day entry for expansion on the issue of this inner conflict and dislike of corporate co-optioning of patriotism) Guess I’ll use it as a jumping-off point to explain to her about flags and traditions, etc.
Steve McQueen.
I did a good, short unit on the National Anthem with the Scamps. Maybe I’ll dig that out of my current tutoree’s textbook when I see her this week, since her mom muscled the school library in to letting her take all her books home for the summer (I’ve said it before but the woman is literally a bulldozer in pumps; it is all I can do not to submissively pee when she enters a room). I remember some of it.
via hellobaltimore Did You Know? The giant flag about which Francis Scott Key wrote seeing wave over Fort McHenry at the end of the Battle of Baltimore was made in just about six weeks by Mary Young Pickersgill, with the aid of her mother and her thirteen-year-old daughter, Caroline, along with her nieces and two freed African-American houesmaids. They were commissioned by Major George Armistead to make the largest flag ever to be flown over a fort up until that time — the apocryphal story goes that he told the women he wanted to make sure the British could see it. The flag is presently going through a restoration to the tune of 18 million dollars right now in preparation for its centrality to the new, redesigned Smithsonian National Museum of American History.
A widow with a spine of steel, Mrs. Pickersgill was one of the first independent female business owners in America. She successfully negotiated contracts for her flagmaking business with the United States Army and the Navy. She was also a passionate humanitarian, being notable in town for “color-blind” hiring in her sewing shop, with a special bent for women’s issues: she founded the Impartial Female Humane Society, which provided school vouchers for young girl children of any race or religion to be educated, along with the provision of networking and employment to their single mothers.
The More You Know.
Flag kicks from Converse. Chux are cool, yes, but please remember they are owned by Nike. I’m just sayin’.
Guess I should have saved all these flag facts for tomorrow, but I figured I had better strike while the iron of my interest was hot — I know what a fickle creature I am, and by tomorrow the flame of my curiosity about flags, Mrs. Pickersgill, and the history of the women’s movement would have died down to embers at best.
Hunter S. Thompson as sketched by Robert Rodriguez.
This may be the year when we finally come face to face with ourselves; finally just lay back and say it — that we are really just a nation of 220 million used car salesmen with all the money we need to buy guns, and no qualms at all about killing anybody else in the world who tries to make us uncomfortable.
It is American to be thin, you know.
The kids are turned off from politics, they say. Most of ’em don’t even want to hear about it. All they want to do these days is lie around on waterbeds and smoke that goddamn marrywanna… yeah, and just between you and me Fred thats probably all for the best.
Maybe, but I think it’d be great if you turned back on, because things really will fall in to ever greater shit the more apathetic orphans there are who set themselves adrift from current events. People in the past and up to the present have made great sacrifices for a comfortable standard of living in America and I believe strongly that we owe it to them to return the favor in the smallest ways we can, which include love, thanks, support …
Emmy Rossum in the style of the pinups popular during WWII.
… and also, and I think most importantly, we can demonstrate our empathy and gratitude by casting our votes on pertinent legislation and for compassionate and logical politicians who do not pander to the middle but appreciate a balance in their policymaking. I can get as terribly discouraged as anyone by the state of this wicked modern world but I also don’t want to give up hoping that we can make peace on earth an actuality.
The ugly fallout from the American Dream has been coming down on us at a pretty consistent rate since Sitting Bull’s time-and the only real difference now … is that we seem to be on the verge of ratifying the fallout and forgetting the Dream itself.
Let’s don’t let that happen? And let’s don’t let this day be about materialism and stuffing our faces? I was so excited today at the end of Mass when our closing song was “Let There Be Peace on Earth,” and what was even better, it was kidlet’s first time hearing the song — she fell in love with it and she’s been belting it out about the house all day as we prepare for a barbeque for church and neighborhood friends. What a great hope that gives me for the future.
Hunter S. Thompson photographed by Al Satterwhite on the island of Cozumel, Mexico, in March 1974, while being interviewed.
Please do buck the trends of apathy and, conversely, overly-stringent, empty-rhetoric-loving, non-specifics-seeking bandwagon-jumping and instead make compassionate, well-informed voter choices. Let’s respect the veterans we remember with love today while doing our best to make sure we make fewer graves on which to place flags and flowers in the future.
All quotes come from Fear and Loathing: On The Campaign Trail ’72. (Serialized in Rolling Stone, 1972, and pub. by Straight Arrow Books, 1973). HST followed the campaign of George McGovern. He also commented presciently that to win the American presidency it seemed one had to be some kind of rock star these days (this is a criticism of the ever-growing circus of presidential campaigns and not of the present president, himself.)
“Colors, like features, follow the changes of the emotions.”
(Pablo Picasso)
qtd by Zervos, Christian. “Conversation avec Picasso.” Cahiers d’Art Paris ed. Vol. X, 7-10 (1935): 173-178. Transl. by Myfanwy Evans for Alfred H. Barr’s Picasso: Fifty Years of His Art (New York: MoMA press, 1946).
Had errands to run to help my mother and her friends with some church luncheon shenanigans in the morning, and a lot-lot-lot on my mind today, but the good news is it was a foggy-but-genial day for Grandma, which makes everything much better. She had a pretty gay time just watching traffic and neighborhood cats out the front window.
Paper doll set intended for framing by claudiavarosio on the etsy.
Margot: You probably don’t even know my middle name.
Royal: That’s a trick question; you don’t have one.
Margot: ‘Helen.’
Royal: That was my mother’s name.
Margot: I know it was.
Guess what I watched today? I’m not so sure it was the greatest move.
“One does not kill oneself for the love of a woman, but because love — any love — reveals us in our nakedness, in our misery, in our vulnerability, in our nothingness.”
(Caesare Pavese, one of the greatest Italian poets and literary minds of the 20th century, c. 1950, just before his death by suicide after his failed affair with American actress Constance Dowling.)
Love strips us painfully, pitifully bare, like some shorn sheep or a little boy who’s just got his first buzzcut: this awkward, naked truth is very accurate, but I’m actually so glad of the many types of love; Sgr. Pavese seems to find all of them disheartening, but, respectfully, I dissent. I have struggled a long time with the difficulty of confronting and revealing my feelings, but I now believe that it is possible to examine my own self and still manage not to fall in to complete despair. Without the love of my family and friends I could never have borne some of the hard hits my heart has taken, historically and up to the present. I wish with all my soul that Sgr. Pavese could have found that same solace, but I wish him all the best in the life he has now. RIP.
Yesterday I was reminded that I had a bunch of these “Way They Were” entries planned and had only followed through on one (Jayne and Mickey). That’s cowardly. I’m going to try to motor through more in the coming months.
“Sitzende Frau mit hochgezogenem Knie”/”Seated woman with bent knee”, 1917.
Although artist Egon Schiele had been separated from Valerie “Wally” Neuzil and married to Edith Harms for two years by the date of this painting, most everyone agrees this is from an earlier study of Wally. It looks too much like her not to be, and he uses the colors that are associated with the Wally work. It’s my favorite work by him. It was on the cover of the Schiele book that my husband, who is a painter, had at our house in Portland, and was the entire reason I found myself opening and reading the book one day. I was interested in Schiele’s work, which is provocative and weird and has many shockingly modern features, all things I like, but, because his life was tragically cut short by disease, his career arc is brief. Coming away from the slim book about his life and art, I felt that his work was dominated by the chief feature of his life, which is to say in a nutshell his time with the real love of his life, which he royally fucked up, and it was the story of that, of Egon’s eventually jacked-beyond-repair relationship with Wally Neuzil that really sucked me in.
“Das Modell Wally Neuzil”/”The model Wally Neuzil.” 1912.
Artist Egon Schiele and his model, Valerie “Wally” Neuzil, were together from 1911 to 1915. He met her in Vienna when she was seventeen and he was twenty-one. Supposedly they were introduced by Gustav Klimt. Supposedly she had been Klimt’s mistress before she got together with Schiele. These things are all conjecture because everyone involved is dead, and they happened before the Great War, which so influenced the German-speaking art world in the years just following it that anything which contributed to or influenced an artist’s work before the War kind of fell by the wayside until later generations resumed their scholarship of turn of the century artists. That’s fair. Such radical changes happened during and after the War that I imagine it seemed crazy, outdated, and irrelevant to really consider too deeply the little emotional outbursts and criminal trials that came before the dramatic political events of the 1910’s and 20’s that literally reshaped the landscape.
“Rothaarige hockende Frau mit grünen Strümpfen (Valerie Neuzil)”/”Crouching figure with green stockings” (Valerie Neuzil).” 1913.
Egon and Wally left Vienna because they considered it too oppressive. They sought an inspirational, romantic, and bucolic lifestyle of freedom in the countryside, moving to Krumia — which also had the more practical benefit of much cheaper rent than Vienna — where, though Schiele’s mother was born there, they were summarily run out of town not too long after for being a little too inspirational, romantic, and bucolic: they’d been using the town’s teenagers as “models”. There’s a Schiele museum there now, so I guess that, like cream cheese, their hearts eventually softened to a spreadable cracker topping. That analogy got out of control in a hurry. It’s almost time for me to grab lunch, sorry.
“Wally in roter Blouse mit erhobenen Knien”/”Wally in red blouse with raised knees.” 1913.
Essentially fleeing the angry mob in Krumia, Egon and Wally moved again, this time north to Nuelengbach, where it was apparently same shit, different day, as they were not there even six months and Schiele was arrested for seducing a minor. Once in custody, they dropped that charge (apparently the young lady changed her tune when the absinthe wore off?) and an abduction charge the parents had insisted be levied originally, and instead tried and found him guilty of displaying inappropriate art in a place where minors could see it. He was released from prison after serving twenty-four days in April 1912 — are you getting the idea of what an awesome prince he was? such the lucky girl, that Wally — and they moved back to the Vienna area.
“Auf einem blauen Polster Liegende mit goldblondem Haar (Wally Neuzil)”/”Reclining female figure with gold blonde hair on a blue pillow (Wally Neuzil).” 1913.
Settled with Wally in Heitzing, a Viennese suburb, Schiele wrote to a friend in early 1915 that he was going to marry one of the Harms sisters, two locksmith’s daughters named Edith and Adele who lived across the street from his studio, for money. I guess running around for three years painting erotic pictures and pissing people off while sleeping with teenagers and doing jail time had not turned out to be the lucrative life of luxury he’d anticipated; the cash flow was getting low, and, despite that he considered Wally his partner and soulmate, marrying for money was Schiele’s timeless solution to their financial woes. He followed through on this, marrying the older of the daughters, Edith, on June 17, 1915, exactly 91 years before my own wedding day.
“Frau in Unterwäsche und Strümpfen (Valerie Neuzil)”/”Woman in underwear and stockings (Valerie Neuzil).” 1913.
A few days after his wedding, Schiele was called to the war, but managed to always serve in Austria, so he was able to continue with his art and stay close to his ties in Vienna. Wally had broken up with him when he told her he was getting married. Schiele wrote to friends expressing shock and grief: he’d actually expected her to understand and stay with him. He wrote a letter to Wally asking her to meet him at a billiards parlor that he liked to go to. There he gave her another letter, proposing that every year they go on an extended holiday, without his wife. She did not write back or respond positively to this. Instead, she left him and never saw him again.
“Frau mit schwarzen Strümpfen – Valerie Neuzil”/”Woman with black stockings – Valerie Neuzel.” 1913.
I was furious when I read this. I still remember sitting in my little house in Portland and my jaw dropping, and my blood boiling, all this anger and resentment simmering in me, directed at people I never met who’d been dead nearly a century, but I couldn’t help it. I hate him for marrying someone else, I hate him and I hate the story of how they were because it reveals that through all that time they spent together, Schiele must have considered Wally lower than him, and though she stood by him , asshole though he could be, he thought her to be the unimportant one, expendable and suppressable, and he literally threw her away like garbage even though she was the best thing that had happened to him; his drawings of her are the best things he did. But that is how some stories are, and I deserve to feel angry because I need to accept that, I have to work through my sadness about the fact that nothing and no one has ever been perfect not even for a day or an hour or a moment, every joyful thing is secretly riddled through with the knowledge that this is so good now because there will be pain later and every lucky penny has a tail side of the coin, and if I have to search my soul and see if there is any gold in the dross of this love story that I in my infantile understanding of human nature found so devastating than I guess I must say that I do love that Schiele really loved Wally in an incredibly broken way, and had that time with her in which there must surely have been good moments.
Photograph of Wally and Egon from the Schiele Museum online.
Schiele died only three years after his breakup with Wally, on Halloween 1918, in an influenza epidemic which had several days earlier killed Edith and their unborn child. He passed away completely unaware that Wally Neuzil had herself succumbed to death from disease around Christmas of the previous year. She’d become a nurse for the Red Cross and, stationed at Split in Dalmatia, she caught scarlet fever from one of her patients and died in the same hospital at which she’d been working for over a year.
The Thought Experiment 