Daily Batman: Everybody sucks for Batman today

In Batman No. 303, Batman gets a nasty crack on the noggin and mistakenly believes that Batman is his secret identity, while Bruce Wayne is the Dark Knight. Malarkey ensues.

via.

Having been chased by gawking crowds for the crime of trying to eat a hot dog, resulting in a cop warning him that Batman wouldn’t like it if he knew some schmuck was impersonating him, the dejected and confused Caped Crusader wanders afield of his usual holding patterns. Wandering the streets, he finds himself looking for friends in a love-in-ing little bed of flower children, who he pretty much promptly discounts as viable companions.

Ibid.

But if you’re feeling left out because you’re not a hippie, don’t worry — the writers take time to throw out a bash on Comic-Con goers, too. Everybody sucks! Why are you wasting Batman’s time?? Kill yourself.

Flashback Friday — Daily Batman: Everyone carries a shadow

This post originally appeared on Aug 27, 2010 at 11:26 a.m.

Art by Zbigniew Goik on the behance network.

Unfortunately there can be no doubt that man is, on the whole, less good than he imagines himself or wants to be. Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.

(Carl Gustav Jung. “Psychology and Religion.” The Terry Lectures, 1937.)

Daily Batman: Enter Harvey Dent, or, Apocrypha Now

Never trust thine enemy: for like as iron rusteth, so is his wickedness. An enemy speaketh sweetly with his lips, but in his heart he imagineth how to throw thee into a pit: he will weep with his eyes, but if he find opportunity, he will not be satisfied with blood.

(Sirach 12:10, 16.)

I’ve been doing a lot of resting and a little wool-gathering. I got to go see a man about a sandwich right now, but I’ll be back shortly with more shenanigans than you can shake a stick at. (Try and shake a stick at them all. You won’t be able to.)

Take-two Tuesday — Daily Batman: Advice, The Dark Knight edition

This post originally appeared on November 28, 2009 at 3:07PM.

This picture from The Dark Knight brings up two pieces of advice.

First, it is very important that you look at the Joker when he talks to you. Do not forget.

Second, you must accept that sometimes a thing is a foregone conclusion. Friend, he is wearing an apron fashioned of a garbage bag. There is no scenario in which this ends well for you.

Questions for discussion:

This scene is one of two in which the Joker gives a very detailed origin story about his scars. He is not asked about his scars by the people to whom he tells the stories, and the stories do not match. Why do you think this is?

Why do you think is it so important to the Joker that people look at him when he speaks to them?

Would you feel nervous if you had to talk to the Joker? (Suppose in this case he were not wearing a garbage bag and rather was just in his de rigeur violet and puce duds.) Why or why not?

Take-two Tuesday — Daily Batman: A wild beast loosed

This post originally appeared on May 26, 2010 at 9:58 pm.

“A man without ethics is a wild beast loosed upon this world.”

— Albert Camus

Daily Batman: Everyone carries a shadow

Art by Zbigniew Goik on the behance network.

Unfortunately there can be no doubt that man is, on the whole, less good than he imagines himself or wants to be. Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.

(Carl Gustav Jung. “Psychology and Religion.” The Terry Lectures, 1937.)

Daily Batman: Enter Talia

Talia al Ghul by Stephane Roux.

Said it before but I say again:

Mother of Bruce Wayne’s child.

RACHEL WEISZ.

If I could design subliminal messages, I would pipe those two things in to Chris Nolan’s dreams, I swar to gar.

She’s not getting any younger, Mr. Nolan. But you know what she is getting? Ever-more-perfect to play the part of Talia and take these films to the Next Level. Already had her dad as a villain, and his invisible hand is present in the sequel (the drugs Dr. Crane is still moving around GC in The Dark Knight are obviously chemically based on the hallucinogen he weaponized for Ra’s when he was a little more, ahem, put together; as he could have no present access to original stockpiles of that drug’s ingredients due to the plant’s destruction during the riots in the Narrows which concluded Batman Begins, Crane is likely acquiring the material to continue the synthesized manufacture of the fear drug from the League of Shadows, who’d provided him with his chemicals in the past. Yes?). Tie it all in and bring us home by bringing Talia in and let’s do this!

Daily Batman: A wild beast loosed

“A man without ethics is a wild beast loosed upon this world.”

— Albert Camus

Daily Batman: Movie Moment, The Dark Knight/Il cavaliere oscuro — Joker edition

«Introduci un po’ di anarchia; stravolgi l’ordine prestabilito.»
(Introduce a little anarchy; distort the established order)

Il cavaliere oscuro (Christopher Nolan, 2008), edizione speciale featuring the Joker.

To them, you’re just a freak. Like me!

Why so serious?

You’ve got some fight in you. I like that

Kill the Batman. … Here’s my card.

This city deserves a better class of criminal. And I’m going to give it to them.

Ready, and, … go!

You’ll see.

«Sono un agente del caos. Lo sai qual è il bello del caos? È equo.»
(Be an agent of chaos. You know what’s beautiful about chaos? It’s fair.)

I totally dropped the ball on Dark Knight December, and I had so much cool shit planned. I’ll get back to that, I promise. Sorry.

Daily Batman: Bat couture — the Bat and a Model Citizen, by Thierry Le Gouès

Model citizen Ali Stephens plays sidekick to the Caped Crusader.

Images appeared in French Revue de Modes #15, “The Dark Knight,” October 2009.

Styled by Marcell Rocha and photographed by monster of rockingness Thierry Le Gouès .

All scans via the Fashion victims Russian Glamour community on the lj.

Campy clean fun! Also available on Fashionably Independent and Fashion Gone Rogue.

Dark Knight December: Cell phones are a Thing

–omg, srsly? lol!

How do you like the new technology in these Batman films? It keeps it looking very current and almost mundane, doesn’t it. Things like texting, laptop videoconferences, 24-hour-news-network crawls. Most of the technology in other comic adaptation films, it seems to me, is either dated (forward or backward, depending on when it is set — X-Men is an example of forward, Sky Captain an example of back), or, along those lines, is simply made up entirely out of whole cloth in order to keep it simple and tailored to the plot.

Does the very realistic use of technology, smoothly integrated in to the look and even plot points of these newer movies feel authentic to you or tacked on? It makes the movie seem more real, even though you know it is escapist fantasy; do you expect to see more or less? How does it function for you? Good, bad, indifferent?

The Dark Knight December: Let us talk then, you and I

Let us talk then, you and I* …

… about The Dark Knight. It can be a long discussion, as I think befits the topic. Shall we say, maybe, a month-long one? Why don’t we just meet here, every day, starting right, mmm, NOW.

Here is the bank robbery, the scene which opens The Dark Knight. I found it somewhere. Do not ask me questions. Warner Bros, I am sorry but I cannot recall where. Please do not end my streak of six years without being sued. How does this grab you — everybody, go to the Warner Bros. website and buy directly from them the DVD of The Dark Knight, and you know what else? Get it on Blu-Ray too! Also on VHS, because when the machines rise against us, VCR’s will probably be sullen and resentful of having been discarded despite being the superior format (seriously, when your DVD of a certain movie starts skipping, you throw it out and have to buy a new copy: meanwhile, you can still fix a videotape with a motherfucking butter-knife — can we say built in obsolescence??) and try to join the humans’ side!**

Questions for discussion:

The opening sequence is a wide-shot of Gotham (yes, it’s Chicago, but suspend disbelief — in fact I think it might even be Hong Kong in this scene), ending in a pan and slow zoom on a mirrored building. Security, corporate might, a reflection of society and the city as it ought be in the eyes of a business — *BOOM.* Can we agree that sets the stage for anarchy? Let’s also agree to look for windows, explosions, and the disruption and undermining of the expected and staid time and again this month, mmkay? The rest of the questions for discussion are really questions that I think I am not sure of the answers on, so feel free to comment.

What is the most important thing you learn via the henchmen’s gossip about the Joker in this sequence, in your opinion?

“That’s funny: it didn’t go to 9-1-1. It rang to a private number.” The now-dead clown, shot by the other now-dead clown, is speaking before his death of the alarm triggered by their disabling the bank’s security system. To whom did this call go, do you think? To whom, really? Recall that the bank manager says, “You don’t know who you’re stealing from!” and the police agree that this is a mob safe-zone bank, where they keep their money. However, everyone in “the mob” seems to have been caught totally by surprise with this job. This means that the call did not, even for one moment, ring out

to Maroni, nor Lau, nor any of the other Gotham gangsters present in
person or via telelink at the meeting so memorably interrupted in about fifteen minutes (we’ll get there) by the Joker and his Amazing Pencil Trick. So to whom do you think that call rang out?

From where did the gas which clouds about the bank manager’s face come (I hope it looks familiar)? That part of the question was a no-brainer but it has far-reaching implications, that gas. What does this say about the Joker’s larger plans, and even how he came to menace Gotham to begin with? Go back to question three now.

*Prize in the mail to first person who catches that soundalike reference.
**Eskimo kisses to Polaroid, TDK, and those shitty yellow ones with black stripes from Target. You guys still dominate my movie collection’s shelves. And my heart.

Daily Batman: Advice, The Dark Knight edition

This picture from The Dark Knight brings up two pieces of advice.

First, it is very important that you look at the Joker when he talks to you. Do not forget.

Second, you must accept that sometimes a thing is a foregone conclusion. Friend, he is wearing an apron fashioned of a garbage bag. There is no scenario in which this ends well for you.



Questions for discussion:

This scene is one of two in which the Joker gives a very detailed origin story about his scars. He is not asked about his scars by the people to whom he tells the stories, and the stories do not match. Why do you think this is?

Why do you think is it so important to the Joker that people look at him when he speaks to them?

Would you feel nervous if you had to talk to the Joker? (Suppose in this case he were not wearing a garbage bag and rather was just in his de rigeur violet and puce duds.) Why or why not?

Oh, PS, this is a precursor to forthcoming The Dark Knight December. Between that and Sam Haskins, we got us quite the month shapin’ up.

Daily Batman: Enter Alfred Pennyworth

Do not worry, Master Wayne.

I believe Alfred has got this situation all nailed down.