Movie Moment: A story in stills — I Tre volti della paura, aka The Three Faces of Fear, aka Black Sabbath

A touch of giallo and genuine fear in the rainy April. In honor of the upcoming thirtieth anniversary of his death, I declare this Mario Bava Movie Moment Week. He was a really terrific director of plenty of genres, though he is best known for his work in horror, with a good sense of fun AND fear, and a truly great gift for cinematic expression. His colors, lighting, and cinematographic choices are amazing. I look forward to highlighting some of my faves from him over the next seven days!

Bava big pimpin’! image via Thizz Face Disco right here on the wordpress.

Thought I’d start with I Tre volti della paura, aka The Three Faces of Fear, aka Black Sabbath (1963). It’s a story in stills edition, folks, so skip to the bottom if you don’t want spoilers!

(stills via proximity seamstress in the Nostalgia Party community on the lj. YOU ARE SO COOL!)

Arguably Bava’s masterpiece, Black Sabbath is broken in to three segments. I feel that each of the three segments explores a various type of terror: from the psychological, to the monstrous, to the uncanny. The only element of continuity between the three stories is a cinematic one: Boris Karloff, one of the kings of classic horror, comes out to introduce each segment in the version with which I’m familiar (though I’m told this is not the case with the original U.S. release), and plays a vampire in the second of the segments.

These screencaps are exclusively from what I’d term the strictly psychological thriller segment, “Part I: The Telephone,” a noirish story about wicked people with ulterior motives couched in deceit, coupled with the dramatic sexy violence and twists characteristic of giallo films. Set in Paris, the short is familiar pulp territory, with the titillating added thrill of bisexuality, but it’s shot with a Hitchcockian tension to the angles and edited with sustained, lingering frames interrupted by abrupt cuts that really ratchet up the anxiety level.

The story takes place in pretty much one location over a single evening, almost in real time, which contributes considerably — along with the short length of the segment — to a swiftly rising pitch in suspense.

This hot ticket is Rosy, played by mega-hottie Michèle Mercier. Rosy is a call girl whose boyfriend and former pimp, Frank, has just escaped from prison. As she testified against him in his trial, she’s understandably concerned after hearing the dramatic news of his escape that he is going to seek her out soon for reprisals.

(And you thought nervous girls getting all naked and wet was a trope that was invented for seventies slasher flicks. Silly you. Friday the 13th ain’t got nothin’ on Sgr. Bava!)

It seems Rosy’s concerns are well-placed, because she begins receiving mysterious, threatening phone messages from a gruff caller who says he is Frank and warns that he is coming to get her.

Rosy calls a girlfriend, Mary, to confide her fears. Over the course of the conversation, you realize, oh, snap! This is a girlfriend-girlfriend! And Rosy is now even hotter. A high-femme damsel in distress, she is relieved when her more strong, slightly domineering and weirdly “off” ex promises to hurry over to the apartment and help Rosy relax.

Mary’s “offness” is explained when she turns right back around and calls Rosy back, disguising her voice and pretending to be Frank — she is the one who’s been making the threatening phone calls that have Rosy so shaken up. Also, she is a very smart dresser, as you can see in the following still.

Look at you, girl! All a dominant and crafty lipstick sixties lesbian, all suited up and catty in your emerald green, all situated in the bed looking cosmopolitan with your little sherry glass — I said goddamn, Lidia Alfonso: haters to the left. She’s looking mighty good. That shit would sooo work on me.

Mary is just full of good counsel and reassurance for her frightened former lover. As an example, she suggests that Rosy put a carving knife under her pillow …

… and take a nutritious, delicious tranquilizer. Those are two things that always go together really, really well, especially in a film called The Three Faces of Fear.

Man. The trustworthy Miss Mary’s lifestyle tips are practically gold. She should start a magazine. How to Put Your Ladytimes Lover in Serious Danger: Accessories and Cocktail Suggestions for the Scheming Butch on the Go!

To Mary’s credit, once Rosy drops off, Mary pens her a letter which explains her motivations (something we’ve been curious about, too, since making prank calls saying you plan to end your lover’s life is kind of a sketchy thing to do).

Mary writes that she had missed Rosy terribly since their breakup and, when she heard about Frank the scary pimp’s prison break, she decided to use the opportunity to invent a scenario where Frank was threatening to murder Rosy so that Rosy would call Mary for help. After being around Mary again, the plan went, Rosy would realize the mistake of their separation and invite her back in to her life. Mary’s sorry it had to be done in a deceitful and scary way (which it didn’t, actually — that kind of convolution is pretty much strictly the logical provenance of giallo), but she writes that she loves Rosy and hopes to make it up to her.

Stop — Boris Karloff time! (Please, Boris Karloff, don’t hurt ’em.) I have inserted this interruption completely out of sequence. I just really wanted to throw it out there. Back to the story. Are you ready for the twisty turn of the screw?

While Mary is busy writing her love letter to the tranqued out Rosy, a man steals in to the apartment, clearly intent on murder. It is Frank, the pimp, now a genuine threat even though thirty seconds ago we thought he was not! He didn’t call but he was actually coming all along.

Crap! Mary, with whom we have just become totally sympathetic due to her big reveal of being a lover not a murderer, does not hear him because she is wrapped up in her lovey-dovey explanatory note-writing, and Rosy is asleep in the arms of Prince Valium in the other room.

He grabs the silk stocking off of the chair where Rosy discarded it earlier before her steamy I’m-scared-so-I’ll-strip bath and subsequent frightened call to Mary.

He sees the back of Mary’s dark head and, oh, no!, without seeing her face, begins to strangle her with the stocking. He assumes she is Rosy, his intended target.

The muffled thumps of Mary and Frank’s struggle Rosy slept straight through, but her lover’s death rattle finally wakes Rosy.

Maybe some kind of sympatico mental thing. She knows she has just heard something bad. She realizes it was Frank and deduces that he killed Mary. She is frozen in fear, looking at his face.

Suddenly, Rosy remembers the knife that poor dead Mary suggested that she stash beneath the pillow back when we still half-thought Mary might end up using it on Rosy herself.

Rosy stabs Frank with the knife, killing him, then breaks down sobbing and freaking out and crying, surrounded by the corpses of people she used to have sex with. I assume someone found her and stopped her screaming eventually. In any case, that knife sure ended up being a danged good idea. Why did you say it wasn’t? Sheesh.

Bava at work.

Mario Bava said repeatedly that this was the best of all his directorial work, placing it even above the classic La Maschera del Demonio/The Mask of Satan/The Black Mask (it is in Italian horror directors’ contracts that all their movie titles have at least three crazy names. Did You Know?). The man — Quentin Tarantino — has cited the narrative structure of Black Sabbath as his inspiration for the disjointed cinematic discourse in Pulp Fiction.

Why did I choose the least-flattering picture of QT ever? Answer: So that he will look at it and think I’m the best he can do and we can get married.

Seeing this motion picture on its release in Great Britain also inspired one Mister Ozzy Osbourne and his associate, a Mister Geezer Butler to change the name of their heavy blues/rock ensemble Earth to the film’s U.K. title: “Black Sabbath.” Previous band names included Mythology and effing Polka Tuck (I have a really hard time with that), so you may thank Sgr. Bava for inspiring one of the badassicalest band names in the history of rock-and-or-roll*, chosen by a group that would go on to become the Greatest Metal Band of All Time. Grazie!





*The worst band names ever are “Green Jellÿ”** and “The Alan Parsons Project.” Documented fact.

The first instance is the most idiotic use of an umlaut in recorded human history, and the second name sounds like a public access show about whittling that you watch by accident in a hospital because the batteries in the clicker have died and the only magazine in the deserted waiting room is a copy of People featuring Kathie Lee Gifford. Which you have already read since arriving. Cover to cover. Twice. (“Former ‘Brady Bunch’ star’s new lease on life — thanks to gem meditation!” “Dr. Mehmet Oz lists the surprising holiday foods that you can load up on!”)

image via the smart and sexy towleroad on the typepad.

Agree with me that the second cover story on that phantom hospital waiting room’s phantom Kathie Lee issue of People is: “Plus — Mario López: Why hasn’t TV’s most eligible (and ripped!) bachelor found a lady?” Oh, such a head-scratcher. Poor Mario! Sigh. Just like Liberace.

**In Green Jellÿ’s defense, they actively set out from the moment of their inception to be literally the worst band ever, beginning with their name. To my knowledge, the Alan Parsons Project was titled in earnest and has no such excuse.

Spring Fever!: Marlene Morrow, Miss April 1974 — or, “Persephone.”

The lovely and talented Marlene Morrow was Playboy’s Miss April, 1974.

Photograph by Larry Dale Gordon.

Like fellow 1974 Playmate of the Month and friend Bebe Buell, Ms. Morrow dated Todd Rundgren, and Marlene is related to no less than three different United States presidents: Washington, Monroe, and Madison. But there is much, much more to her gripping and moving story. Let’s start at the very beginning (a very good place to start).

Marlene is also a very interesting person. Born in Billings, Montana, she moved to Osaka, Japan, where her father was a baseball player on a Japanese team. From there, the family moved to L.A., where Marlene grew up. “Believe it or not,” she says, “up until the time I was 13 I wanted to be a missionary.” She gave up that idea and settled on the notion of being a housewife with a load of kids. But that’s been postponed indefinitely, now that her career is spiraling upward.

(“This Year’s Model.” Playboy. April, 1974. )

So groovy. My fave of the shoot.

But for now, Marlene is satisfied with her life in London — visiting pubs and going out with Englishmen, whom she finds vastly different from American men. But does she plan to make London her home? “Someday,” she says, “I’d like to buy a trailer and just travel around the world for a whole year. Is that crazy?”

(Ibid.)

I’M ALWAYS: Dreaming. Still, I wish I wasn’t so serious about life all the time.
WITH MY PLAYMATE FEE: I plan to settle myself in an apartment in Los Angeles and enroll in acting and dance school.
AMBITIONS: To be successful with my modeling and to study acting, and to have a nice home with about four children.

Now that the things she said in her interview at the time are out there and still resonating in your mind, I’m going to get to the main thing of this entry. Marlene Morrow’s real surname was Pinkard.

In a google search for her, I found an article by Italian-american author Joan “Strega,” in whose mother’s Encino shop Marlene worked after moving to L.A. Ms. Strega had done a similar google search and was meditating on her shock and dismay to find recent pictures of Marlene taken in Los Angeles.

It seems that Marlene did stay in L.A., but she did not become a famous model or actress. Nor is she happily married and settled in to a nice house with about four chidlren. Marlene now goes by “Persephone.”

Marlene, aka Persephone, in April 2006.

Persephone is homeless, and currently missing. She lived as recently as four years ago with a few others on the streets of Los Angeles, where she journaled, wrote poetry, and carried with her in a manila envelope a photo of her former centerfold.

The above recent photograph was taken by Paul Zollo, a musician, journalist, and photographer who was strolling around Los Angeles and met Persephone and some of her friends at the corner of Yucca and Cahuenga. Below are highlights from his very moving story of how their encounter went.

“Persephone and Bert.”

At the intersection of Yucca and Cahuenga I saw her – she was sitting on the sidewalk with a guy named Bert Rental. I presumed at first that Persephone & Bert were a couple because they were sitting alone when I first approached them on Yucca near Cahuenga in Hollywood, very close to where I lived for more than 20 years. They both let me know they were homeless, but that wasn’t really an issue.

Persephone was crying, weeping profusely in fact, and explaining that there was a suicide, and she had a grandson she loved, and she had a husband who had disappeared, and “many contracts” that she was ignoring. She didn’t explain what kind of contracts they were.

I asked many times to take her photo, and she said, “No, I’ll GIVE you a photo — a good one — because I look like shit now, because I’ve been CRYING FOR TWO WHOLE WEEKS.” She repeated this like a sad mantra. She started crying intensely, and Bert seemed very uncomfortable with this, and I told her it was cool to cry, and she said, “NO — it’s NOT cool.” And I said all I meant is that it’s okay to cry. And then she wept openly, and then wiped the tears away and laughed with pure joy. And then alternated between laughter and tears.

[She] did show [me] a Playboy centerfold from the Sixties of a blonde woman named Morrow who she said was her. And it did look quite like her, and I believe it was her, and she said that now she dyed her hair dark. I asked her if she knew Hefner, and she looked at me with an expression that said, “How could I not know him?”

[She said] that everything was terrible – she’d been waiting for her husband for days, and he had yet to appear. That she had a grandson she hadn’t seen in too long. Then embraced me with all her heart and told me I was “precious.”

Then she opened a journal of her reflections and poetry, written in a florid script, and asked me to read it aloud, which I did to the best of my ability, as it was hard to make out, but it was about the mythical Persephone, the Goddess of Innocence and the Queen of the Underworld.

I received a message from a fellow flickr-artist [who] had looked her up on the net and discovered a photo of former centerfold Marlene Morrow, at some former centerfold convention or something, taken in 2002. He sent me a link to the photo. I didn’t think there was any chance it could be her.

But then I saw it. And it was haunting. It hit me like cold water in the face first thing in the morning. Because it was her face. Unmistakably.

This is the picture of Marlene at Glamourcon May 5, 2002, to which Mr. Zollo refers.

[I have been] receiving messages from Bebe Buell, who also was a Playboy centerfold – and a good friend of Marlene’s. Together we are hoping to find her. Last I saw she was on the street. If you can help us find her, let me know.

Bebe added more to my tale of Marlene, which follows — Bebe said both she and Marlene dated Todd Rundgren, and that Todd wrote a song about her which is on his “Something/Anything” album, called “Marlene.”

Bebe called and said, “I couldn’t sleep all night after reading your words about Marlene. I am ready to get on a plane to come and find her.”

A final entreaty and heartbreaking epilogue from Mr. Zollo:

I had hoped her life would improve. Sadly, I was wrong. Received a long and sad message from her daughter today telling me Marlene has been attacked on more than one occasion and has lost all her teeth.

Why the world treats some of its children like this is beyond me. She is someone beloved by many. If you know where she is, or have seen her, let us know.

Mr. Zollo is on the myspace and the flickr.

The irreplaceable Ms. Bebe Buell, Miss November 1974, sweet and loving model, actress, and singer in her own right (not to mention mother to equally cramazing and talented Liv Tyler — they are beautiful inside and out), is still seeking to get in touch with Marlene, with whom she was close in the 1970’s. Ms. Buell said that she was told in the early 2000’s that Marlene was looking to talk to her and she lost track of time and did not follow up. She is understandably guilt-stricken about that now and is hoping fervently to find Ms. Pinkard. If you know how to find Persephone/Marlene Pinkard/Marlene Morrow and Ms. Buell has not already heard from you, you may contact her through her website, bebe-buell.com. Please. Contact Mr. Zollo or Ms. Buell any time with any information you have, really.

*(Also, if you follow the link to Ms. Strega’s thoughtful and poignantly articulated story about discovering that Marlene had become Persephone, Ms. Buell’s comment is the first: it includes an email address where she can be reached if you have info about Ms. Pinkard/Persephone. I didn’t want to put it in this entry without her permission.)

If this story has had an impact on you the way it did on me, I’ve hit the charity rating websites pretty hard and come up with a good solid list of some non-profits that you can volunteer with or donate to. Most are national and international so that you can help from no matter where you live, but I made sure to particularly include some charities that may directly affect Marlene’s everyday life, headquartered in LA and environs. All of the charities are top-rated, up-and-up organizations.

—Alpha Project for the Homeless

—National Alliance to End Homelessness

—National Alliance for Research on Schizophrenia and Depression

—Feeding America (formerly Second Harvest)

—Habitat for Humanity

—Mazon: A Jewish Response to Hunger (don’t forget that besides outright donating, you can alternately buy the Nice Jewish Guys calendar that I spotlighted way back on Calendar Girls day to support this great organization)

—Salvation Army, Western Territory

This one is my personal favorite, and has several different ways you can help Marlene and people in similar positions to hers.

Homeless Health Care Los Angeles 213-744-0724
—advocacy
—online donation
—volunteer
–and this last one I can’t stress enough: DONATE YOUR OLD CAR AND RECEIVE TAX DEDUCTION POTENTIALLY WORTH MORE THAN YOUR VEHICLE PLUS FREE GOOD KARMA FOR LIFE!

Okay, so think about all that? Thanks!

Daily Batman: BFFs edition

Music Moment: “Bad Days,” by the Flaming Lips

The Flaming Lips – Bad Days

You’re sorta stuck where you are
But in your dreams
you can buy expensive cars
or live on Mars
and have it your way

You hate your boss at your job
but in your dreams
you can blow his head off
in your dreams
show no mercy

And all your bad days will end
And all your bad days will end
You have to sleep late when you can
And all your bad days will end

None of us must lose hope. Even dogs have dreams. Let no one take that from you. Least of all yourself, ever.