Movie Moment: Secrets! Secrets! Secrets! — Brand Upon the Brain! A remembrance in 12 chapters

Brand Upon The Brain! A Remembrance In 12 Chapters (Guy Maddin, 2006).

I don’t often do this, because I’m not keen when people force me to watch videos and I don’t like inflicting that on others, but here’s the full trailer. It’s only about a minute and a half long and there is boobs.

That’s Isabella Rossellini’s voice repeating “The past, the past,” like a bad French student film (in Maddin’s The Saddest Music in the World, 2003, she played a tragic baroness who has two glass legs filled with beer).

The thing with Maddin is that there is nearly always a point, usually 20 or 30 minutes in, while I’m watching his stuff that I’m like, “Oh, come on,” because I’m over the striking visuals that sucked me in to begin with and I’m beginning to be irked by how it’s become over-the-top or maudlin in its cult precosity, like on-purpose cheesily cult or derivative, and I become uncertain.

Are these overtly contrived, look-how-symbolic-I-am moments and their anachronistic cinematic dialogue part of an abstract ironic technique made to make me question the tropes of arthouse garbage, or is this straight arthouse garbage? So often with other deliberately unusual movies I go with “straight arthouse garbage,” because I get like that due to dramatic over-exposure to pretentious hipsters in my short life (I’m looking at you, Portland), but with Maddin I pull back from that judgmental jump. There’s a third category: (1) parody of overwrought indulgent nonsense, (2) actual overwrought indulgent nonsense, or (3) … something else? better? deeper? more effective?

Because right when I’m supressing the urge to roll my eyes and spoil any avant garde cognescenti cred I have accidentally accrued, suddenly some really great moment will have a huge impact on my emotional experience of watching the film and I’ll be sucked in and by the end just sure it’s my new favorite.

But then the next time I pop it in to show some friend, I’m back to thinking I’ve been duped by either the ultimate sly hipster or a genuine savant who sometimes falls flat, and I’m initially embarassed for us both. But then — TUG — in to it again.

It’s a rapid, repetitive cycle, like an awkward date with your own gynecologist — you both have an idea of what’s going to happen but you don’t know what to expect. Or watching a really close friend fuck the lines to a scene badly in a drama class, but totally sell it with their eyes, and you worry that only you can see that though it looks messy it’s probably headed somewhere amazing. Uncomfortable and anticipatory. That’s Guy Maddin movies for me.

I kind of love him.

Uncomfortable is, well, uncomfortable, yeah, but it’s so often just right because it’s the truth.

Anyway, I recommend Brand on the Brain!, is the upshot.

(All the caps came from the trailer because I do not [yet] own this movie.)

69 Days of Wonder Woman, Day 47: Wunderoos and declaration

Over it. I’m done. I’ve reached the end of caring about this 69 Days of Wonder Woman thing. I started out not liking Wonder Woman, I like her okay now, I understand the things I don’t like about a woman being the strong-rescuer-type, and the attributes, conscious and subconscious, in myself which I dislike by disliking Wonder Woman. I know what to work on and what to try and stop being afraid of.

Now I just have all these pictures and links that I no longer consider relevant, but I also have, like, twenty-two days left in this project. We’ll see if I do any more. I’m calling this one, at least from the audit perspective. Stick a fork in it. It’s done.

You Can Go Home Again — Tired but true Frost wisdom

via diskursdisko.

Home is the place where, when you have to go there, they have to take you in.

(Robert Frost.)

I hope they do not find it too much a chore with me — I’m bringing biscotti, pignolas, and a little kid half of them have never seen.

ibid.

I am happily and firmly ensconced once more in the land of crick gypsies by now, I reckon. It’s a comfortable place to be. To go from the tony cabins on the lake in to the deep woods and see assorted family is my favorite transition to make. In the case of these photo choices, I need to defend what people from “Down South” (ie: anything below Boise) seem to consider to be the overabundance of prefab and mobile homes in the fam’s neck of the woods. I was born and bred in the briar patch and let me tell you it’s a good thing, not a white trash thing. Here’s what it means to me:

Parker Posey via suicideblonde. Isn’t she lovely?

It means it’s a place where people actually understand that less house and more land is the way it ought to be, and not an endless pursuit of the opposite in the very antonym of the symbiosis which our Earth deserves. It is a move against space-waste and toward conservation of personal resources. I say yay to trailers and have actually said for many years that my ideal house, once my child(ren?) had grown and gone, would be not even a singlewide but a small camper or lite RV on some land by a river.

I know, I know: I will have plenty of time for that when I’m living in a van down by the river. But really.

The Girls of Summer: Kelly Burke, Miss July 1966

Photographed by William Figge.

Kelly prefers making most of her natatorial plunges in the neighbors’ back-yard pool. “Besides the pool, they own two darling dogs,” she explains. “One’s a $700 pedigreed toy poodle named Suzie; the other’s a mongrel puppy that they rescued from the local dog pound for only five dollars. He’s named Toy Tiger and, needless to say, I’m in love with the mutt.”

(“Freckle-Face.” Playboy, June 1966.)

Good choice!

I’m an across-the-board mutt guy from Way Back: dogs, cats — men. Actually, I think I’m genuinely allergic to so-called “well-bred” dudes without debt. I’ve tried to date them and their leather car coats and confident wine-awareness makes my skin crawl. On the other hand, if you got a busted grill and drive a ’92 Honda Prelude with one broken headlight that won’t raise, know the difference between a single- and a double-wide, and front a ZZ Top cover band? I’m all yours.

Actual example: my friend J-Mys once tried to set me up on a double date with her and her boyfriend and a mortgage broker Senor R knew from Morgan Stanley Dean Witter Polly Wolly Doodle All Day. J-Mys and Senor R cut out early and I was stuck with the mortgage broker, who was clearly not in to me either but was still talking some kind of folklore about variable rates and baloney sauce that I was not at all listening to because I was watching Clue in my head due to my crushing boredom, when I got up to get another pint of beer.

At the bar, this guy in a very dated No Fear t-shirt and battered, unironic John Deere ballcap saw I had actual folding money and asked me for change for the jukebox. We picked out a couple songs — I believe we went with Tom Waits, the Beatles, and “Thriller,” for novelty shits and giggles — and I told the boring mortgage broker that I was planning on going to the bathroom and going home.

I insisted we split the bill because I felt a few compunctions of guilt for wasting the early part of his Friday evening, even if I had in no way lead him to think the night had any kind of sexytimes in its future. Then I made sure the broker actually left, slipped out of the bathroom, and bullshitted with the ballcap guy on the porch about Quantum Leap and camping ’til my beer was done. Went home much happier than I’d been an hour earlier. Sneaky I guess but so much better.

As for the rest of the purple prose in that excerpt, I got hung up on “natatorial.” Really? Natatorial? Come on. That is some rich fertilizer right there. Talk about a needless fifty dollar word.

natatorial: (adj.) of, characterized by, or adapted for swimming.

Aww. Seems that some low-paid Playboy scribbler had a crush on his thesaurus.

That shot is freaking awesome. Hats off to Mr. Figge. “Natatorial” photography at its best? The reflection, the symmetry, the attention to every tile of the composition (rule of thirds) having something interesting in it — awesome sauce. Bill Figge is the shit.

As a medical buyer for one of California’s largest pharmaceutical cooperatives, Miss June has spent the past three years helping to supervise the selection of drugs destined to become shelf stock in hospitals and pharmacies throughout the Greater Glendale area.

(Ibid.)

Another stunning composition. The light-play is brilliant.

“My job can be fairly cut and dried one minute,” says the 21-year-old brunette, “and then, in typical Ben Casey fashion, a nearby hospital phones in an emergency order and I’m suddenly off and running all over the place to find the required medicines.”

(Ibid.)

The Ben Casey to which Ms. Burke refers was a popular television series which ran from the early- to mid-1960’s. The Bing Crosby-produced medical drama was filmed at Desilu Studios and starred Vince Edwards (Space Raiders, Return to Horror High*) as the titular surgeon Dr. Benjamin Casey. The opening sequence is famous for its serious, ominous overtones: this deep voice says, “Man — woman — birth — death — infinity.” Heavy shit, right?

*Yes, I deliberately picked the cheesiest, schlockiest, campiest of Edwards’ many legitimate credits to use as his two paranthetical citations, like those obscure B flicks would somehow make you say, “Oh, him!” I wanted to be funny. Vince Edwards is actually a talented and well-recognized actor who was very popular in his time: I am just a goofy rake.

Kelly now sports her own 1965 Oldsmobile convertible, in which she commutes daily from her new bachelorette bungalow in suburban Sylmar.

(Ibid.)

Just five months after Ms. Burke’s gatefold appearance, the Loop Fire wiped out huge swaths of the boundary between her new hometown of Sylmar and the Angeles Forest. The fatally unpredictable Loop Fire is still covered in firefighting course textbooks today as an example of the necessity for developing strong communication strategy to contain a dry canyon fire affected by high winds.

The Loop Fire began on November 1, 1966, at 5:19 am, on the edge of the Angeles National Forest. The El Cariso Interregional Fire Crew, which consisted of city and county firefighters, along with the El Cariso “Hot Shots,” a USDA-Forest crew of firefighters, sprang in to action to contain the blaze.

Tragically, a flare-up jumped from the forest to a canyon at the outer edges of Sylmar and created a wall of flame around it. A group from the Hot Shots crew was trapped inside, cut off from the rest of the firemen in a narrow and dry canyon of steep rock walls which, despite having no natural accelerants to move the fire along, still increases the energy of the fire because it functions as a “natural chimney,” creating tremendous heat and pressure.

Ten firefighters burned to death on site within minutes, while twelve others were injured, one critically.

Helicopter Pilot Troy Cook began rescue operations within 10 minutes after the men were burned. The diamond shaped area was still surrounded by fire when Pilot Cook hovered and picked up the first survivor.

(THE LOOP FIRE DISASTER – ANGELES NATIONAL FOREST – CALIFORNIA REGION: “A BRIEF OF THE REPORT OF THE GROUP ASSIGNED TO ANALYZE THE LOOP FIRE ACCIDENT.” US. Dept. of Agriculture, Forest Service. 1967: Washington, D.C.)

Pilot Roland Barton and his helicopter soon joined him and rescue operations continued with great courage and skill until all of the injured men were evacuated to the Los Angeles County Command Post on the Pacoima. From there the injured men were taken by auto to the hospital.

(Ibid.)

One of these injured men died at the LA County General Hospital November 6, but the rest survived thanks to the rescue efforts of the rest of the interregional team. A committee was formed by the Forest Service in conjunction with firefighting officials to use the tragic Loop Fire to improve fire prediction and containment methods, along with task force recommendations for the strengthening of safety and communication regulations.

The highly localized decisions and actions which resulted in the tragedy points to the need of:

(1) more specific direction on safe practices in similar topography; (2) specific control of helicopter attack; (3) scheduling of more complete inter- and intra-crew communication; and (4) adequate scouting to keep sector bosses currently informed when working in critical and possibly critical situations.

(Ibid.)

[We need to] make crystal clear in firefighting training that a “chimney,” “narrow box canyon,” or similar topographic feature is a Hazard Area even if devoid of fuel.

(Ibid.)

The El Cariso Regional Park on Hubbard in Sylmar is a memorial to the aforementioned El Cariso “Hot Shots,” the local United States Department of Agriculture – Forestry boys who were killed during their battle to keep the flames from entering the town.

That was kind of bummer stuff, so sorry, but an interesting slice of history. Wildfires in California are far more devastating than the earthquakes with which the rest of the country generally associates the state, and as a result, fire science in California is often at the cutting edge of research and methods for saving lives in the future.

But back to sunny Ms. Burke.

“I’ve become a real flower bug,” she reports, “since Mom and Dad bought a retail nursery in Yucaipa last year. Each time I visit them, I load up the back seat of the Olds with so much greenery before heading home that it winds up looking just like some sort of window box on wheels.”

(Ibid.)

That’s cute.

Weekends, June’s bantam (5′) beauty heads for the sun-drenched beaches of Santa Monica, equipped with an over-sized straw hat and nylon sailing parka. “My freckles still show no matter what I try!”

a) Yay for little lookers! Rock on with your pocket rocket self.
b) Why do freckled people always desire to hide them? Freckles are so unbelievably cute. I don’t get it.
c) It looks like she is Thumbelina laying in an orange peel. What the what is that stuff?

PEOPLE I ADMIRE: Albert Einstein, Dr. John Rock and Dr. Francis Kelsey, beause of their outstanding medical contributions.

MY IDEAL EVENING: Have cocktails and dinner, take in a movie, and then have a pizza.

(Playmate data sheet.)

Right on to Einstein, pizza, mutts, and having a serious job while attending Cal Poly Pomona during her appearance as a Playmate. Ms. Burke is the exception and not the rule of pretentious brandy-snifter marlarkey we went over earlier this week. Fun final fact: her sister-in-law, Allison Parks, was the 1966 Playmate of the Year.

Oh, and I guess a really fun final fact is that Ms. Burke was pregnant during this shoot. BOMBSHELL! Maybe that is why she is so adorably radiant. As you probably noticed, it’s another Cowboy Kate-influenced cover, I assume to reflect the “Girls of Texas” story. R.I.P., Sam Haskins.