Lisa Loring as Wednesday Addams (1964).
Perfectly normal, perfectly healthy.
Not those Go-Gos.
I’m gonna spend my Christmas with a Dalek,
And hug him under the mistletoe
And if he’s very nice, I’ll feed him sugar spice
And hang a Christmas stocking on his big left toe
And when we both get up on Christmas morning
I’ll kiss him on his chrome implanted head
And take him in to say hi to Mum,
and frighten Daddy out of his bed!
The Go Gos. “I’m Spending Christmas With A Dalek.” Les Vandyke and Johnny Worth*. Oriole CB Records. 1964. Limited edition picture sleeve shown here.
*The same person. Mr. Vandyke created the production credit to make the outfit seem bigger.
Portions of this entry have appeared before.
When I overhauled my life last year, I discovered that I am not a big guy for the television (except for 30 Rock, though even that I just periodically catch up on using the hulu), so I — without fanfare or officialdom but just mainly and casually — quit it nearly altogether in favor of holing up under the covers with a book or lurking in the batcave on the computer. However, the one show I stopped watching but have never stopped thinking about is Lost, the final episode of which airs tonight.
Nevermind the crisp and bullocks. Give me that rum. Mmm — Dharma Initiative-y.
I’ve mainly kept up this year and now I find myself looking down the barrel of the final episode. The thing is, almost literally everything in my life has changed since I first heard about and, a few months later when it premiered, began watching this show. I mean everything. Like, other than my gender, I have changed pretty much every other aspect of my life. I’ve had a child, earned a degree, married, moved, moved again, split up, shook up, sometimes I even throw up, overhauled career and self, set new goals, I mean, jeebus — I’ve been all over the map physically and emotionally since I first tuned in to this program.
L to R: Almanzo Wilder, Nellie Olson, and Laura Ingalls “Half-Pint” Wilder.
(Not pictured in the above shot: Velociraptor cyborgs and the ghost of Abraham Lincoln’s clone. Yes, clone — the Good One. The Evil One went rogue and was shot by government agent and island native John Wilkes Boothe. Oh, historical snap! Eventually they killed the Good One too and his ghost haunts the island now because it is all just Agent Mulder’s dream.) I remember one time a friend telling me that he’d hit rock bottom and I agreed I’d done the same — but we also concurred that suicide was for neither of us an option because then we would never know what happens on the last episode of Lost. Does Gilligan pick Ginger? Or Mary Anne?? Aw, just kiddin’, rabid Losties. He picks the Skipper, duh!
Who is a pretty princess?? Daniel Faraday is a pretty princess! I ♥ this character in an embarassing way, the sort of way for which I would mercilessly mock others.
It is sobering to consider how different a person I am now than I was when this interest began. I cannot even begin to count the ways, and it’s actually starting to freak me out. So now I am preparing to throw on pyjamas, pick up pepperoni pizza, and slide on down to Gorgeous George’s with the kidlet to watch the finale of Lost, and, in a wider sense, take another step toward closing what has been a very tumultuous chapter in my life.
Catch you on the flip side. (“See you in another life, brutha.”)
Spoiler: I can’t believe Darth Vader is Charles Widmore’s father.
The lovely and talented Marian Stafford, Playboy‘s Miss March 1956, is adorable and also full of all kinds of noteworthiness.
First, Ms. Stafford was the first gatefold model to get a three page pull-out centerfold: the real deal, the whole fold-out enchilada. This has obviously become a trademark of not just Playboy but a widely-copied staple of the porn mag world as a whole. Way to go, twinkie!
Unusually, as you can see from the above caption, the lead credited photographer of Ms. Stafford’s shoot was a woman. Ruth Sondak seems to have been an active New York photographer on whom I am having trouble finding complete biographical data.
I found this link to an interview about Greenwich Village anti-Vietnam War protesters, which had circa-70’s pictures credited as being taken by Ruth accompanying the article, and a 1993 NYT obit that included a picture of a famous educator that was photographed by Ruth in New York in 1972. The links to the photos in both the obit and the war-resisters’ page were no longer active, so I can’t even say I have seen other pictures by her other than these of Ms. Stafford. That’s about all I got on that angle so far. I’ll keep digging.
Okay, so you may be wondering why Ms. Stafford is ripping up a TV Guide in the two color shots of this spread. It’s not a Sinead O’Connor protest or anything — Ms. Stafford was first “discovered” on the boob-tube in the audience of a show, and became a main stage attraction herself not long after.
This month’s Playmate is a little girl with big television aspirations. Her name is Marian Stafford and she packs a lot of woman into 5’3″. She wants to be an actress, but so far most of her TV experience has been confined to smiling prettily in commercials for products like Tintair, Pall Mall and Jantzen; she has helped advertise Revlon on The $64,000 Question and RCA Victor on the video version of Our Town. She has had a walk-on in a Kraft Theater production and small speaking parts in two Robert Montgomery shows. (“Playboy’s TV Playmate,” Playboy, March 1956.)
But her most unique television experience is as a human test pattern for Max Leibman spectaculars, where she spends hours before NBC color cameras during rehearsals and is never seen by the audience. (Ibid.)
Ms. Stafford did make it back in front of cameras, regularly appearing on shows such as The $64,000 Question and Treasure Hunt. Her adorable pretty-princess looks and sweet nature also scored her the part of Mistress of Ceremonies on the 11-episode children’s story hour show The Big Fun Carnival in 1957. Get it, girl!
One of the coolest parts of this issue was a short story by Ray Bradbury titled “The First Night of Lent,” about a good-natured and laconic Irish driver named Nick whom a writer employs while he is working on a screenplay in Dublin. The driver gives up drinking for Lent and becomes a reckless maniac, incapable of sorting through the richness of life’s sensory overload and focusing on one thing at a time: he needs alcohol to make it through the day, because the Irish are such finely tuned, sensitive beings that sobriety is an innavigable misery to them. At the end, the screenplay writer gives Nick money and begs him to start drinking again. It’s a mainly classist and racist but still kind of fun story, and Ray Bradbury is my all-time favorite sci-fi writer of all time* so I let him off the hook, cultural pride notwithstanding.
excerpt from the googlebooks. give it a spin, dudes, and please consider writing to your congressmen urging them to protect free lit on the net! LIBRARIES FOREVER!
Marian Stafford is one of the few playmates to model both as the gatefold and cover girls. Do you get the cover idea? The bunny is a producer watching her do her NBC color-test job. Super-cute. Again — get it, girl!
*Nickel in the mail to the first person who gets the “all-time-favorite of all time” movie line reference.
I am so glad to be able to share two super-special gals with you today. First, brooding and sensitive Cheryl Kubert from earlier in the day (R.I.P. and I wish her many hopefully joyful and educational returns to this earth after her unhappy retirement; that’s what reincarnation is for), the solemn, petite brunette with tall skis and deep eyes, and now — for something completely different! — ebullient and absolutely adorable blonde ray of sunshine Julie Michelle McCullough: model, actress, stand-up comedienne, and maligned-but-triumphant victim of sitcom scandal. Take it away, buttercup!
“I’ve always felt that I have little eyes, a mouth full of teeth and ears that I call elf ears. They kind of poke out.” That’s her opinion. We certainly didn’t notice any flaws when Julie McCullough showed up for our salute to The Girls of Texas last February. In fact, we tucked her ears under a Stetson and put her on the cover. It was the first time she’d ever seen a copy of Playboy.
Although she was born in Hawaii, Julie was then, and is now, living in Texas. But as the daughter of a Marine Corps lifer, she has moved around a lot. “It bothered me when I was younger, but as I look back, I appreciate it, because it taught me how to get along with different types of people. If you make good friends, you never lose them.”
During most of her childhood years, Julie thought she wanted to be an artist. “I really love to draw,” she says, “but I could never see myself as a starving artist. So I realized art would have to be more of a hobby than a career. And then, in high school, I started entering pageants, and I got a couple of Miss Photogenic awards. And everybody would tell me, ‘You should try modeling; You should try modeling.’ And all of a sudden, it’s like, ‘Hey!'”
Playboy’s cover picture, and the less covered picture inside the magazine, caused a furor in Julie’s home town of Allen, a rural community 26 miles north of Dallas. A local pastor, announcing that he planned to preach a sermon on the subject, was quoted as saying — we kid you not — “The easiest thing to do is jump on Julie.” He went on to say that he saw her appearance in Playboy as part of a larger problem, that of “general moral disintegration in the fiber of the nation.” (“Return of the Cover Girl,” Playboy, February 1986.)
While working as a model, she was also honing her skills as an actress and had landed a part on television’s sitcom Growing Pains, featuring Kirk Cameron. He unfortunately shared the opinion that the easiest thing to do was jump on Julie, it seems, because he used his pull with the network to have her summarily axed off the show when he learned she had posed for Playboy, accusing the network of tacitly endorsing pornography by continuing her employment.
Because Mr. Cameron was the breakout star of the show and a teen heartthrob who kept the network flush with sponsors (his charming smile conveniently moved hot amounts of Noxzema pads and Snickers bars to both cleanse and satisfy), they went along with his wishes and terminated the object of his objections.
McCullough appeared in eight episodes until she was fired in 1990, which stemmed from series star Kirk Cameron’s conversion to evangelical Christianity, a conversion that, according to “The E! True Hollywood Story” episode focusing on the show, served to alienate him from his fellow cast members, as he did not invite any of them to his wedding. He accused the show’s producers of promoting pornography. (the wiki)
Sez Ms. McCullough now:
[Kirk Cameron] thinks if I read science books that I’m going to hell. I’d rather laugh with the sinners than cry with the saints … the sinners are much more fun.* And a lot more interesting than some book-burner who is still having growing pains! I am at peace with God. Kirk thinks people like me are going to Hell; if I do, then at least I’ll go well-informed and well-read!
(Ms. McCullough’s myspace.)
*That is a reference to the Billy Joel song “Only the Good Die Young,” about young Virginia, a Catholic girl who starts much too late. Rock on with it, Ms. McCullough! Good people quote the Beatles. Great people quote the Beatles, Queen, and Billy Joel.
Contemporaneous with her being fired from Growing Pains, Ms. McCullough was also stripped of her crown as Wilmington, NC’s “Azalea Queen” for posing for Playboy. Sheesh. I try to keep shit to myself, but I really feel the need to address Mr. Cameron’s and the people of Wilmington’s position on this issue. Leaving aside for now the fact that the lord decreed we enter this earth naked and that nudity is a major factor in procreation, which what good man can decry?, let us address the point where it seems people feel it ill befits a person of “good” moral fiber to celebrate the physical gift of their bodies. As a hippy-dippy meditative and soulful Christian who has thought my way deeply and thoroughly through these issues and can confidently and guiltlessly balance both Playboy and my beloved monthly The Way of St. Francis without throwing out the baby with the bathwater, loving-the-Word-but-thanking-God-for-earthly-forms-wise, I can only cite and gently suggest a review of Matthew, chapter seven.
Judge not, that ye be not judged. For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again. And why beholdest thou the mote that is in thy brother’s eye, but considerest not the plank that is in thine own eye? Or how wilt thou say to thy brother, Let me pull out the mote out of thine eye; and, behold, a plank is in thine own eye?
Thou hypocrite, first cast out the plank out of thine own eye; and then shalt thou see clearly to cast out the mote out of thy brother’s eye. At Galilee, the Decapolis, Jerusalem, Judea, and the region across the Jordan, Jesus was talking to the multitudes gathered there after hearing of His message and of His healings to beseech them to not become like the pharisees and hypocrites who think they are above sin. (Matthew 7:1-7.)
Mmm-hmm. This is an earnestly serious ethical issue. I’m not playing about the no more judging stuff. It’s just like Blessed Mother Teresa said: “If you judge someone, you have no time to love them.” And which one do you think Jesus would rather you worked at doing? Get with the program!
Today, Ms. McCullough is a well-received and widely admired stand-up comedienne who continues to act.
Some of her film and small screen credits include The Golden Girls, Beverly Hills, 90210, Jake and the Fatman, the Drew Carey Show, The Blob, and Harry and the Hendersons.
She is also a published poetess, with a number of anthology and private publishing credits to her literary name, and she was on a basketball team with Casper van Dien of Starship Troopers fame (I ♥ Heinlein and Johnny Rico forever). According to the imdb, she began working full time in 2006 as a stand-up comedienne. She has performed, if the wiki can be trusted, at such well-known venues as the Palms in Las Vegas and the Laugh Factory in L.A. Right on!
In conclusion, it is a widely known but nonetheless hard and bitter truth that, frankly, haters gon’ hate. All love and good wishes to Ms. McCullough and her sunny resilience!
When I overhauled my life last year, I discovered that I am not a big guy for the television (except for 30 Rock, though even that I just periodically catch up on using the hulu), so I — without fanfare or officialdom but just mainly and casually — quit it nearly altogether in favor of holing up under the covers with a book or lurking in the batcave on the computer. However, the one show I stopped watching but have never stopped thinking about is Lost, the final season of which begins tonight.
Nevermind the crisp and bullocks. Give me that rum. Mmm — Dharma Initiative-y.
I had not seen the last few episodes of last season, but the rabid fandom of the show means that excruciatingly detailed episode descriptions (and conspiracy theories) abound on its very own wiki, so I read all those and I feel pretty caught up — and both smug and confused as to what it all means.
Who is a pretty princess?? Daniel Faraday is a pretty princess! I ♥ this character in an embarassing way, the sort of way for which I would mercilessly mock others.
The plan for tonight’s reintroduction of E’s regularly viewing television, just like an actual social human being, is this. Gorgeous George and the kidlet and I are going to meet up for dinner at the pub, come back here and enjoy us some geeky season premiere action, and then I am hitting the hay early because I have my first sub job tomorrow, about which I am very nervous. Catch you on the flip side! (“See you in another life, brutha.”)
Edit: “4 8 15 16 23 42 are all Yankee retired numbers.” via RiverAveBlues on the twitter, one of my most trusted, beloved, good-humored and APPARENTLY like-minded baseball resources.