Cloistered SWF seeks poetic SWM, age not important, balcony-climbing skills a must. Send carrier pigeon to Villa Capulet. Your pic gets mine. No bots please.
The Zeffirelli Romeo and Juliet is a beautiful, faithful classic. But — keep this under your hat because I don’t want to be kicked out of the super-cool smart kids’ club — the Baz Luhrmann hamfisted crazy-go-nuts adaptation of Shakespeare’s play is actually my favorite, because I unapologetically love his juxtapositive imagination and didn’t think it defiled the play particularly. A little excess never killed nobody. (Get it? A little excess? Oxymoron? Yes?) I like over the top lushness in a movie — I’m a decaphile and I’m not sorry for that. But I went with the picture of Olivia Hussey to illustrate this idea because she is so exponentially hotter than Claire Danes that Claire Danes just now suddenly got sad, purely from all of us nodding silently, and she doesn’t know why.
The mise-en-scene of Luhrmann’s R&J dazzles me, but compared to the chemistry in Zeffirelli’s 1968 version? There is no comparison. Absolutely none. By the way, am I the only one who read that thing where Zeffirelli claims to have totally been hit on by Aristotle Onassis? Still wrapping my mind around that one and weighing its potential truth. (Verdict so far: Depends. Was Onassis trying to get Zeff away from Callas once and for all? Or just bombed on some really good shit?) More on that story here, and don’t skip the comments for the full scope of the debate.
Tags: 1958, a confession, adaptation, Ari, Aristotle Onassis, baz luhrmann', bisexual, boobs, breasts, Callas, Claire Danes, excess, film, Franco Zeffirelli, Have Spacesuit Will Travel, Heinlein Month, images, Leonard Whiting, Leonardo di Caprio, love, maria callas, movies, Music --- Too many notes., Olivia Hussey, opera, Patron saints, photography, Pictures, play, quotes, Robert A. Heinlein, romeo and juliet, screencap, screencaps, Self-audit, shakespeare, stills, vintage