69 Days of Wonder Woman: Day 2

via fyeahww on the tumblr

“Wonder Woman — and the trend toward male acceptance of female love power which she represents — indicates that the first psychological step has actually been taken. Boys, young and old, satisfy their wish thoughts by reading comics. If they go crazy over Wonder Woman, it means they’re longing for a beautiful, exciting girl who’s stronger than they are. By their comics tastes ye shall know them! … Wonder Woman satisfies the subconscious, elaborately disguised desire of males to be mastered by a woman who loves them.

… Normal men retain their childish longing for a woman to mother them. At adolescence a new desire is added. They want a girl to allure them. When you put these two together, you have the typical male yearning that Wonder Woman satisfies.”

(Marston, William Moulton qtd. in “Our Women Are Our Future.” Richard, Olive.* The Family Circle. August 14, 1942.

Art by Phil Noto.

Marston was Wonder Woman’s creator, but that’s a story for another day. Also he lived in a polyamorous relationship with his wife and the author of this article, Ms. Richard, but that is also a story for another day. I’m pleased that this brief dive into psychology has already uncovered an aspect of Wonder Woman that leaves me cold, or that I feel I do not share. I don’t mind taking initiative (especially in certain aspects of the relationship), but I hate being the stronger one.

Denise Milani.

I dislike getting pushed in to the corner and forced to make decisions and ask repeatedly for a thing to be done that has to be done and can only be done by my partner. It makes me feel like a nagging bitch, which I fear and hate, and it’s not fair. I want to be equals, I want to feel like we can rely on one another. I don’t even necessarily want to be total equals; I don’t know that I’d want to completely submit to a partner, but it would be nice to relax and feel taken care of. Not to always worry, not to be the only one tuned in to the big picture — not to feel alone.

Art by quasilucid via fyeahww on the tumblr

And it starts out all nice-guy like, “No, you pick a restaurant. I don’t care where we go,” or, “Let’s get something you want to see,” but it builds in to this passive-aggressive thing where it turns to this slow-simmering resentment on both sides. Mine because I don’t want to be in charge, at all, ever, I hate feeling that way and I hate being forced to lose respect for someone I love; the other person’s because even though they have put me in this position of power it was really to avoid responsibility and now they’re feeling mutinous, the immaturity of which makes me see that they really are, in fact, weaker than me and makes me lose even more respect. When I can’t respect someone, then I don’t feel like I have a partner, and when I don’t feel like I have a partner, I don’t feel safe, and when I don’t feel safe, I am out of love.

I hate, hate, hate that aspect of a relationship. I hate being more powerful. There might actually be literally nothing that I hate more than that when it comes to love.

Cheese blintzes, looks like Day 2 was pretty damned educational for me. I’m going let that make up for the week and some odd days in between Days 1 and 2.

Daily Batman: Inspiration Station — From Boudicca to Selina to Dana Scully (and Bettie in between)

Bettie Page in catsuit. Unknown date. R.I.P., Queenie.

Like Batman, the Catwoman operated outside the law within her own code of morality. She predated the creation of Alfred, the Penguin, and even famous heroines like Wonder Woman, Miss Fury, and Black Cat. Catwoman broke the glass ceiling of the comic industry and raised the bar for future female characters. From their first battle in Batman #1, the caped crusader has uniquely allowed her to escape.

Selina Kyle became a foil to Batman, a reflection of his own dark desires and need for healing, as well a Jungian anima to his animus.

(Fies, Elizabeth. “History of a Femme Fatale.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Fans of different generations of the Catwoman archetype make their own attractions to the character. Obviously she fills a void in comics of complex female characters; women that both male and female readers can relate to and admire. The largest difference between our modern mythology and the fairy tales and Greek myths of yore is the silent exclusion of half of our population.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Originally comics were bought by almost as many females as males, so economics does not explain the lack of female representation in the DC universe. Unlike societies that told tales of Hera, Diana, the Amazons, Boudicca, Judith, Matilda, Cleopatra, Inana, Jinga, Queen Elizabeth, Morgan, Joan of Arc, and many other strong women, as a culture Americans lacked the archetype of the Warrior Queen.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)

Gillian Anderson (Dana Scully, The X-Files) in purple catsuit. Jesus wept.

The invention of Catwoman begat a new generation of powerful characters like Wonder Woman, Xena, and Agent Scully that may not have been heard without Selina’s birth in 1940.

(Fies, Elizabeth. “Feminist Role Model.” Catwoman: The Creation of a Twentieth Century Goddess. Batmedia, 2001.)