Archive for November, 2010

69 Days of Wonder Woman, Day 37: World AIDS Day

November 30, 2010


via Michael J. Faris.

World AIDS Day 2010. A day before heads-up. Try and raise awareness tomorrow.

Movie Millisecond: Word of the Day

November 29, 2010

La jetée (Chris Marker, 1962).


via.

Scream real loud.

69 Days of Wonder Woman: Day 36, Muppet connections

November 29, 2010

Now this is the quickest way to my heart.

One-way ticket, express train. Complementary snacks and beverages.

Lynda Carter appeared on Episode 36 of The Muppet Show as herself, Lynda Carter. As with the Roger Moore “Bond” episode, where he appeared as himself, much to the consternation of the cast who were hoping for spy action, the Muppets’ running gag was to continually try to draw out Wonder Woman.

Appearing in a sketch as Wonder Pig, Miss Piggy asks Lynda if she regrets not bringing her costume along. All the Muppets take superhero lessons to impress Wonder Woman and Fozzie learns the value of bullet-deflecting bracelets.

Another Muppet venture, the Children’s Television Workshop, referred to the character of Wonder Woman in the recent Sesame Street “Preschool Musical” episode (a parody of High School Musical), when little Mariella up there sang about dress-up and how it made her in to someone else, someone that reflected the dreams and desires of who she wanted to be. Mariella spun until she changed in to the above outfit, and she remained in her superhero costume for the rest of the sketch.

Yesterday, Paolo was taking Corinnette back over to the coast for school, so I slid down to C-town to keep Miss D some company. We watched Muppets Take Manhattan on the television and folded laundry. “Sea Breeze Soap — Use it so you don’t stink.” It was truly wonderful. Besides the great writing and the actual entertainment value, I think that what makes the Muppets special for me is their relatability, their familiarity, and the comfort of their consistency. Maybe this is part of what has made Wonder Woman, too, an enduringly popular character, a standout hero in the genre, and a classic element of how we tell certain types of stories: if a girl is going to triumph, then she is Wonder Woman. “You’d have to be Wonder Woman to get all that done!” There is something special about that.

I need to give her credit for this: people love Wonder Woman, not only in comics but also in her pantheon of moving viewing material. They come back to her again and again and feel retro and nostalgic about it. I respect that, because I have things that I, too, love in that way.

Hot Man Bein’ Hot of the Day: Faceless internet drawing edition and skinny-jean PSA

November 29, 2010


via hhhelloalex on the tumblr.

If he is only in it for the pussy … it’s working. I am not deterred by today’s Hot Man’s facelessness nor non-existence. I can break down exactly why this sketch of a gentleman melts my cold, cold heart.

a) Girls Like A Boy Who Plays Music.
b) Dressed like Han Solo.
c) Dressed like Han Solo (counts at least twice).
d) Looks like he could not borrow my jeans.

Emo boys, I have given you warnings in the past, but I’m still seeing these skinny jeans and “jeggings” hanging off your narrow heinies all around the town. Let me phrase it to you less delicately than in the past.

PSA:

If you look like you could literally get in my pants, you are not getting in my pants.

/End PSA. Now please refer to the handsome faceless internet drawing of what a real man looks like, and eat some spaghetti, Slappy.

edit: The lyrics are from “Awake My Soul” by Mumford and Sons. Here is what I assume to be the inspiration for the drawing:

Nothing to complain about, but is it weird that I like the drawing better? It isn’t anything so explicable and logically psychological like that the facelessness implies more tantalizing possibility: I genuinely just prefer the drawing to the dude. Could be the camera angle making him look shorter and thinner. Don’t worry, guy, you are still okay. Maybe give the other one a Twinkie, though.

Burroughs Month: If we controlled television, then we control America.

November 29, 2010


via D Billy over on And I Am Not Lying.

Rat: The movement is developing a different definition of news, a different description of what is important. If we controlled a television station, our news would be substantially different than Walter Cronkite.

Burroughs: If we controlled television, then we control America.


via comicallyvintage.

R: What would it mean if we had one station? We could, like the German SDS, make a demand for TV time. And then escalate our demand to a whole channel. What would happen if we got a channel?

B: We got to get them all. As soon as we get them all, we control this whole stupid middle class. We’ve got America.

(Rat Magazine Interviews Burroughs, 1968.)

This is an almost quaint discussion in retrospect, yes? Imagine if states gave a shit about the television. They do not, because they themselves are at the mercy of the same true boss that has come to wield all the power in this particular method of public communication.


Apaga la tele. Viva tu vida. Buenos Aires, Argentina. edit: Valpairiso, Chile.

It seems, to me at any rate, that the control of television has gone not to a political group, who are too busy eating one another alive like a coil of very stupid snakes, but to a far more sinister agenda: the networks cede over all to the dollar. They don’t care how you think and vote, or even if you think and vote. They prefer you complacent, uninformed, and unquenchably thirsty for high-fructose corn syrup. They don’t want you to support your local politician nor overthrow your government. They only want you to Buy Things. As long as you’re doing that, as long as you are spellbound by product placement and commercial breaks, the in-between drama of any particular channel is of utter unimportance to the true bosses. Keep up the good work: I’ve got my new diet pomegranate 7-up jampacked with important antioxidants right here beside me, so I know I sure am!



Note on the pictures: According to D Billy on the excellent And I Am Not Lying, both these illustrations come from an old Aquaman Big Little Book called “Scourge of the Sea.”

Daily Batman: ‘Tis the season

November 29, 2010

26 Shopping Days left ’til Christmas, dudes.


Batman (Tim Burton, 1989).

Make it special!

Mean Girls Monday: Genesis

November 29, 2010

Daily Batman: A second form and countenance substituted, that bore the stamp of lower elements in my soul

November 27, 2010


“Batgirl” by dream4girl on the d.a.

I not only recognised certain of the powers that made up my spirit, but managed to compound a drug by which these powers should be dethroned from their supremacy, and a second form and countenance substituted, none the less natural to me because they were the expression, and bore the stamp of lower elements in my soul.

(Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. London: Longmans, Green, and Co., 1886.)

Burroughs Month and Movie Millisecond: The cake is a lie, but the whiskey is very, very real

November 27, 2010

The whiskey is not a lie.


Auds as Ms. Holly G in B @T’s (Blake Edwards, 1961).

Truth is used to vitalize a statement rather than devitalize it. Truth implies more than a simple statement of fact. “I don’t have any whiskey,” may be a fact, but it is not a truth.

(Burroughs, William S. The Adding Machine: Selected Essays. New York: Seaver Books, 1986.)

I get this one. And in my case, when I say, “I don’t have any whiskey,” if I emphasize the “I,” I would actually be properly vitalizing the fact with the truth: I positively never, ever have whiskey because I hate-hate-hate the stuff. Can barely stand to think about it, let alone have it around. I don’t have whiskey is a truth. For me. I think I’m getting it right.

Yesterday’s News and Liberated Negative Space o’ the Day: How the 415 did Turkey Day

November 27, 2010

How the (415) did Turkey Day.


via theduty on the tumblr.

Oh, San Francisco. You filthy Thanksgiving miracle. Lord love you.

Baby, it’s cold outside: Showdown! — The three faces of Miss October 1957, Colleen Farrington

November 27, 2010


Photographed by Peter Basch.

La donna é mobile. Women are changeable. The write-up for this lovely and talented Playmate of the Month (and surprise celebrity mother) featured her in three different hair colors: blonde, brunette, and redheaded. Browse through the spread and pick your poison!


Time was you could make a date with a brunette on Wednesday and, when you picked her up Saturday night, be certain a brunette would be waiting for you.

(“La Donna È Mobile.” Playboy, October 1957.


These days, thanks to quickie hair-dyes, your brunette may have metamorphosed into a redhead or a boysenberry blonde.

(Ibid.)


Click to enlarge any ol’ pic, any ol’ time, but I strongly recommend the one on the right up there. It’s great. She was a lovely ham in this spread.

And just what in the name of easter baskets would a boysenberry blonde look like? Did the person who wrote that ever even see a boysenberry? They’re so deep purple that they’re virtually black. Strawberry blonde is a shade, yes. Boysenberry blonde? Not so much. Those two things do not work together.

I find the pairing weird and it makes me curious to see such a thing in real life. I’m pretty sure it’s impossible outside of food coloring on a junior high girl. Back to the likely made-up story of quickie hair dyes and their metaphorical relationship with the vagaries of the vapid gender.


This sign of the times was dramatized for us recently when photographer Peter Basch sent us a test shot of prospective Playmate Colleen Farrington, a New York TV model*.

(Ibid.)

*In fact, Colleen was at this time modeling on television and doing high fashion on runways. She worked frequently with designer Oleg Cassini, who would go on to permanent international fame in about three years as Jacqueline Kennedy’s favorite designer and the architect of her “look” in the Camelot heyday.


My favorite shot of the spread.

We found her a pert, well-turned brunette, and we wired Pete to go ahead by all means. When the first Playmate photos arrived, however, Colleen (having dyed her crowning glory for a TV show) was a blonde.

(Ibid.)


We liked her better the other way, so she obliged by becoming a brunette again and Pete, in a puckish mood, persuaded her to try a temporary head of red, too, in the interest of utter confusion.

(Ibid.)


On these pages, therefore, Colleen is available in three smart decorator colors. Which do you prefer?

(Ibid.)

Red, over here. I’ll put the poll at the bottom for easy voting.

I’m curious to see how this one comes out. I think the red suits Ms. Farrington, who sometimes went by Ms. Prince, best, but then again, the pictures of her with red hair are the best done in my opinion, too, so that could be clouding my judgment. If she’d been blonde in the pink corset by the bar pictures, maybe my feelings would be different.

As far as that series of this shoot goes, I’d spotted and saved it a few years ago, just saving it as Colleen Farrington 1, 2, 3, etc. When I started putting together pictures and bios for these winter posts, I was pumped to see I’d be able to include her.

Then when I found her original spread, I was tickled by the prospect of a poll for which hair color was the most pleasing to readers. I’ve been meaning to return to the idea of regularly putting up Showdown!s and this was a perfect opportunity to get back in the swing. Not only that, but Ms. Farrington had one more surprise up her lovely sleeve —

— She is the mother of unbelievably beautiful and talented actress Diane Lane.

I’m sure you’re thinking what I’m thinking — this amazing fact means that Colleen Farrington was, at one time, the mother-in-law of The Highlander. I know, right? There can be only one! Amazing!

Just kidding. I realize not everyone’s life is built around tangentially relating the science fiction/fantasy films and television of their youth to everything they experience, and I’m trying to recover from that shock. I’m sure you were thinking how beautiful mother and daughter both are. And they are.

Ms. Farrington married acting coach, partner to John Cassavetes, and unlikely cabbie Burt Lane and the couple had Diane in 1964. They divorced when the baby was only 13 months old and Ms. Lane lived sometimes with her mother and sometimes with her father until she was 15, when she emancipated herself from her father having already sadly written her mother, living in Georgia at the time, off following some unfortunate family fallouts. They had kind of a bumpy period that I don’t think it’s fair to get in to, but they are reconciled and all is well.

So, back to the poll and how mobile we donnas are: Which of Colleen Farrington’s ‘do’s rocks your world?


69 Days of Wonder Woman, Days 9 – 35

November 26, 2010

I was wayyyy too lazy about actually posting up my thoughts each day on the reading and research I was doing on Wonder Woman and I’m playing catch-up now. In order to make up for that lost time and have something properly worthwhile to represent the span of days lost, here’s a little drawing and expounding on the Amazonian from superfly amazing Adam Hughes, whose Catwoman work has been spotlighted here numerous times in the past.


Wonder Woman is the greatest comic-book superheroine of all time, and I can prove it with math. If you need proof of Wonder Woman’s stature as the greatest comic-book superheroine of all-time, then, PLEASE, go add up all the issues of any other female character and see if you come close to SIX HUNDRED.

No other female character has remained in print, consistently, since the Second World War. Think about that. Are there ANY? From ANY company? Nope. Sometimes, simple statistics speak volumes: Wonder Woman has been around, month-in-month-out, for almost 70 years. How many heroines (or heroes!) can boast such a feat? How many PUBLICATIONS have been in print since WWII?

She has inspired, intrigued, and entertained – NON-STOP – through 5 American wars, 13 U.S. presidential administrations, and she’s even outlasted regimes like the Soviet Union. Wonder Woman endures because she’s the best of the best, the baddest of the bad, the bluest of the blue.

(Hughes, Adam. Posted by Alex Segura via the DC Universe Blog.

Dang if that is not a convincing argument. Actually what I’ve found is that I am growing to like her the same as I do any of my regular favorites (perhaps with more respectful acknowledgement than, say, fervent love), and wonder why I didn’t before. Like it’s not even a big deal.

Yesterday’s News: Some cheesecake with her mashed potatoes for Noel Neill, the first Lois Lane

November 26, 2010


The intrepid reporter makes a call from the field.

Beautiful vintage pinup model — her picture was second in popularity only to Betty Grable during World War II — and Paramount actress Noel Neill played Lois Lane in the first adaptations of Superman through both Kirk Alyn and George Reeves, in film and television as well.


Ms. Neill in a pinup pose.

Ms. Neill graciously gave fan-serving nods to her early comics role by appearing in cameos in Superman (1978) as Margot Kidder (Lois Lane)’s mom, and also portrayed Gertrude Vanderwurth in Superman Returns (2006), the elderly, dying widow of Kevin Spacey’s Lex Luthor.


Ms. Neill in 2008.

How is this Yesterday’s News? Because on November 25th, Noel Neill celebrated her 90th birthday. Dang! A happy happy one to a beautiful, nice lady. May she keep on trucking.




Special thanks to DC Women Kicking Ass for the shot of Lois Lane on the phone and the super-cool super-scoop (yesterday).

Burroughs Month: Hieroglyphs, ROSE, and thought control

November 26, 2010


Les Liens Invisibles via defacedbook on the tumblr.

The study of hieroglyphic languages shows us that a word is an image … the written word is an image. However, there is an important difference between a hieroglyphic and a syllabic language. If I hold up a sign with the word “ROSE” written on it, and you read that sign, you will be forced to repeat the word “ROSE” to yourself.


via lemonlove on the tumblr.

If I show you a picture of a rose you do not have to repeat the word. You can register the image in silence. A syllabic language forces you to verbalize in auditory patterns. A hieroglyphic language does not. I think that anyone who is interested to find out the precise relationship between word and image should study a simplified hieroglyphic script. Such a study would tend to breakdown the automatic verbal reaction to a word. It is precisely these automatic reactions to words themselves that enable those who manipulate words to control thought on a mass scale.

(Burroughs, William S. Interivew: “Prisoners of the Earth Come Out.”)


Burroughs photographed by Allen Ginsberg, 1953. Coilck to enlarge.

I’m not certain about this. A lot of the time I think in words. At least, I think I do. I read such a great deal and speak to my family and friends and students so much, that I know I find myself wandering the house thinking in full sentences. I’m almost positive of this. I do not consider this style of thought, nor words being the necessary articulators and wives to my thoughts, as inferior to a purer thought absent of words. I understand the function of language and the theories of Mssrs. Lacan and Derrida, with which Mr. Burroughs’ theory would seem to agree and from which it sort of shoots off, but the thought control parts and the ability to divorce one’s own thoughts from words in to a language of pure image is shakier ground for me. I get it, I think. I’m just not sure I agree. Whether I disagree that it is possible, or disagree that it is important, I’m not sure.

Daily Batman: Talk nerdy to me — third Nolanverse film rumor round-up

November 26, 2010

My Bat-ticipation has been kicked in to high gear since the announcement several months ago that Chris Nolan and his brother had completed the script for the third film in Nolan’s Batman Begins series. Stars are aligning, schedules are floating, and everyone and their dog thinks they have the inside scoop on the plot.

I can play that game, too.

Rumors and speculation, ahoy!

  • Rumor: The new film is titled The Dark Knight Rises. Potential truthiness: Total. The studio says yes, that’s the title, but Bale claimed while promoting his new film The Fighter that he wasn’t sure that would be the final title, saying that he’d wait until he “heard it from Chris.” The title is officially entered on IMDB as The Dark Knight Rises and I’d tend to think at this point will likely not change.
  • Rumor: Scripts will go to the actors in January, principal photography will begin in May, and the film will be in the can by November. Potential truthiness: This comes directly from Michael Caine, who is delightful and talented and a gift to generations of moviegoers, and who could still easily be completely wrong. Shooting will take place in New Orleans, which will give Gotham a seamier, heavier look than the crispy, boxy look of the grim Chicago Gotham we’ve seen in the last two films. The tragic poverty in the Ninth Ward would be a realistic backdrop for action in the Narrows, too.
  • Rumor: The Riddler will be the chief antagonist. Potential truthiness: Practically nil. This long shopped-around speculation has been pretty much permanently tabled due to some of the following rumors.
  • Rumor: Tom Hardy has been cast in the film. Potential truthiness: 100%, apparently. Awesome. The guy has great action chops and his looks are total female fan service. Aces in my book. The question of who he will play is where things get dicey for me.
  • Rumor: Tom Hardy will play Dr. Hugo Strange. Potential truthiness: Fair to middling — I’d say this rumor is at least on the right track, if not outright true. One of the first villains in the original DC comics, Dr. Strange is, in recent incarnations, a police psychologist who develops a bad case of bat-mania.

    In the Legends of the Dark Knight comic series, in an arc which takes place roughly contemporaneous to the events of Year One, Long Halloween, etc., from whose stories the Nolans have taken inspiration in the first two films, Dr. Strange is employed by the Gotham City Police Department to help develop a profile of Batman in order to bring him to justice. The search is lead — and, of course, secretly hampered — by newly-promoted Commissioner James Gordon. The timing works out great and the plots match up well with where we left off in The Dark Knight. In fact …

  • Rumor: The Dark Knight Rises is based on the Prey arc from the Legends of the Dark Knight line. Potential truthiness: Somewhere between somewhat likely and “it would be a good idea if it is true.” This is a very recent rumor. Like, last week. It’s a plausible and good suggestion for the plot, but so was a fourth Spider-Man movie with Lizard as the villain and instead it’s back to high school like frigging chumps. I am cautiously optimistic about this rumor.
  • In the Prey story, Dr. Hugo Strange initially seeks to find Batman, who is Gotham’s Public Enemy No. 1 at this time, but grows to seek to be Batman, even successfully supplanting the vigilante and pulling some pretty whack shenanigans. He accomplishes this in part by brainwashing a fellow find-the-bat task force member, the mouthbreathing leg-breaker Sgt. Max Cort. Dr. Strange grooms Cort to become a vigilante, called Night Scourge, to flush Batman out of hiding.

    This aspect of the plot dovetails very reasonably with the vigi-wanna-bes we saw plaguing Gotham City at the beginning of The Dark Knight. In the comic, Cort eventually kidnaps the mayor’s daughter under hynoptic suggestion from Strange. We met the mayor in the last film (Richard Alpert from Lost — that guy seriously gets around) so this, too, has conceivably got some decent groundwork already laid.


    Hardy as British criminal Charles Bronson in Bronson.

  • Rumor that I am starting: If the former rumor is true, and the plot is based on Prey, then Tom Hardy is likelier playing Sgt. Cort than Dr. Strange. Potential truthiness: Probably zero. What the heck do I know? It’s just how I’d do it. The guy’s hunky and action-star-looking. He just seems a better fit for young, fit Max Cort than Hugo Strange, who is older, has a bald egg head, a phatty beard, and weird sunglasses. I’m admittedly coming at this from a shallow place: I really hope not to watch handsome Tom Hardy’s good looks get hopelessly mutilated to play the puppetmaster part. I’d rather see him play a hot hypnotized mouthbreather than shave his head again like he did for Bronson. I’m very shallow.
  • Rumor: Six actresses have been auditioned for two female roles. Reports are that one role is Bruce’s love interest and the other is a villain. The actresses are Natalie Portman, Anne Hathaway, Rachel Weisz, Naomi Watts, Kiera Knightly, and, for some implausible reason, Blake Lively. Potential truthiness: Pfft. These same names, except Lively, and sometimes Marion Cotillard and Angelina Jolie, have been getting tossed around since before the script was even finished. It’s just fantasy comic movie casting — we all do it, and until I see a picture of Anne Hathaway and Natalie Portman sitting beside Christopher Nolan holding folders that say “Top Secret Batman 3 Screen Test Script,” I have no reason to believe that those names should get any more credence than the ones I come up with myself in the car at long red lights.
  • Now, the rumors about the characters are new and much more interesting. Catwoman does enter the Prey story; tantalizingly, so does the Scarecrow in a later Strange arc in the Legends of the Dark Knight series (more Cillian Murphy? yes, please). And I’ve been saying for, like, three years that it’s time for some Talia Al-Ghul up in this piece. I even said she should be played by Rachel Weisz.

    Besides old and easily wrong favorites like Catwoman and Talia, other potential female characters being floated around are Julie Madison, the Year One actress and early girlfriend of Bruce Wayne, which has a strong possibility of being true, and Detective Sarah Essen, who was not Bruce’s but Jim Gordon’s love interest (he cheats on his wife, Barbara, who we’ve seen a bit of in the last two films) at an earlier point in Batman: Year One. I don’t see it. First of all, Sarah popped up when Gordon was still a lieutenant, which ship has now sailed thanks to his promotion into Commisioner Loeb’s old spot — you need Loeb around and alive for the thing to work because it was his discovery of the affair and subsequent efforts to blackmail Essen and Gordon that lead to Essen ending the affair and leaving for New York — and the whole sad affair thing does not really fit with the Gordon we’ve been given so far in these films. Unless they are planning to change everything we think we know about Jim Dandy, or divorce or kill off Barbara (he did eventually marry Sarah after he and Barbara had been divorced), I don’t think that Ms. Essen will be appearing in the Nolanverse anytime soon.

    Oh, man, I’m tired of doing this. I got more to say about the Scarecrow angle but I’ll have to come back to all of it later.

    Movie Millisecond: Love Actually

    November 26, 2010

    Love Actually (Richard Curtis, 2004).

    ‘Tis the season for quaint loving customs like swearing a blue streak! I had a wonderful day with my family and special extended loved ones yesterday, and today I am sliding on down to C-town for Miss D and my semi-annual viewing of Love Actually. It’s the most wonnnnderful tiiiime of the year. (So is July; don’t ask us why.)

    Liberated Negative Space o’ the Day and PSA: Tune in, turn on, and drop out of the faux holiday celebrations

    November 26, 2010


    Wales.

    The hell there is a Black Friday. Refuse to be normal and do everything but shop today, please. Please! I’m really excited about a toy drive the kidlet and I are organizing and I feel pretty good about the fact that it is the pretty much polar opposite of drag-assing through dreadful commercial crowds in the name of sales for needless goods which are a million miles from the true spirit of giving. Smug critic, right here. Two thumbs and smug about not shopping? This guy.

    69 Days of Wonder Woman, Day 8: Super Dictionary, “I am against the people who make trouble.”

    November 25, 2010

    It’s interesting how quickly, even before the infamous code descended and cut out some of the popular gory lines, comics became dominated by superhero/crimefighter stories, due of course to the mad success of Superman. Sure, there have always been pulp adventure and horror comics, but when most people even think of comic books, it’s the heroes with which they associate the genre. The writers are driven by the publishers, who are driven by sales, which are driven by readers — so the natural conclusion is that a story about a badass goodhearted hero who fights crime is what the audience wants to read.


    Drawing by Anthony Tan via fyeahww on the tumblr.

    Comics are such manifestly wish-fulfillment-meets-folktale, flimsy-and-touching paper myths, that I think there’s a beautiful lesson here: we want to read about the hero who fights crime, who is “against” troublemakers and waiting with her golden lasso to show them what real trouble is, because we, ourselves, wish to do that. We wish to have a secret identity and fight for those who have no voice, to put a stop to injustices against our fellow men. All these generations of readers have wished to make the world better, not just for accolades or girls but because it is the right thing to do. And that’s really a great and inspiring thing. It’s sweet and charming and kind of triumphant, isn’t it?

    Teevee Time: What makes a b “E.”

    November 25, 2010

    I never watched this show. But they are dressed like pilgrims and that makes it topical.


    via.

    I feel just the same. It’s why I prefer my full name.

    Daily Batman: Still I’d like to express my thanks

    November 25, 2010


    “Batman v. Turkey” photographed by sltaylor on the flickr, 2008.

    Got no checkbooks, got no banks,
    Still, I’d like to express my thanks
    I’ve got the sun in the morning
    And the moon at night.

    And with the sun in the morning
    And the moon in the evening
    I’m all right.


    “Batgirl resting” by Aubery Mirkwood on the d.a.

    Sunshine gives me a lovely day,
    Moonlight gives me the Milky Way.
    Got no heirlooms for my kin,
    Made no will but when I cash in
    I’ll leave the sun in the morning
    And the moon at night.

    And with the sun in the morning
    And the moon in the evening
    I’m all right.

    I’m all right.


    (Irving Berlin. “I’ve Got the Sun in the Morning.” Annie Get Your Gun. 1946.)