Been buried in academic work, but I needed to throw out a quick, sad retread of Ms. Myers’ “Baby, It’s Cold Outside” post. Beautiful, adventurous Cynthia passed away yesterday of undisclosed causes, per Hef.
R.I.P., Ms. Myers (9/12/50-11/4/11).
Photographed by Pompeo Posar.
“Wholly Toledo!” is the name of the article that accompanies the pictorial for the lovely and talented Cynthia Myers, Playboy’s Miss December 1968. Her wildly popular centerfold shot her to stardom among the troops in Vietnam, and a pinup of her is featured in the film Hamburger Hill. She has been a teen model, a television personality, played a lesbian songstress in one of the most famous camp films out there, and become an unwitting space cowgirl in her 60 years on this planet. Buckle up, because here we go!
Cynthia wrote to Playboy a few years ago, informing us that she’d like to be considered as a centerfold beauty. Assistant Picture Editor Marilyn Grabowski answered with a reminder that our Playmates must be of legal age but that Cynthia should keep in touch. She did just that.
Well, kind of.
The shoot was in June of ’68, and Ms. Meyers was born in September of ’50, but Playboy waited until Cynthia was comfortably 18 to publish her pictorial. It had become common practice for the magazine after the scandal with Elizabeth Ann Roberts.
In fact, the most recently featured “Baby, It’s Cold Outside” playmate, the fantastic Susan Bernard, was also 17 at her photoshoot and saw her spread published after she turned 18.
Posing underage for Playboy is not the only common ground between Ms. Bernard and Ms. Myers. While Ms. Bernard was featured in Russ Meyers’ cult classic Faster, Pussycat! Kill! Kill!, today’s special gal starred in his 1970 film Beyond the Valley of the Dolls.
I promise to have a full-out Movie Moment for Beyond the Valley of the Dolls one of these days. For my friend’s recent 31st birthday, I sent him a picture of the cast of Beyond the Valley of the Dolls with him tagged as Dolly Read and me as Cynthia Myers. I explained that I originally had me as Dolly and him as Cynthia, but I switched it because it was his birthday.
You know Roger Ebert wrote it? I don’t think he ever gets to criticize a movie again.
Cynthia is pictured reading a five-year-old palmistry pamphlet about what the following year once held for her because she placed a large credulity in psychic phenomenon.
“I’ve known since I was 15 that I’d be a Playmate. It’s almost as if this had been fated to happen.” Cynthia’s penchant for precognition can be traced to her early teens.
(Ibid.)
“A junior high school friend of mine in Toledo,” she says, “was a nut on palmistry, astrology and even reading tea leaves and crystal balls. Like most people, I thought is was just a bunch of baloney. But when I began reading about prophets like Edgar Cayce, I began to realize that there are strange spiritual forces in the world undreamed of even in The Playboy Philosophy.”
(Ibid.)
Ms. Myers, I think you’d be surprised by what the Playboy philosophy can dream of.
In 1994, it was revealed that a picture from Ms. Myers’ centerfold pictorial was among several that crafty NASA jokesters have launched in to space over the years. Ms. Myers, together with Leslie Bianchini, Angela Dorian, and Reagan Wilson, was snuck in to the checklist for the Apollo 12 mission that was placed in astronauts’ suit cuff on their trip to the moon in November of 1969. Ms. Myers specifically took her space journey with astronaut Al Bean.
Don’t forget: Describe the protruberances.
Boobs : Geeks :: Horse : Carriage. I think it’s kind of funny and sweet.
And the gals didn’t just go up in the lunar landing module: they straight moon walked. The astronauts found their pictures while fulfilling their extravehicular (read: outside the module on the lunar surface) mission duties on the moon itself.
Pete Conrad got Miss September 1967, Angela Dorian, (“Seen any interesting hills and valleys?”) and Miss October 1967, Reagan Wilson (“Preferred tether partner”). Al Bean got Miss December 1968, Cynthia Myers (“Don’t forget — Describe the protuberances”), and Miss January 1969, Leslie Bianchini (“Survey — her activity”).
Conrad told us in 1994: “I had no idea they were with us. It wasn’t until we actually got out on the lunar surface and were well into our first moon walk that I found them.” Bean recalled: “It was about two and a half hours into the extravehicular activity. I flipped the page over and there she was. I hopped over to where Pete was and showed him mine, and he showed me his.”
(Ibid.)
A large, color version of the shot of Cynthia that was smuggled up to the moon in the Apollo 12.
Lest we forget, the lovely and talented DeDe Lind, Miss August 1967 and, like Cynthia, one of the most popular Playmates in the magazine’s history, also rode shotgun on the Apollo 12 mission. She was in the control console, her picture labelled, “Map of a heavenly body.”
I always feel compelled when talking about the Playmate pictures and NASA to bring up the fact that my sorority’s badge is on the moon. Neil Armstrong put it there for his wife. It’s my sorority’s badge and it is on the moon. The moon that is in space. Sorry, but I get pretty cocky and excited by that. Tell a friend.
This much more recent picture of Ms. Myers just might get her kicked out of the Red Hat Society.
Can our prescient Playmate predict anything about her future? “I’m going to be an actress,” she says simply. “Notice I didn’t say ‘I’d like to be,’ but ‘I’m going to be.’ I don’t know how good I’ll be as an actress, but I’ll be one.”
(“Wholly Toledo!” Playboy. December 1968.)
Judging from her track record as a prophetess — and from her already abundant attributes — we’d like to venture a prediction of our own: Playmatehood should be just the beginning for the remarkable Miss Myers.
(Ibid.)
So, it’s still in the 80’s in my little pocket of the universe— that’s around 30 to you metric friendohs — and I say that calls for one last Girl of Summer. (Don’t call it an Indian Summer; call it Global Warming’s Brief and Only Benefit.)
The lovely and talented Heather Ryan was Playboy‘s Miss July 1967. She is an all-around smashing girl and I’m super-psyched to finally finish the write-up on her. Whatch’all know about unusal pets? Cause this strawberry blonde here’s ’bout to change the game.
Says Heather, I don’t think there’s anything unusual about owning an ocelot, but people always stare when we go walking together.”
(“Call of the Wild.” Playboy, July 1967.)
Not so sure it’s the ocelot they’re double-taking on.
[Heather] currently resides at her family’s Glendale home, on the brink of the canyon: “It’s pretty desolate out there, but we’re lucky that we have no close neighbors, because the ocelot often screams at night.”
(Ibid.)
No couch potatoes looking for a BJ and a Blockbuster night need apply:
“I am,” she says, “fascinated by adventure, and I suppose it pervades most of my tastes. I like actors like Paul Newman, Charlton Heston and Steve McQueen, because they usually portray men who are as untamed as my ocelot.”
(Ibid.)
Speed-loving Heather admits to driving her 1966 Mustang faster on occasion than the law prescribes.
(Ibid.)
Attagirl. Speaking of which, the most terrible Mustang experience befell me this week.
I was running a bit late on my way to work. I headed on to the freeway with a newish Mustang ahead of me. The guy crawled down the ramp and inched his way through the merge, then continued to torture me by poking around in the middle lane, keeping me from getting in to the leftmost, fastest lane.
I was totally shocked. You’re in a Mustang, man! You do not drive a Mustang in the middle lane! Somewhere in Germany, the Cappy just felt a pang in his heart and shook his head, and he didn’t know why: now you know, brother. A guy was driving a Mustang in the middle lane at about 60 mph. I know. It was a scandal.
Though she hasn’t had much exposure to the psychedelics-freedom-love movement currently the kick among West Coast youth, Heather recently witnessed a mass “love-in” at Elysian Park.
(Ibid.)
“I’d never seen such a crew — everybody walking about and presenting the most unlikely gifts, like fruits and flowers, to each other.”
(Ibid.)
But she was not much in to the hippie scene, particularly the men —
TURN-OFFS: Men with long hair, and the unnaturalness of women today.
(“Playmate Data Sheet.” Playboy. July 1967.)
Totally agree. I don’t like long hair on men … sorry long-haired friends, it’s just a personal preference. No long hair, no skinny jeans. Spread the word.
As for Ms. Ryan’s dislike of the “unnaturalness” of women, who can argue with that? Besides girdles and foam butts, there was already plastic surgery and ubiquitous hairpieces. Of course, the problem has only gotten worse. I can only imagine what Ms. Ryan thinks of some of today’s Playboy centerfolds.
Number one favorite shot with a bullet.
AMBITIONS: A legal secretary or model, or perhaps I’ll enter a biological institute and become a laboratory assistant and transcriber.
(Ibid.)
Ms. Ryan did not fulfill those ambitions …
…Because she totally exceeded them. Get it, girl! A wildlife biologist, Ms. Ryan is a published author and has lead all-female eco-tours. Taxidermy is her hobby. In the Playboy article, she mentions enjoying hunting quail and rabbit, so it’s kind of a natural progression.
Ms. Ryan also mentions, when asked what she thinks is a great read, Something Wicked This Way Comes. Bradbury’s little masterpiece is one of my top favoritest books of all time, too. I just re-read it last weekend, as I like to read it every year around Halloween. Synchronicity! One of these years when I’ve sufficiently expiated my sins of ignorance to Mr. Auden, I will have to have a “Something Wicked” October.
There are many books I read at special times of year, but Something Wicked is one which I never fail to get toe-curling excited about in my anticipation. The descriptions are gorgeous, the writing crackles and terrifies and moves you — I adore all Bradbury, but I put Something Wicked in the most special, highest place.
Click above to scope the original Playboy article scans; there are pictures included in the spread that are not in this post, so give those a spin!
Cover model Venita Wolfe was photographed by Mario Casilli, who shot the following month’s centerfold: the lovely and talented sweetheart DeDe Lind.
Concerned that drugs from Medicap Rx are too corporate? Consult your neighborhood unlicensed pharmaceutical representative about 100% organic, area-sustainable alternatives. Shop local, kids.
In Batman No. 303, Batman gets a nasty crack on the noggin and mistakenly believes that Batman is his secret identity, while Bruce Wayne is the Dark Knight. Malarkey ensues.
Having been chased by gawking crowds for the crime of trying to eat a hot dog, resulting in a cop warning him that Batman wouldn’t like it if he knew some schmuck was impersonating him, the dejected and confused Caped Crusader wanders afield of his usual holding patterns. Wandering the streets, he finds himself looking for friends in a love-in-ing little bed of flower children, who he pretty much promptly discounts as viable companions.
Ibid.
But if you’re feeling left out because you’re not a hippie, don’t worry — the writers take time to throw out a bash on Comic-Con goers, too. Everybody sucks! Why are you wasting Batman’s time?? Kill yourself.
This entry was originally posted March 1, 2010 at 11:50 am.
Yesterday I was reminded that I had a bunch of these “Way They Were” entries planned and had only followed through on one (Jayne and Mickey). That’s cowardly. I’m going to try to motor through more in the coming months.
“Sitzende Frau mit hochgezogenem Knie”/”Seated woman with bent knee”, 1917.
Although artist Egon Schiele had been separated from Valerie “Wally” Neuzil and married to Edith Harms for two years by the date of this painting, most everyone agrees this is from an earlier study of Wally. It looks too much like her not to be, and he uses the colors that are associated with the Wally work. It’s my favorite work by him. It was on the cover of the Schiele book that my husband, who is a painter, had at our house in Portland, and was the entire reason I found myself opening and reading the book one day. I was interested in Schiele’s work, which is provocative and weird and has many shockingly modern features, all things I like, but, because his life was tragically cut short by disease, his career arc is brief. Coming away from the slim book about his life and art, I felt that his work was dominated by the chief feature of his life, which is to say in a nutshell his time with the real love of his life, which he royally fucked up, and it was the story of that, of Egon’s eventually jacked-beyond-repair relationship with Wally Neuzil that really sucked me in.
“Das Modell Wally Neuzil”/”The model Wally Neuzil.” 1912.
Artist Egon Schiele and his model, Valerie “Wally” Neuzil, were together from 1911 to 1915. He met her in Vienna when she was seventeen and he was twenty-one. Supposedly they were introduced by Gustav Klimt. Supposedly she had been Klimt’s mistress before she got together with Schiele. These things are all conjecture because everyone involved is dead, and they happened before the Great War, which so influenced the German-speaking art world in the years just following it that anything which contributed to or influenced an artist’s work before the War kind of fell by the wayside until later generations resumed their scholarship of turn of the century artists. That’s fair. Such radical changes happened during and after the War that I imagine it seemed crazy, outdated, and irrelevant to really consider too deeply the little emotional outbursts and criminal trials that came before the dramatic political events of the 1910’s and 20’s that literally reshaped the landscape.
“Rothaarige hockende Frau mit grünen Strümpfen (Valerie Neuzil)”/”Crouching figure with green stockings” (Valerie Neuzil).” 1913.
Egon and Wally left Vienna because they considered it too oppressive. They sought an inspirational, romantic, and bucolic lifestyle of freedom in the countryside, moving to Krumia — which also had the more practical benefit of much cheaper rent than Vienna — where, though Schiele’s mother was born there, they were summarily run out of town not too long after for being a little too inspirational, romantic, and bucolic: they’d been using the town’s teenagers as “models”. There’s a Schiele museum there now, so I guess that, like cream cheese, their hearts eventually softened to a spreadable cracker topping. That analogy got out of control in a hurry. It’s almost time for me to grab lunch, sorry.
“Wally in roter Blouse mit erhobenen Knien”/”Wally in red blouse with raised knees.” 1913.
Essentially fleeing the angry mob in Krumia, Egon and Wally moved again, this time north to Nuelengbach, where it was apparently same shit, different day, as they were not there even six months and Schiele was arrested for seducing a minor. Once in custody, they dropped that charge (apparently the young lady changed her tune when the absinthe wore off?) and an abduction charge the parents had insisted be levied originally, and instead tried and found him guilty of displaying inappropriate art in a place where minors could see it. He was released from prison after serving twenty-four days in April 1912 — are you getting the idea of what an awesome prince he was? such the lucky girl, that Wally — and they moved back to the Vienna area.
“Auf einem blauen Polster Liegende mit goldblondem Haar (Wally Neuzil)”/”Reclining female figure with gold blonde hair on a blue pillow (Wally Neuzil).” 1913.
Settled with Wally in Heitzing, a Viennese suburb, Schiele wrote to a friend in early 1915 that he was going to marry one of the Harms sisters, two locksmith’s daughters named Edith and Adele who lived across the street from his studio, for money. I guess running around for three years painting erotic pictures and pissing people off while sleeping with teenagers and doing jail time had not turned out to be the lucrative life of luxury he’d anticipated; the cash flow was getting low, and, despite that he considered Wally his partner and soulmate, marrying for money was Schiele’s timeless solution to their financial woes. He followed through on this, marrying the older of the daughters, Edith, on June 17, 1915, exactly 91 years before my own wedding day.
“Frau in Unterwäsche und Strümpfen (Valerie Neuzil)”/”Woman in underwear and stockings (Valerie Neuzil).” 1913.
A few days after his wedding, Schiele was called to the war, but managed to always serve in Austria, so he was able to continue with his art and stay close to his ties in Vienna. Wally had broken up with him when he told her he was getting married. Schiele wrote to friends expressing shock and grief: he’d actually expected her to understand and stay with him. He wrote a letter to Wally asking her to meet him at a billiards parlor that he liked to go to. There he gave her another letter, proposing that every year they go on an extended holiday, without his wife. She did not write back or respond positively to this. Instead, she left him and never saw him again.
“Frau mit schwarzen Strümpfen – Valerie Neuzil”/”Woman with black stockings – Valerie Neuzel.” 1913.
I was furious when I read this. I still remember sitting in my little house in Portland and my jaw dropping, and my blood boiling, all this anger and resentment simmering in me, directed at people I never met who’d been dead nearly a century, but I couldn’t help it. I hate him for marrying someone else, I hate him and I hate the story of how they were because it reveals that through all that time they spent together, Schiele must have considered Wally lower than him, and though she stood by him , asshole though he could be, he thought her to be the unimportant one, expendable and suppressable, and he literally threw her away like garbage even though she was the best thing that had happened to him; his drawings of her are the best things he did. But that is how some stories are, and I deserve to feel angry because I need to accept that, I have to work through my sadness about the fact that nothing and no one has ever been perfect not even for a day or an hour or a moment, every joyful thing is secretly riddled through with the knowledge that this is so good now because there will be pain later and every lucky penny has a tail side of the coin, and if I have to search my soul and see if there is any gold in the dross of this love story that I in my infantile understanding of human nature found so devastating than I guess I must say that I do love that Schiele really loved Wally in an incredibly broken way, and had that time with her in which there must surely have been good moments.
Photograph of Wally and Egon from the Schiele Museum online.
Schiele died only three years after his breakup with Wally, on Halloween 1918, in an influenza epidemic which had several days earlier killed Edith and their unborn child. He passed away completely unaware that Wally Neuzil had herself succumbed to death from disease around Christmas of the previous year. She’d become a nurse for the Red Cross and, stationed at Split in Dalmatia, she caught scarlet fever from one of her patients and died in the same hospital at which she’d been working for over a year.
edit 7/6/11. Question for discussion: on a large enough timeline, aren’t we and all our petty passions and tragedies truly sound and fury, don’t we signify nothing after all? I want to think not — likely only because of vanity and childish fear of my own meaninglessness — but it seems so true.
From LeVar Burton’s twitpic account. With the Shat-man. Look at those OG’s! Super-cute!
It is obvious, accepted, manifest fact that LeVar Burton is one of the coolest and best human beings to walk the earth. Duh. Would you like to be as basically all-around amazing and centered and loving and a vessel of karmic groove in this universe Just Like Him? Then let’s talk about LeVar’s involvement with the extremely cool documentary The Science of Peace, dudes!
What if …
…science discovered a unified field of consciousness which affected the way people think and behave?
…we could find a way to consciously impact this field with our thoughts and feelings?
…a global media event would succesfully enroll millions of people to participate in an unprecedented world peace experiment?
Great minds from Tesla to Kant to Rosseau to Jung have believed in this tantalizing possibility of reaching a positive meta-energy which just might happen to be God’s will for mankind, so don’t dismiss it straight out of hand as tree-hugging hippie crap! There is some real Science to this, guys.
Hosted by LeVar Burton, The Science of Peace features pioneering physicists, biologists, and philosophers who are established in the emerging new field of Peace Science.
The film effectively illustrates how each person, when bringing peace in to his or her own life, becomes an instrument for global peace.
He is also the executive producer. Putting this post together lead meto some really neato-terrific and amazing sources.
Yes.
I hope to share more about Peace Studies soon but here is the essential lowdown on relative newcomer Peace Science, which is the subject of the documentary: it is a hard-science effort to unify the threads of ideas that run through the incredibly important social sciences movement of Peace Studies. The Peace Science Society has an explanation of the various philosophies and social sciences that comprise the touchstones of the “argument” for peace studies at Penn State, and it is always well-spent time to give the latest articles in The Acorn a spin. (The Acorn is the official journal of the Gandhi-King society. If you don’t feel like subscribing, it’s on ProjectMUSE and the JSTOR.)
Great picture with Nichelle Nichols. Remember on Dr. King’s Day when she came up? In case you forgot, the factoid that was related then was how she was thinking of leaving the TOS cast and Dr. King told her to stay because Lt. Uhura was a wonderful role model for people of color, especially women. Soooo great.
Anyway, check the documentary’s official site out and show some love by visiting the “How You Can Help” section — it’s too late to participate in the documented experiment, but you can still donate and help subside costs for production, travel, distribution, etc. Cool beans!
“Wholly Toledo!” is the name of the article that accompanies the pictorial for the lovely and talented Cynthia Myers, Playboy’s Miss December 1968. Her wildly popular centerfold shot her to stardom among the troops in Vietnam, and a pinup of her is featured in the film Hamburger Hill. She has been a teen model, a television personality, played a lesbian songstress in one of the most famous camp films out there, and become an unwitting space cowgirl in her 60 years on this planet. Buckle up, because here we go!
Cynthia wrote to Playboy a few years ago, informing us that she’d like to be considered as a centerfold beauty. Assistant Picture Editor Marilyn Grabowski answered with a reminder that our Playmates must be of legal age but that Cynthia should keep in touch. She did just that.
Well, kind of.
The shot was in June of ’68, and Ms. Meyers was born in September of ’50, but Playboy waited until Cynthia was comfortably 18 to publish her pictorial. It had become common practice for the magazine after the scandal with Elizabeth Ann Roberts.
In fact, the most recently featured “Baby, It’s Cold Outside” playmate, the fantastic Susan Bernard, was also 17 at her photoshoot and saw her spread published after she turned 18.
Posing underage for Playboy is not the only common ground between Ms. Bernard and Ms. Myers. While Ms. Bernard was featured in Russ Meyers’ cult classic Faster, Pussycat! Kill! Kill!, today’s special gal starred in his 1970 film Beyond the Valley of the Dolls.
I promise to have a full-out Movie Moment for Beyond the Valley of the Dolls one of these days. For my friend’s recent 31st birthday, I sent him a picture of the cast of Beyond the Valley of the Dolls with him tagged as Dolly Read and me as Cynthia Myers. I explained that I originally had me as Dolly and him as Cynthia, but I switched it because it was his birthday.
You know Roger Ebert wrote it? I don’t think he ever gets to criticize a movie again.
Cynthia is pictured reading a five-year-old palmistry pamphlet about what the following year once held for her because she placed a large credulity in psychic phenomenon.
“I’ve known since I was 15 that I’d be a Playmate. It’s almost as if this had been fated to happen.” Cynthia’s penchant for precognition can be traced to her early teens.
(Ibid.)
“A junior high school friend of mine in Toledo,” she says, “was a nut on palmistry, astrology and even reading tea leaves and crystal balls. Like most people, I thought is was just a bunch of baloney. But when I began reading about prophets like Edgar Cayce, I began to realize that there are strange spiritual forces in the world undreamed of even in The Playboy Philosophy.”
(Ibid.)
Ms. Myers, I think you’d be surprised by what the Playboy philosophy can dream of.
In 1994, it was revealed that a picture from Ms. Myers’ centerfold pictorial was among several that crafty NASA jokesters have launched in to space over the years. Ms. Myers, together with Leslie Bianchini, Angela Dorian, and Reagan Wilson, was snuck in to the checklist for the Apollo 12 mission that was placed in astronauts’ suit cuff on their trip to the moon in November of 1969. Ms. Myers specifically took her space journey with astronaut Al Bean.
Don’t forget: Describe the protruberances.
Boobs : Geeks :: Horse : Carriage. I think it’s kind of funny and sweet.
And the gals didn’t just go up in the lunar landing module: they straight moon walked. The astronauts found their pictures while fulfilling their extravehicular (read: outside the module on the lunar surface) mission duties on the moon itself.
Pete Conrad got Miss September 1967, Angela Dorian, (“Seen any interesting hills and valleys?”) and Miss October 1967, Reagan Wilson (“Preferred tether partner”). Al Bean got Miss December 1968, Cynthia Myers (“Don’t forget — Describe the protuberances”), and Miss January 1969, Leslie Bianchini (“Survey — her activity”).
Conrad told us in 1994: “I had no idea they were with us. It wasn’t until we actually got out on the lunar surface and were well into our first moon walk that I found them.” Bean recalled: “It was about two and a half hours into the extravehicular activity. I flipped the page over and there she was. I hopped over to where Pete was and showed him mine, and he showed me his.”
(Ibid.)
A large, color version of the shot of Cynthia that was smuggled up to the moon in the Apollo 12.
Lest we forget, the lovely and talented DeDe Lind, Miss August 1967 and, like Cynthia, one of the most popular Playmates in the magazine’s history, also rode shotgun on the Apollo 12 mission. She was in the control console, her picture labelled, “Map of a heavenly body.”
I always feel compelled when talking about the Playmate pictures and NASA to bring up the fact that my sorority’s badge is on the moon. Neil Armstrong put it there for his wife. It’s my sorority’s badge and it is on the moon. The moon that is in space. Sorry, but I get pretty cocky and excited by that. Tell a friend.
This much more recent picture of Ms. Myers just might get her kicked out of the Red Hat Society.
Can our prescient Playmate predict anything about her future? “I’m going to be an actress,” she says simply. “Notice I didn’t say ‘I’d like to be,’ but ‘I’m going to be.’ I don’t know how good I’ll be as an actress, but I’ll be one.”
(“Wholly Toledo!” Playboy. December 1968.)
Judging from her track record as a prophetess — and from her already abundant attributes — we’d like to venture a prediction of our own: Playmatehood should be just the beginning for the remarkable Miss Myers.
(Ibid.)
It’s interesting how quickly, even before the infamous code descended and cut out some of the popular gory lines, comics became dominated by superhero/crimefighter stories, due of course to the mad success of Superman. Sure, there have always been pulp adventure and horror comics, but when most people even think of comic books, it’s the heroes with which they associate the genre. The writers are driven by the publishers, who are driven by sales, which are driven by readers — so the natural conclusion is that a story about a badass goodhearted hero who fights crime is what the audience wants to read.
Comics are such manifestly wish-fulfillment-meets-folktale, flimsy-and-touching paper myths, that I think there’s a beautiful lesson here: we want to read about the hero who fights crime, who is “against” troublemakers and waiting with her golden lasso to show them what real trouble is, because we, ourselves, wish to do that. We wish to have a secret identity and fight for those who have no voice, to put a stop to injustices against our fellow men. All these generations of readers have wished to make the world better, not just for accolades or girls but because it is the right thing to do. And that’s really a great and inspiring thing. It’s sweet and charming and kind of triumphant, isn’t it?
This post originally appeared on Dec 2, 2009, at 9:57 PM.
Grand news. The parent-teacher conference went wonderfully!, beyond my wildest dreams!, and I think I may even have snowed kidlet’s teacher in to buying that I am an adult, an elaborate new con on which I’ve been working, whose growing success at the grocery, church, and among new acquaintances is beginning to perturb me and make me check for crow’s feet.
On the way back from picking up the kidlet and Special K from the park where they played while I was at the conference because I was busy conferencing on top secret conferencey shit, Katohs and I were discussing all things fantastic, adorable, unique, and vintage-ish, as we are wont to do, and she said, “I came to a point in my life where I realized I was never going to get to be Zooey Deschanel, and I was like, ‘What’s the point in going on?'”
I replied, “But that’s okay. All we can do is try to inject a little Zooey into each day, like be inspired by her energy!” advancing one of my typical over-optimistic, all-god’s-chillun-got-hands, hippie-crazy-go-nuts solutions that often barely even mean anything in the final analysis. When I am up against a tough point in conversation with a friendoh who is downohs, I sometimes morph into Dharma from Dharma and Greg — cryptic comments about the universe and energy and destiny just fall out of my mouth. But I think, actually, this time I managed to string together some pretty good advice!
I think we women often admire a quality in another woman and somehow, whether it is something ugly and atavistic, or something society has trained us to do that we can more easily shake off, we want that quality for ourselves instead of simply accepting with grace and admiration what a lucky thing it is that that other woman has the quality we like and how fortunate we have been to experience it. We are a covetous bunch, we ladies. “If I could sing like her; if I had hair like hers; if only I had her body; her style; her car or career or cake serving set…”
“…then?” What? Your life would be perfect? Never! There has never been a perfect, easy, or charmed life in the history of EVER! We are wasting such chances with our jealousy and poisonous reaction to a standout quality in another gal, blinded by our instant avarice: when something sticks out in your mind about another woman, ignore the negative instinct and instead seize a vital opportunity to connect with a woman, as two people. We need all to work on this.
Lost credit, one of my zillion pics back before I was wise enough to source
We have to love each other first, because then loving ourselves will come next, and then when you have so much going on already, it’s only natural that the love of whatever man or woman strikes your fancy will follow! (See, if the whole admire-other-women-and-love-them-for-the-reflection-of-the-creator-in-them-that-is-also-in-you bit didn’t work, then hopefully the it-will-make-your-crush-crush-back bit will. I’m new-agey but also very sneaky!)
Lost credit, one of my zillion pics back before I was wise enough to source (again)
None of this is to say Katohs was jealous. She was expressing admiration for Zooey Deschanel. But I think it’s interesting that our culture has conditioned a young woman, especially even one as bright and categorically outstanding as Special K, to, when she sees a woman she admires and idolizes, even joke about wanting to be her, rather than just be able to be like her. Weird people we all are or have been made to be. I’m trying to change, personally. I’m hoping it’s something that can be a choice.
Lost credit, one of my zillion pics back before I was wise enough to source (again)
Other highlights: over lunch at Thai House, I introduced Katohs to the concept and history of “spoonerisms;” kidlet told me flatly that she was going to marry Jude Law, and, when she did, I would need to build her a house for them to live in (knowing Jude Law and the rumors I have heard of his skeeviness this is entirely possible and I guess I had better start saving); and Special K and I determined that it is mainly okay to slap a baby if the baby is really, really annoying.
No babies were slapped in the writing of this self-audit.
edit: So this is the promised Flashback Friday post that picks up the thread of thought in the 69 Days of Wonder Woman: Day 5 post. It’s all about rejecting the modern standard of cattiness and pointless avarice and trading them for cooperation and admiration. I mean, Jesus Christ, we are playing right in to the hands of the machine with this bullshit behavior, ladies. If you’re all bound up in bitching each other out, then you’re not paying attention to what’s going on around you, which means you’re not trying to change anything, which means everything can stay its shitty same self, which means the machine wins. Do you see? Revolution! — won’t you please help me do it up right?
You recoil back upon me in the blood
of the Lamb slain in his Children
Two bleeding Contraries, equally true,
are his Witnesses against me
We reared mighty Stones!
we danced naked around them:
“Hysteric Fireworks,” Ryan McGinley.
Thinking to bring Love into light of day,
to Jerusalem’s shame:
Displaying our Giant limbs
to all the winds of heaven! Sudden
Shame siezed us:
we could not look on one another for abhorrence.
“Fire Flip,” Ryan McGinley.
O what is Life & what is Man,
O what is Death? Wherefore
Are you my Children, natives in the Grave to where I go
“Hanna in wheatfield in American flag chair,” Nicole Lesser. 2009.
Or are you born
to feed the hungry ravenings of Destruction
To be the sport of Accident!
to waste in Wrath & Love, a weary
Life, in brooding cares & anxious labours,
that prove but chaff.
(William Blake, Jerusalem: The Emanation of the Giant Albion.)
I do believe Mr. Blake is urging you to tune in, turn on, and drop out.
Paved paradise to etc.
Are you born “…to be the sport of accident and waste in wrath and love a weary life, in brooding cares and anxious labours, that prove but chaff”? No. I have said it before as a personal manifesto and I say again now despite my despondency this month and my dwelling over death and famine, that in the final analysis I do not believe we are born to feed the hungry ravenings of destruction, I cannot take the fatalistic, world-weary view that the average man is born cannon fodder in a long war between obscure forces richer and wider-reaching than we are.
Girl welder, 12, for the Australian Air Force, 1943. National Library of Congress collection on the flickr.
I can’t believe that is God’s plan for any single individual on this earth, no one can have been born for darkness and live only to push a wheel belowdecks to power someone else’s ship. I agree with this poem — shame and fear lead us to these empty lives of capitulation and lonely servitude to ideas forged by whatever money-hungry captain of industry’s self-serving philosophies are en vogue aided by the corrupt leaders of what could be beautiful religions. That is not the intent of our creation, I feel like that cannot be so, and if it keeps getting spread around that it is so, surely enough people are going to snap from their television-enhanced fast food comas and facebook opium haze and start a serious counterargument with words and deeds. I mean, they have to. If they don’t, then, my god, what is the point of existence even.
Oh, bother. It appears between this chain of thought and yesterday’s rants about Nazi propaganda that it is shaping up to be quite a week of Opinions. “I’m just a little black raiiinclouuuud …”
Competition has been shown to be useful up to a certain point and no further, but cooperation, which is the thing we must strive for today, begins where competition leaves off.
School’s out for Summer. Welcome to Ghost World Half-Day.
Graduation Speaker: High school is like the training wheels for the bicycle of real life. It is a time for young people to explore different fields of interest and to hopefully grow from their experiences.
After all, that which we learn from our mistakes can be as valuable as what we learn from our textbooks, and often we can turn the negative experiences that are common to all high-schoolers into positive steps toward personal growth and achievement.
Ghost World (Terry Zwigoff, 2001).
Graduation Speaker: In coming to terms with my own personal setback, which I’m sure you’ve all heard about, I’ve been able to learn a lot about myself. I’ve learned, for one thing, that I don’t need to rely on drugs and alcohol!
(Applause)
Enid: God, what a bunch of retards.
Rebecca: I thought Chipmunk Face was never going to shut up.
Enid: I know, I liked her better when she was an alcoholic crack addict! She gets in one car wreck and all of a sudden she’s Little Miss Perfect and everybody loves her.
Rebecca: It’s totally sickening.
Rebecca: This is so bad it’s almost good.
Enid: This is so bad it’s gone past good and back to bad again.
Melorra: Oh, my God, you guys! I can’t believe we made it!
Enid: Yeah, we graduated high school. How totally amazing.
It’s a great scene because the girls think they are very wise and sardonic and above-it-all, throwing out snappy one-liners and putting down the popular people at the school, and you realize that they may talk cool but they actually have a shitload of growing up to do. It gives their grimly satisfied bitchiness a certain dramatic irony and even a little pathos. I think all teenagers should be legally required to watch this film. I know I certainly should have.
All the screencaps for Ghost World Half-Day will come from a combination of sources: heartstopper, augustusgloop, and vodiak on the LJ; Movie Screenshots on the blogger; various imdb caps and old, unsourced still shots. Also I might scan some pictures from the graphic novel since I am right now looking at the spine of it in a pile of books on my desk.
For Mercy has a human heart,
Pity a human face,
And Love, the human form divine,
And Peace, the human dress.
Then every man, of every clime,
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.
Cairo, Egypt, photgraphed by Philip-Lorca diCorcia for W.
And all must love the human form,
In heathen, Turk, or Jew;
Where Mercy, Love, and Pity dwell
There God is dwelling too.
(William Blake, “The Divine Image.”)
“All must love the human form — there God is dwelling too.” We say things like this all the time, but consider that Blake wrote in the 1700’s. He prefigured all the poseur Romantics and social reformers, but transcended their work, too. And he really was disgusted by the inequities of life on earth in the Western world at that time.
Ryan McGinley, “Jake.”
Blake writes all the time about how his visions lead him to see that people truly, genuinely, are the same beneath, that plants and animals and even handmade objects hold a universal grain of likeness to people, being all made directly or indirectly by God and inhabited by a hierarchy of spirits, demons, and angels — that everything around us, ourselves and nature and all the things we make, are reflections of God because of our being made in His image.
Ryan McGinley, “Hysteric Fireworks.”
Logically, it followed to him that to raise your hand against these fellow creations was wrong and could not be God’s will; therefore all systems that enforced human governance over one another or intrusion in to nature was against God’s plan and was a sinful conception of man which had nothing to do with redemption — this included most organized religion, education, and politics, all of which he felt were offensive, grasping human attempts to control and oppress one another, which was the same as to try to bully God.
McGinley again — a Morrissey concert.
He really saw with the eyes of his heart: and almost more than anything else he truly did not understand why there would be starvation, child abuse, and especially war. And he knew well enough that he was unlike his countrymen in that way to write poems reminding them that violence and injustice were not the right paths. They all assumed he was crazy, of course. But look at his message, especially his emphasis on religious tolerance (an easy jump for him since he believed all people were equal plus his visions told him all religions had it all jacked up to begin with). It pretty obviously is still relevant and resonant today.
Ryan McGinley, “Fireworks.” He’s my new fave, if you couldn’t tell.
It is a reasonable enough message. If God created us and all things, then we must be peaceful and loving to one another and the animals and natural resources around us, and love them for being reflections of God. It is the only right way to be. So why is it such a challenge, again and again? Everyone claims to want it, so why it is always out of reach is depressing and mystifying. Kind of like how “the one thing we’re all waiting for/ is peace on earth and an end to war” to quote Queen’s “The Miracle.” I know I just went from Blake to Freddie Mercury, but I’m a maverick! Good people quote the Beatles. Great people quote the Beatles, Billy Joel, and Queen. Take it to the bank.
I have mentioned before that I follow me the shit out of some LeVar Burton on the twitter (for the record, the Red Cross “Haiti” texting thing is still on like Khan so think about donating, because the need is still very strong, especially as summer comes on and people have gradually stopped donating money needed very badly to keep plenty of clean, purified water around and sanitized conditions for the food getting to refugees, for example: to displaced children — a diptheria epidemic happening now among all those orphaned kids would basically be about the most disastrous and heartbreaking thing I can even think of, you know?).
From LeVar Burton’s twitpic account. With the Shat-man. Look at those OG’s! Super-cute!
I have these pictures up mainly to get your attention. It is obvious, accepted, manifest fact that LeVar Burton is one of the coolest and best human beings to walk the earth. Duh. Would you like to be as basically all-around amazing and centered and loving and a vessel of karmic groove in this universe Just Like Him? Then let’s talk about LeVar’s involvement with the extremely cool documentary The Science of Peace, dudes!
What if …
…science discovered a unified field of consciousness which affected the way people think and behave?
…we could find a way to consciously impact this field with our thoughts and feelings?
…a global media event would succesfully enroll millions of people to participate in an unprecedented world peace experiment?
Great minds from Tesla to Kant to Rosseau to Jung have believed in this tantalizing possibility of reaching a positive meta-energy which just might happen to be God’s will for mankind, so don’t dismiss it straight out of hand as tree-hugging hippie crap! There is some real Science to this, guys.
Hosted by LeVar Burton, The Science of Peace features pioneering physicists, biologists, and philosophers who are established in the emerging new field of Peace Science.
The film effectively illustrates how each person, when bringing peace in to his or her own life, becomes an instrument for global peace.
He is also the executive producer. Putting this post together lead meto some really neato-terrific and amazing sources.
Yes.
I hope to share more about Peace Studies soon but here is the essential lowdown on relative newcomer Peace Science, which is the subject of the documentary: it is a hard-science effort to unify the threads of ideas that run through the incredibly important social sciences movement of Peace Studies. The Peace Science Society has an explanation of the various philosophies and social sciences that comprise the touchstones of the “argument” for peace studies at Penn State, and it is always well-spent time to give the latest articles in The Acorn a spin. (The Acorn is the official journal of the Gandhi-King society. If you don’t feel like subscribing, it’s on ProjectMUSE and the JSTOR.)
Great picture with Nichelle Nichols. Remember on Dr. King’s Day when she came up? In case you forgot, the factoid that was related then was how she was thinking of leaving the TOS cast and Dr. King told her to stay because Lt. Uhura was a wonderful role model for people of color, especially women. Soooo great.
Anyway, check the documentary’s official site out and show some love by visiting the “How You Can Help” section — it’s too late to participate in the documented experiment, but you can still donate and help subside costs for production, travel, distribution, etc. Cool beans!
On this date in 1981, the space shuttle Columbia completed its first successful orbit, landing safely at Edwards AFB in Antelope Valley, CA. In 1932, the atom was split by Cockroft and Walton in the Cavendish Labs. Like, dang. Those are some incredible scientific landmarks of just the sort that Sir Isaac Newton was speaking in the above quote.
My god, what a century of achievements. What will we do next? Keep your mind open and don’t be afraid of advancements — the only way to prevent a dystopian future run by cyborgs and genetically enhanced a-holes is to stay ethically invested in the coming leaps of technology. The only way to guarantee Bizarro Robocops and sentient microwaves stalking your cloned stem-cell baby with iPod implant neck shunts and laser gun wristwatches is to not care and not keep up with change. Cell phones freak me out and I don’t even know how to begin to use touchscreen notebooks, but I’m determined to learn this year. No burying my head in the sand (or clouds, more likely) and hiding from Change for me — not anymore.
Because I look at that quote from the freaking father of physics, thank you very much, and think of all the science that has rocked our world through the years, and each time a new advancement came along, there were frightened people, shellshocked Luddites like myself waving their arms around and crying “We’re all gonna die! Apocalypse now!” but it never happened, because humanity’s better nature has inevitably prevailed, and we’ve assimilated as best we could each new challenge to keeping the lid on our growing godlike powers. As fearsome as that is, if I am concerned, that’s exactly why I should not give up on the Future, right? If I’m so worried about it, why don’t I put my money where my big scared mouth is and stick around to defend it? Ought we not fight for the future to be a brave and conscience-guided good one instead of cringing in the corner, wringing our hands and refusing to look growing technology square in the eye?
I believe that great changes at which, like Sir Isaac Newton, we can not even possibly begin to guess are going to come in our lifetimes but we can make it a safe and morally-centered time with the potential to better the lives of everyone on Earth, so long as we try and don’t give up or get overwhelmed. I believe this is possible. I really do. I’m in a new and more positive place than I’ve ever been.
Okay, so I guess in addition to getting Scientific with you, I also got a little Hippie. I have those kind of tendencies. Thanks for loving me anyway. (My providing you with all kinds of softcore porn has I’m sure nothing to do with it.)
This is a really beautiful cover in three-part harmony. Even if you don’t normally listen to the Music Moments, give it a whirl, for reals.
Kina Grannis — I Will Follow You Into the Dark (Death Cab for Cutie cover)
All that uplifting, all-god’s-chillun-got-hands, tree-hugging hippie crap* to do with art and tunnels that I wrote about in today’s Liberated Negative Space entry made me think of this song, which is one of my favorite songs out there. I’ve posted the original before.
*I try to race and pick on myself before others can. It’s a hard-knock sort of a game. There really are no winners in it.
“I will follow you in to the dark.” That’s a beautiful sentiment. I think it’s exactly love, it’s exactly what we seek: that in the face of the greatest unknown, at the moment of deepest fear, we will not have to face death alone. That’s heavy. When I stop and deeply consider it, the magnitude of that idea takes my breath away.
Love of mine some day you will die
But I’ll be close behind
I’ll follow you into the dark
No blinding light or tunnels to gates of white
Just our hands clasped so tight
Waiting for the hint of a spark
If Heaven and Hell decide
That they both are satisfied
Illuminate the NOs on their vacancy signs
If there’s no one beside you
When your soul embarks
Then I’ll follow you into the dark
In Catholic school as vicious as Roman rule
I got my knuckles bruised by a lady in black
And I held my tongue as she told me
“Son fear is the heart of love”
So I never went back
If Heaven and Hell decide
That they both are satisfied
Illuminate the NOs on their vacancy signs
If there’s no one beside you
When your soul embarks
Then I’ll follow you into the dark
You and me have seen everything to see
From Bangkok to Calgary
And the soles of your shoes are all worn down
The time for sleep is now
It’s nothing to cry about
’cause we’ll hold each other soon
In the blackest of rooms
If Heaven and Hell decide
That they both are satisfied
Illuminate the No’s on their vacancy signs
If there’s no one beside you
When your soul embarks
Then I’ll follow you into the dark
Then I’ll follow you into the dark
I was shocked by the number of covers of this song on the YouTube (in fact, here is a link to the shitloads of search returns). Check it out. Over 12,000 people have posted videos covering this song. Holy cannoli.
I think that speaks to what I just said about the universality of the theme, the fact that this song is about the essential thing that we are seeking in this life when we look for love. A partner, a person to love and be loved in return, someone to have our back and stand beside us and hold our hand when “our souls embark.” All these people are touched by this song and choose to cover it, and what’s more, they are probably each singing it with all their heart dedicated to a certain person they have in mind, and just that idea … is overwhelmingly beautiful.
Maybe I was wrong about being meant to be alone. A thing like this makes me think that it can’t possibly be that anyone is meant to be alone, can it? I need to think more about this.
By the way, please do visit Kina’s site and consider buying her new album, “Stairwells.” She is an excellent musician and a beautiful, soulful girl. I hope great things for her. In this song, which she recorded in 2007, she harmonizes with her friends(?), or relatives(?), Emi and Misa.
Yesterday I was reminded that I had a bunch of these “Way They Were” entries planned and had only followed through on one (Jayne and Mickey). That’s cowardly. I’m going to try to motor through more in the coming months.
“Sitzende Frau mit hochgezogenem Knie”/”Seated woman with bent knee”, 1917.
Although artist Egon Schiele had been separated from Valerie “Wally” Neuzil and married to Edith Harms for two years by the date of this painting, most everyone agrees this is from an earlier study of Wally. It looks too much like her not to be, and he uses the colors that are associated with the Wally work. It’s my favorite work by him. It was on the cover of the Schiele book that my husband, who is a painter, had at our house in Portland, and was the entire reason I found myself opening and reading the book one day. I was interested in Schiele’s work, which is provocative and weird and has many shockingly modern features, all things I like, but, because his life was tragically cut short by disease, his career arc is brief. Coming away from the slim book about his life and art, I felt that his work was dominated by the chief feature of his life, which is to say in a nutshell his time with the real love of his life, which he royally fucked up, and it was the story of that, of Egon’s eventually jacked-beyond-repair relationship with Wally Neuzil that really sucked me in.
“Das Modell Wally Neuzil”/”The model Wally Neuzil.” 1912.
Artist Egon Schiele and his model, Valerie “Wally” Neuzil, were together from 1911 to 1915. He met her in Vienna when she was seventeen and he was twenty-one. Supposedly they were introduced by Gustav Klimt. Supposedly she had been Klimt’s mistress before she got together with Schiele. These things are all conjecture because everyone involved is dead, and they happened before the Great War, which so influenced the German-speaking art world in the years just following it that anything which contributed to or influenced an artist’s work before the War kind of fell by the wayside until later generations resumed their scholarship of turn of the century artists. That’s fair. Such radical changes happened during and after the War that I imagine it seemed crazy, outdated, and irrelevant to really consider too deeply the little emotional outbursts and criminal trials that came before the dramatic political events of the 1910’s and 20’s that literally reshaped the landscape.
“Rothaarige hockende Frau mit grünen Strümpfen (Valerie Neuzil)”/”Crouching figure with green stockings” (Valerie Neuzil).” 1913.
Egon and Wally left Vienna because they considered it too oppressive. They sought an inspirational, romantic, and bucolic lifestyle of freedom in the countryside, moving to Krumia — which also had the more practical benefit of much cheaper rent than Vienna — where, though Schiele’s mother was born there, they were summarily run out of town not too long after for being a little too inspirational, romantic, and bucolic: they’d been using the town’s teenagers as “models”. There’s a Schiele museum there now, so I guess that, like cream cheese, their hearts eventually softened to a spreadable cracker topping. That analogy got out of control in a hurry. It’s almost time for me to grab lunch, sorry.
“Wally in roter Blouse mit erhobenen Knien”/”Wally in red blouse with raised knees.” 1913.
Essentially fleeing the angry mob in Krumia, Egon and Wally moved again, this time north to Nuelengbach, where it was apparently same shit, different day, as they were not there even six months and Schiele was arrested for seducing a minor. Once in custody, they dropped that charge (apparently the young lady changed her tune when the absinthe wore off?) and an abduction charge the parents had insisted be levied originally, and instead tried and found him guilty of displaying inappropriate art in a place where minors could see it. He was released from prison after serving twenty-four days in April 1912 — are you getting the idea of what an awesome prince he was? such the lucky girl, that Wally — and they moved back to the Vienna area.
“Auf einem blauen Polster Liegende mit goldblondem Haar (Wally Neuzil)”/”Reclining female figure with gold blonde hair on a blue pillow (Wally Neuzil).” 1913.
Settled with Wally in Heitzing, a Viennese suburb, Schiele wrote to a friend in early 1915 that he was going to marry one of the Harms sisters, two locksmith’s daughters named Edith and Adele who lived across the street from his studio, for money. I guess running around for three years painting erotic pictures and pissing people off while sleeping with teenagers and doing jail time had not turned out to be the lucrative life of luxury he’d anticipated; the cash flow was getting low, and, despite that he considered Wally his partner and soulmate, marrying for money was Schiele’s timeless solution to their financial woes. He followed through on this, marrying the older of the daughters, Edith, on June 17, 1915, exactly 91 years before my own wedding day.
“Frau in Unterwäsche und Strümpfen (Valerie Neuzil)”/”Woman in underwear and stockings (Valerie Neuzil).” 1913.
A few days after his wedding, Schiele was called to the war, but managed to always serve in Austria, so he was able to continue with his art and stay close to his ties in Vienna. Wally had broken up with him when he told her he was getting married. Schiele wrote to friends expressing shock and grief: he’d actually expected her to understand and stay with him. He wrote a letter to Wally asking her to meet him at a billiards parlor that he liked to go to. There he gave her another letter, proposing that every year they go on an extended holiday, without his wife. She did not write back or respond positively to this. Instead, she left him and never saw him again.
“Frau mit schwarzen Strümpfen – Valerie Neuzil”/”Woman with black stockings – Valerie Neuzel.” 1913.
I was furious when I read this. I still remember sitting in my little house in Portland and my jaw dropping, and my blood boiling, all this anger and resentment simmering in me, directed at people I never met who’d been dead nearly a century, but I couldn’t help it. I hate him for marrying someone else, I hate him and I hate the story of how they were because it reveals that through all that time they spent together, Schiele must have considered Wally lower than him, and though she stood by him , asshole though he could be, he thought her to be the unimportant one, expendable and suppressable, and he literally threw her away like garbage even though she was the best thing that had happened to him; his drawings of her are the best things he did. But that is how some stories are, and I deserve to feel angry because I need to accept that, I have to work through my sadness about the fact that nothing and no one has ever been perfect not even for a day or an hour or a moment, every joyful thing is secretly riddled through with the knowledge that this is so good now because there will be pain later and every lucky penny has a tail side of the coin, and if I have to search my soul and see if there is any gold in the dross of this love story that I in my infantile understanding of human nature found so devastating than I guess I must say that I do love that Schiele really loved Wally in an incredibly broken way, and had that time with her in which there must surely have been good moments.
Photograph of Wally and Egon from the Schiele Museum online.
Schiele died only three years after his breakup with Wally, on Halloween 1918, in an influenza epidemic which had several days earlier killed Edith and their unborn child. He passed away completely unaware that Wally Neuzil had herself succumbed to death from disease around Christmas of the previous year. She’d become a nurse for the Red Cross and, stationed at Split in Dalmatia, she caught scarlet fever from one of her patients and died in the same hospital at which she’d been working for over a year.
Batman, Superman, and … the Marquis de Sade?! Oh, Life. You saucy minxes!
In the 1960s, both high theory and popular culture used the Marquis de Sade to link concerns about violence and social repression with an investment in sexual repression in the psychoanalytic sense. While Sade’s writings suggest the incompatibility of complete sexual freedom with political emancipation, this apparent contradiction was meant to vanish within a framework of general liberation. …
[However,] the elision of the distinction between intimacy and sexual pleasure allowed — and continues to enable — the notion that sexual acts translate into liberationist politics rather than creating potentially insoluble social conflicts.
(Steintrager, James. “Liberating Sade.” The Yale Journal of Criticism 18.2 (2005): 351-379.)
In her Playmate interview, the lovely and talented Nancy Harwood, Miss February 1968, states views on the diametrically opposite end of the spectrum from yesterday’s first Valentine Vixen L.F. (Miss February 1970, all posts with references to whom have been removed from this site at the request of a different LF), but they ended up in virtually identical fields, showing once again that it is possible and even perhaps God’s intention in creating a species of such diverse intellects to achieve goals of peace and harmony no matter if there are little areas of difference between people. We can walk parallel paths and reach the same destination, and not imagine ours to be the only way home. Does this make sense?
Photographed by Bill Figge and Ed De Long.
Maharishi Mahesh Yogi, the Indian mystic who has introduced the Beatles, the Rolling Stones and Mia Farrow Sinatra, among others, to the joys of contemplation, can also count Nancy Harwood among his followers. When Miss February faces the “altar” in her bachelorette pad in Burbank — it’s adorned with artificial flowers of psychedelic intensity from Mexico — she forgets not only the cares of a part-time college student but also the care-nots of a 19-year-old coming of age in Southern California. (“The Girl From Inner Space,” Playboy, February 1968.)
“It’s like getting high without drugs,” explains the pharmacist’s daughter — who got the message when she and many others, including pop idol Donovan, meditated with Maharishi recently at the Santa Monica Civic Auditorium: “You could actually feel your neighbors going up, up and away!” (Ibid.)
Like so many of her tuned-in generation, Nancy grooves to the varied sounds of today’s many-splendored pop musical world — Hugh Masekela, Wes Montgomery, the Beatles, the Stones and Ravi Shankar. She also enjoys fraternizing with a variety of people at school, at the beach (“I used to go in for a lot of surfing, but paddling out got to be a drag”) or on Sunset Strip. (Ibid.)
I have a lot of friends with long hair, though I wouldn’t necessarily call them hippies.” However, Nancy informed us that abrasive contact with the “real” world is taking its toll on the flower children: “The Strip now has a lot in common with skid row — everybody’s just milling around and most of them are up tight. Last spring, people were turned on to one another; now, everybody’s on his own trip.” (Ibid.)
There is an appropriately forlorn but determined quality to this unusually clothed picture.
In my opinion, Nancy accurately pegs here the increasingly dissident years in the aftermath of the Summer of Love, which was 1967. You will hear the same complaint from other people — it was like that time was a golden hour that was never successfully recaptured, perhaps inevitably leading to the narcissistic solo drug benders of the seventies and subsequent desperately empty materialism and casual sex of the 1980’s. I honestly think we almost brought it back around in the 1990’s as far as caring about one another and giving a shit about the environment once more, but we lost it again somehow … I apologize to my daughter’s generation in advance for whatever comes next.
Another very unusual shot. They followed Nancy around to school and some peace rallies protesting the U.S. involvement in Vietnam. It’s not an experiment they tried much with the playmates, showing the reality of their lives, but it pays off with an idealistic gal like Nancy because that is part of her dimply but flinty-blue-eyed charm — the tinfoil beneath the icing of what you think is a cupcake but is actually a very determined young woman.
The more conventional side of Nancy’s education includes psychology and business courses at Los Angeles City College, a school she likes because of the diverse origins and upbringings of its students. Her ambitions are to model — Vogue’s Veruschka is her ideal — and to dance, preferably in films. (Ibid.)
According to her biography on her official site, Nancy put her classes to good use, and then some.
Nancy has been involved in human potential work for more than 15 years and is available for a personal coach. She is sought after as a coach because of her own experience and professoinal success. In her coaching, she integrates her extensive knowledge of body mechanics, diet, vitamins, and goal setting.
Due to her combination of brains, beauty, and free-love-based idealism and spirituality, Nancy was a tremendously popular Playmate during this time, especially with soldiers serving overseas during the Vietnam War.
Her feature was so popular that she received nine duffel bags of mail from American troops fighting in Vietnam in the following months. (official bio.)
Also,
She has remained a serious physical fitness buff, and has the same body weight and figure today that she had 25 years ago. (Ibid.)
The proof is in the pudding: check out the shots below!
DIG THE FABULOSITY!! l to r: Wonderful Helena Antonaccio (Miss June 1969), nothing-less-than-legendary star of the burlesque stage Tempest Storm, and beautiful flower child Nancy at Los Angeles Glamourcon in November of 2003.
Special thanks forever and always to the graceful, fun, funny, and all-around cramazing Helena Antonaccio for the above and below smashing shots of playmates and stage stars of yore in current action.
l to r: Nancy, Helena, and lovely and talented Connie Mason (Miss June 1963), Glamourcon 2003.
You must rush, rush, rush to Helena’s website and flock to her booth at any convention you attend. I can always count on the one-of-a-kind Miz A to Bring It when it comes to wonderful pictures. Bella, if you did not exist, I would have to invent you. *Muah!* ♥ (I get mooshy.)
Final present shot of Nancy: Picture of Nancy at Glamroucon 15 by wonderful and hilarious J Greely, photographer of beautiful women and more recently zoo animals, who says, “I have nothing against naked women but I do object to clothed animals, so it evens out.” Check him out.
As a final awesome note, per her official site,
Ms. Harwood is currently President of the “original” Centerfold Alumni Association, which is composed of past Playmates and Centerfolds of the Month. These models are featured Playmates, whose dates of appearance range from August 1956 through June 1997.
The Thought Experiment 