Art of the cover: Year of the Rabbit inaugural edition

Technically it’s the year of the Hare. The metal Hare, even, which sounds like a band name: TONIGHT ONLY — Metal Hare with openers Loose Gravel — $3 cover charge — featuring Open Trench and Soft Shoulder! (I get a lot of band name inspiration from road signs, sorry). But I’m going with rabbit.

via.

Elegant both physically and intellectually, Rabbits will always stand out from the crowd either as extremely stylish dressers or because they create an individualistic fashion statement of their own.

(source.)

It happens.

Music Moment: Cat Stevens, “Peace Train”

Cat Stevens — Peace Train

I’ve been smiling lately. I really have.

Photographed by Julie Lansom.

Now I’ve been happy lately,
thinking about the good things to come
And I believe it could be,
something good has begun

via.

Oh I’ve been smiling lately,
dreaming about the world as one
And I believe it could be,
some day it’s going to come

With Shelley Duvall, via.

Cause out on the edge of darkness,
there rides a peace train
Oh peace train take this country,
come take me home again

Now I’ve been smiling lately,
thinking about the good things to come
And I believe it could be,
something good has begun

Richard Hamilton.

Oh peace train sounding louder
Glide on the peace train
Come on now peace train
Yes, peace train holy roller

Everyone jump upon the peace train
Come on now peace train

A few weeks ago, I came home triumphantly wielding a near-mint Cat Stevens LP from a trip to a nearby touristy mountain town — only to see in going through my collection that at some point in the past I’d brought that exact record in pretty much the exact same condition.

My organization skills may be in the toilet, but the important thing is, I’m consistent.

via.

Get your bags together,
go bring your good friends too
Cause it’s getting nearer,
it soon will be with you

With Carly Simon, via.

Now come and join the living,
it’s not so far from you
And it’s getting nearer,
soon it will all be true

Now I’ve been crying lately,
thinking about the world as it is
Why must we go on hating,
why can’t we live in bliss

I’ve been trying to balance my recent heady busy-ness in the areas of work and returning to school with the activities I love, like country driving, taking pictures, listening to my records, and of course spending time with my mad rad friendohs.

via.

Cause out on the edge of darkness,
there rides a peace train
Oh peace train take this country,
come take me home again.

I don’t know by what trick or trends in behavior I’ve done it, but, despite recent roller coasters of emotion, anxiety, and obligation, I still just feel really happy and mellow about things in assessing the Spring, even accounting for the ups and downs.

via.

I have this optimistic and even confident feeling as I enter the Summer. Here’s hoping it sticks around. I feel like everything is beautiful.

In related news, did you know you could smoke banana peels? The brown spots talk about their dreams while they sizzle and pop. Fact.

(Not fact.)

Flashback Friday, New Years’ Resolution Reality Check #1 — Music Moment: Les Paul and Mary Ford, “Goofus”

This entry was originally posted on January 12, 2010 at 3:55 pm. It contains the second of my New Years’ Resolutions for 2010. Over the next several Flashback Fridays, I will be taking them out, dusting them off, and seeing how well I followed through. I do not anticipate it always being pleasant, but the truth can’t be.

Les Paul & Mary Ford – Goofus

This recording of “Goofus” (King-Harold-Kahn, 1930), one of my favorite songs, is just instrumental. It’s performed by legendary husband-wife duo Les Paul and Mary Ford (so, so, so much more on them another day).

The Paul-Ford version topped out at #21 on the Billboard chart on its release in the early Fall of 1950. The ensemble Paul and Ford had gathered is plucky and fun, although I have heard recordings from the ’30’s with saws and washboards which sort of put ukes and slides in the shade, but you work with what you got, and they did a great job re-popularizing a well-loved classic.

It really gets me that there was a time in this country when there was a) a set of songs that everyone knew, and b) a time when you picked up an instrument and sat down together and played, sometimes just as a family, but often as part of a larger community group. What happened? Radio killed the vaudeville star, but, moreover, the vaudeville star took group singalongs and skit shows down with him. No more public singing.

People just don’t do that often enough anymore, I think. I remember reading, quite a few years back, Divine Secrets of the Ya-Ya Sisterhood (I consequently did not see the movie), and, in one of the super-tolerable parts, a character aged in her mid-70’s during the 1990’s was remarking on the emptiness of the sounds one hears walking the streets in the present day. She recalled being a child and teenager in the ’20’s and ’30’s, and how you could not so much as hang the laundry without hearing someone whistling or singing a street over or while walking past the yard.

“One Last Tickle on the Ivorys,” St. Ebba’s Lunatic Asylum, by Christopher O’Donovan on the flickr.

The idea of that touched me very deeply, because it resonated. I have always liked music, and always known a little about the history of radio and the record industry, being a big vinyl guy, and I’m not saying even at all that radio itself massacred town talent shows, I think increasing materialism and isolationism happened to dovetail with that new mass media, and long story short: it should change back. We need more of that old way of doing things, especially now, when so many people have lost hope and there are young people growing up for whom there are no stories about uncles who sang Irish tenor or great-grandmothers that could play the spoons.

It’s always fun to find out what hidden talents your friends and neighbors have (unless those talents are taxidermy and soundproofing basements), and it brings communities closer together. I think I remember hearing that a song is like a prayer times two, or some such thing, and I believe it. Everything is better with music.

“I Wanna Be a Majorette,” by Eleanor Hardwick.

I used to perform in singing groups and church choirs, and even participated in competitive choral groups in High School. The older I’ve gotten, the more I have grown very shy about my singing, but why? Half of what I hear on the radio has been triple-processed and slickly produced, and who cares if someone hears me fall a little flat? The spirit and song in my heart that made me so happy, that urge to open my throat that I couldn’t repress, that hasn’t changed, so why do I let fear and modern ideals of social behavior fence me in?

Holy cow, I think I just found my second resolution of 2010: Make a joyful noise. Join me, y’all!


Reality Check: I did not do as well as I wanted on this one. I started sporadically singing in my friends’ “band practice” Rock Band video game nights, but I did not join my church choir, which was what I really wanted to do. Partly intimidation because the director is an old friend, partly feeling too busy (excuse). I guess where I feel I really failed is I did not keep that song in my heart that I felt when I had written this originally. I need to try to get that feeling back.

Liberated Negative Space o’ the Day: The Music Needs You

Traffic post at Oak and Laguna. San Francisco, CA, USA.

I don’t believe that ClearChannel and Auto-Tune will win the day. They won’t if we don’t let them. So we must not let them. All the videos and branding and corporate whoredom in the world can’t replace the feeling I get when I listen to the soaring reprise of the main theme in the second part (technically parts vi-ix) of “Shine On, You Crazy Diamond” on Wish You Were Here. Side B, Track 2, 4 minutes, 43 seconds, if you’re interested. Or Guns ‘n Roses “Cold November Rain,” right at 7:09? How about when the bass line starts going all crazy and exploratory on the end of “Unknown Soldier” (2:34)? That is gold. All of it. And I am not going to let ClearChannel, or the MTV-cool-kid-of-the-week, nor any man, woman, or robot overlord take that away from me. So join me. It’s an easy movement: all you have to do is not let the tide of facile, soundalike “music” roll you under. Even if you’ve let go of everything else in the face of the screaming demands and peer pressure of this pop cultural-centered society, even if you’ve caved at every turn and have a 60″ television which you watch in your jeggings, hold on to this one thing — your music, and the way it makes you feel.

Liberated Negative Space o’ the Day: Textual healing — Art of the cover with guest tour through E’s “process.”

via lemonlove on the tumblr.

Great. Now what am I supposed to name my first album?

alternate joke based on a joke I made in 2004: This reminds me of that time when Frank Zappa took all the good names like Moon Unit and Dweezil for his kids and I was stuck with the Bible.

alternate joke with more brevity but no personal touch: Backing vocals by Heywood Jablome.

I didn’t want to retread the first joke because I feel weird stealing from myself, plus I had to manhandle it too much to make it work for this post (the original joke referred to my daughter, who was in utero, and had been shorter and far more topical). As for the latter, it not only did not include a small, personal way of tying us all together as poster and readers, but it more importantly repeated the word “blow” too much for my taste, since it just appeared in the picture already. Ergo, “what am I to call my album,” which had instinctively been my joke when I saved the thing to begin with, won.

Aren’t you pleased as punch by this glimpse in to my ultra-sophisticated process?

March Madness: Fran Gerard, Miss March 1967

I was fortunate enough to stumble over the entire original layout and spread of the Playboy issue featuring the very lovely and very talented Ms. Fran Gerard, Miss March 1967.

Photographed by Mario Casilli and Gene Trindl. (Color work by Casilli, B&W shots by Trindl, according to the orig. spread’s credits)

We predict a sparkling future for our heavenly-bodied Miss March. Generously configured Fran Gerard is a girl for the stars. “We’re forever searching the cosmos for new meanings.” (“Stars In Her Eyes,” Playboy, March 1967.)

The specs-sporting young Ms. Gerard worked as an astrologer’s assistant (zodiac quackery rears its head AGAIN) in L.A. at the time of her appearance, so they made a big deal out of that.

But the main thing of her is that she is tied right up there with Janet Lupo, Cynthia Myers, etc, for the largest natural breasts ever to be featured in Playboy.

As it was quite sometime before Janet, Cyndi, Roberta Vasquez, Alana Soares, et al came along to potentially unseat Ms. Gerard as undisputed mammary queen (I am not bothering to list the silicone sweethearts whose plastic racks match the numbers in name only and never rate so high in the eyes of the lord), she has understandably enjoyed long-lasting and tremendous fame in the Playboy world.

A “little looker,” her Playmate data sheet reports she was just 5’2″ tall at the time of her appearance in the magazine at the alleged age of 19. Holy chumbuckets, I cannot even imagine the back trouble the girl had to have had by age 30. Sorry if that deglamourizes things, but dang. That’s some serious rackage to haul around for a chick that only weighed around 110.

More than just a pretty face hovering over likely-uncomfortably-giant knockers, Ms. Gerard was a genuinely swingin’ chick with a good head on her small shoulders. And great taste in music!

Our plenipotent Playmate is as versant with combos as with cosmos: “Charlie Parker’s ‘Ornithology’ was the greatest single ever made,” says Fran, “and I think E.S.P. by Miles Davis is the best LP.” Sinatra is her favorite singer, especially “Cottage for Sale.” (Ibid.)

She says, “[I] like artists Marc Chagall and Salvador Dali. They capture so much of the glory of the universe in their work, but I don’t think I’m being stuffy: I like ‘Batman,’ too!” (Ibid.)

“Batman”? Heyoooo! Actually, I have also always liked Chagall’s work, especially this one piece he did that told a Russian folk tale, if I’m remembering rightly… Maybe later this week I’ll throw up some stuff about him.

Fran credits another favorite, a book, with being the source of all this happiness and satisfaction. “It’s The Magic of Believing by C. M. Bristol. It helps you to think positively.” (Ibid.)

Fran’s favorite book is still in print. It is also available for purchase as an ebook. Here’s an excerpt from the first few paragraphs:

Is there some force, or factor, or power, or science—call it what you will—which a few people understand and use to overcome their difficulties and achieve outstanding success? I firmly believe that there is, and it is my purpose in this book to try to explain it so that you can use it if you desire.

Around 1933 the financial editor of a great Los Angeles newspaper attended lectures I gave to financial men in that city and read my brochure T.N.T.—It Rocks the Earth. Afterwards, he wrote, “You have caught from the ether something that has a mystical quality—a something that explains the magic of coincidence, the mystery of what makes men lucky.”

(source, and please do not consider the link an endorsement)

Wow, what is amazing about that is it could have been written, like, yesterday, except replace “1933” in the suspiciously specious and detail-lacking anecdote with “2003.” I did not think people were marketing murky bullshit that long ago, but I live to be surprised. I should’ve known, I suppose, given all the snake oil salesmen and shenaniganizers who’ve always walked this earth conning money out of suckers. Like the rightly revered Msr. Barnum observed, there is one born every minute.

I think I will try my hand at tossing off a few sentences.

A few years ago, I was addressing a colony of junebugs at an annual meeting. After the meeting, a junebug who had just been raised to upper hive-management approached me and invited me to have a drink. He told me that he had seen me speak at a junebug team-building conference near an abandoned swingset only six months earlier, and had returned to his nest eager to apply the Simple Principles that I teach. Within just a few months, he had already been promoted above his boss and was handling new junebug regions of management!

Like so many countless others that I have been happy to help, this junebug told me in that hotel bar that he would have never believed the success and accomplishments he would achieve in such a short time just by following these three simple steps to harnessing the power of YOUR potential to do Great Things!

(E., Right Here, Right Now.)

How did that sound? Would you buy my shit? No? I’m huge in junebug circles, picking up sales in bee hives, and keep it between us but I think I’m about to crack the highly elusive ladybug market. (What I am saying is that I think this is all fishsticks and curried potatoes, this malarkey. Positive thinking is very powerful, yes, and important to your overall well-being, but so is hustling your buns to earn a simple living and have rich relationships with loved ones rather than sucking down cultish nonsense like coca-cola and craving weird amounts of power through ESP. Mad love and respect to Ms. Gerard, but come on.)

I think this is the best shot of the lot.

The positively smashing Miss Gerard’s idea of a perfect man? Clark Gable. “Remember him as Rhett Butler in Gone with the Wind? He was too much,” says Fran appreciatively. (“Stars In Her Eyes.”)

Yes, I particularly enjoyed the scene where he got ten kinds of drunk and told Scarlett he was going to crush her head like a walnut, slapped her around a little, and then took her upstairs for some rough sex. You’re probably thinking that is some feminist, critical statement mired in sarcasm: you are sadly wrong. I’m messed up I guess, but I think that saucy Scarlett needs slapped around pretty much every goddamned minute of the day and Rhett was born for the job. They are a nasty, scheming, firey-eyed match made in hell and I think it makes an excellent and exciting love story, in a very dark and ugly way for which it seldom gets credit. So, today I say to you, Margaret Mitchell: Well done, sir.

The man who did the b&w work for this spread, Gene Trindl, was best known as a photographer for TV Guide. He shot over 800 spreads for them, and 200 covers. Dang, right? He died of pancreatic cancer June 29, 2004, two years after my cousin Tom and thirty-seven years after Jayne Mansfield. RIP, Mr. Trendl.

TURN-ONS: High fashion, antiques.
TURNOFFS: Arrogance, people and their trivial problems.

(Playmate datasheet.)

Um … you hate arrogance, but you also hate people and their “trivial problems”? Okay. The kettle called … said something about how you are the black one? No need to call back.

DID YOU KNOW? I’m an assistant to astrologer Jack Gemini.
PEOPLE I ADMIRE: My parents, for the great job they did raising me.
FAVORITE MUSIC: Jazz.

(Ibid.)

I have googled the crap out of Jack Gemini, John Gemini, LA Astrologers in the 1960’s, and am coming up triple goose eggs. If you got a line on him, I’m interested.

So many thousands of thanks to my usual sources but in this case also special singling out for lovin’s to dear Fabrizio, an awesome and generous moderator over at the vintage erotica forums, from whom the majority of these great shots came!

Bello, sono incredibili, e grazie sempre per tutte immagini meravigliose. Molti baci, ♥ mua-mua! I owe you big-time, my good man, and I strongly encourage readers to swing over to the forums. They’re free, well-moderated, full of fun, and they won’t give your computer any wack infections or the hantavirus. Enjoy!

Here are the scans of the original b&w article accompanying the gatefold and color spread.

Music Moment: The Zombies, “This Will Be Our Year”

The Zombies – This Will Be Our Year

The warmth of your love
is like the warmth of the sun
and this will be our year
took a long time to come

I haven’t been writing much lately, not because I have nothing to say, but because I have had too much to say, and too little free time in which to say it. But thankfully I’ve had the chance to talk things over with good friends both in person and on the telephone this week, and that’s released a tremendous amount of pressure.

Don’t let go of my hand
now darkness has gone
And this will be our year
took a long time to come

Besides the counsel of Miss D, which is always uplifting, I also got to hang out with Panda Eraser, Mr. Kite, and the Mister earlier this week. Lady K called several times and I also got to talk to the o.g.b.d., who was again surprisingly encouraging, kind, and thoughtful. They all really helped me clarify the things that were on my mindgrapes and squeeze some goodness out of them.

And I won’t forget
the way you held me up when I was down
and I won’t forget the way you said,
“Darling, I love you,”
You gave me faith to go on

My grandmother has been staying with us. It was a move that was supposed to be a brief visit but is now most likely going to be as permanent as possible. While her physical health is still great, her mental decline is staggering. She had always had a sharp tongue, a quick mind; if I had ever dreaded her visits or had negative feelings about her in the past, it was because we had equal minds and could clash over things (especially her daughter, my mother, of whom I was defensive and felt she was too critical). That mercurial and impish figure of my youth is gone. My grandmother now is a million miles from the Dorothy that I thought would be living with me. I am so glad she’s here, and that I’m able to have with her even those few minutes of a time where she has drifted “in,” but the pain of the remainder of her waking hours, her confusion and fear, her redundancy and pacing, is sometimes breathtaking.

Now we’re there
and we’ve only just begun
This will be our year
took a long time to come

What I am now fearing even more than the pressure of her moments of anxiety and loss now is when a physical declination in her health sets in; when I and, when she’s free, my mother are no longer adequately equipped to provide for her physically. I hate to picture her completely unaware of her surroundings, somewhere where no one knows her. I know places like that are full of loving and compassionate people, but what scares me is the times when Grandma has enough on the ball to know that she is in an unfamiliar place, and expresses fear and the sense of being lost.

The warmth of your smile
smile for me, little one
and this will be our year
took a long time to come

She told me several days ago when I came in to get her ready in the morning that she’d woke from a nightmare and been up for several hours, reading, to settle her nerves. “Bethy,” she said, “I dreamt I flew home and I didn’t know a single soul that was in my house. It didn’t look like my house. Other people lived there, people that I had never seen. It was all completely strange to me.” She said the worst part was that then she woke up here, and she thought her dream had come true until she saw a picture of my daughter and I on her nightstand and remembered she was here for what she thinks is a visit. (Given her nightmare, I suspect part of her knows this visit could be permanent.) She concluded by saying, “I don’t mind telling you — I’ve never been so frightened in my life.”

That’s what I’m scared of. That’s why I feel like no matter how hard it is, or how hard it continues to get, I can’t let her go.

You don’t have to worry
All your worried days are gone
this will be our year
took a long time to come

And that’s why I value so greatly all the kind ears of my friendohs right now. I am so lucky to have a support system to whom I can slip away and bitch and moan and noise my anxieties. Whether it’s over sushi, pints, the phone, or wherever, thank god for them. I had thought last year was going to be the most challenging of my life, but this year is shaping up to build on the growing I did then (to put a positive spin on it, rather than say, “this year sucks too”).

And I won’t forget
the way you held me up when I was down
and I won’t forget the way you said,
“Darling, I love you”
You gave me faith to go on

One of the things I’ve been doing to keep Grandma from getting agitated and restless during the day, which is when she paces the house and starts to worry about her money, her belongings, how she is going to get a plane ticket home, etc, is I’ve begun taking her on little day trips and out to stores and such. Even to just window shop, because a) to be brutally frank she does not know the difference whether we buy something or not, and b) it is not as if either of us is made of money and she is happy to people watch.

Tonight, I’m taking her to a vintage-through-the-present hair show at Panda’s cosmetology school, and she seems to be looking forward to that, because she keeps asking me when it is; if they will be videotaped or live models; and whether we have the tickets already. (“7:00 pm,” “live,” and essentially “yes.”) So that’s hopefully going to go well!

Now we’re there
and we’ve only just begun
and this will be our year
took a long time to come

This Sunday, after church, the o.g.b.d. is taking kidlet and I to lunch, and then much later in the day he and I are going to what is probably the last theater in America showing Sherlock Holmes right now. I’m looking forward to seeing it one last time before it leaves theaters. He had expressed interest in it last week after surprising me by suggesting we catch a movie sometime together when my mother was free, to give me a break from caring for my grandmother and have a fun night out, but he said that he was pretty sure it was no longer showing in our area. So he was super-pumped and surprised when I talked to him today to confirm our lunch plans with kidlet and told him that I’d found a nearby second-run theater that was still showing it through this weekend. The way Robert Downey, Jr. plays Sherlock as very herky-jerky, pugilistic, intense, and accidentally brutally honest really, really, really reminds me of the o.g.b.d.; I wonder if he will notice it, himself. I’m not going to say anything and we’ll see if he brings it up first.

Anna Karina with Jean-Claud Brialy.

Yeah, we only just begun
yeah, this will be our year
took a long time to come.

I had talked with Panda about how I am persona non grata with all the women in his life, and, just by talking about it, I started feeling less horrible about it. As Panda pointed out, even if I don’t understand it and it hurts me, the bottom line is I can’t change someone else’s mind, and I’ve done my best. And we agreed, as I had done last weekend with the LBC and Miss D before the drag races, that probably his wife will come around, and she is only acting this way because she is still hurting from whatever chain of events lead to their split (I have not felt it was polite to pry into any specifics about that). I pray that will be the case, but it’s good to know all my girlfriends agree on this, too. So I’m hoping to have the opportunity to talk to him about these revelations, because I really feel like we are in this cool new place where we are a simple team again, in our queer and broken way.

All in all, I’ve had time to adjust to these new turns of events and I think I am going to pull through. And thank god for it.

Music Moment: Les Paul and Mary Ford, “Goofus”

Les Paul & Mary Ford – Goofus

This recording of “Goofus” (King-Harold-Kahn, 1930), one of my favorite songs, is just instrumental. It’s performed by legendary husband-wife duo Les Paul and Mary Ford (so, so, so much more on them another day).

The Paul-Ford version topped out at #21 on the Billboard chart on its release in the early Fall of 1950. The ensemble Paul and Ford had gathered is plucky and fun, although I have heard recordings from the ’30’s with saws and washboards which sort of put ukes and slides in the shade, but you work with what you got, and they did a great job re-popularizing a well-loved classic.

It really gets me that there was a time in this country when there was a) a set of songs that everyone knew, and b) a time when you picked up an instrument and sat down together and played, sometimes just as a family, but often as part of a larger community group. What happened? Radio killed the vaudeville star, but, moreover, the vaudeville star took group singalongs and skit shows down with him. No more public singing.

People just don’t do that often enough anymore, I think. I remember reading, quite a few years back, Divine Secrets of the Ya-Ya Sisterhood (I consequently did not see the movie), and, in one of the super-tolerable parts, a character aged in her mid-70’s during the 1990’s was remarking on the emptiness of the sounds one hears walking the streets in the present day. She recalled being a child and teenager in the ’20’s and ’30’s, and how you could not so much as hang the laundry without hearing someone whistling or singing a street over or while walking past the yard.

“One Last Tickle on the Ivorys,” St. Ebba’s Lunatic Asylum, by Christopher O’Donovan on the flickr.

The idea of that touched me very deeply, because it resonated. I have always liked music, and always known a little about the history of radio and the record industry, being a big vinyl guy, and I’m not saying even at all that radio itself massacred town talent shows, I think increasing materialism and isolationism happened to dovetail with that new mass media, and long story short: it should change back. We need more of that old way of doing things, especially now, when so many people have lost hope and there are young people growing up for whom there are no stories about uncles who sang Irish tenor or great-grandmothers that could play the spoons.

It’s always fun to find out what hidden talents your friends and neighbors have (unless those talents are taxidermy and soundproofing basements), and it brings communities closer together. I think I remember hearing that a song is like a prayer times two, or some such thing, and I believe it. Everything is better with music.

“I Wanna Be a Majorette,” by Eleanor Hardwick.

I used to perform in singing groups and church choirs, and even participated in competitive choral groups in High School. The older I’ve gotten, the more I have grown very shy about my singing, but why? Half of what I hear on the radio has been triple-processed and slickly produced, and who cares if someone hears me fall a little flat? What made me so happy, that urge to open my throat that I couldn’t repress, that hasn’t changed, so why do I let fear and modern ideals of social behavior fence me in?

Holy cow, I think I just found my second resolution of 2010: Make a joyful noise. Join me, y’all!

Music Moment: McIntosh Ross

I was browsing recently dropped records and singles yesterday when thanks to a really cool well-timed tip from a groovy reader across the Atlantic (thanks o, henri!) I stumbled via recordstore.co.uk over the debut album of McIntosh Ross, The Great Lakes, and my breath was totally taken away. Holy cats, you guys! So amazing!

The Scottish husband-wife-duo of Ricky Ross and Lorraine McIntosh have recorded together before, being longtime bandmates of the recently reunited Glasgow group Deacon Blue (Raintown, “Dignity,” “Wages Day”). As if they did not already have their hands full making landmark alternative music with that outfit, the pair also just released their first solo album September 28 (two days ago) and it is unbelievably beautiful. The music they wrote and recorded with Deacon Blue was mainly working class, alternative anthems about life in Glasgow and the like. The songs on this record, The Great Lakes, are just soaring and ethereal and purely, it seems, love songs to one another.

McIntosh Ross – All My Trust I Place In You

One day we’ll know
One day we’ll see
‘Til then we’ll walk
And believe

This video for me shows exactly why The Great Lakes is such a modest and beautiful record. What is most right and touching about the compositions on this LP is that these are not your we’re-young-and-hot, I-want-to-jump-you, Beyonce and Jay-Z smash hit sexytimes songs, either (no disrespect to hip-hop’s royal couple intended, I’m just saying they are new to the lovesong duet game, comparatively). This whole album is about enduring, longstanding love. Like this track, “Bluebell Wood,” and its repeated line, “Today’s the day we got married in June.” The haunting refrain sounds like an old folk song, and the way McIntosh glides her voice around it, it feels like you are hearing her call you across the moors, yet there is no mourning. It’s just … perfect.

McIntosh Ross – Bluebell Wood

Today’s the day we got married in June
All of the bluebells were out in the wood
We danced to our song
And stepped in the car
Drove under a blanket of stars
Today’s the day we got married in June

Simple words, a simple memory she is describing, yet it is somehow, in their hands, achingly poignant. Because it is …

I realized these Music Moment posts tend to run really long because I like music way too much, and can’t bear to only give you half the story on someone I think is really special, so click here to keep reading about wonderful McIntosh Ross and see more pictures, hear more music, and suchlike, because they are mind-blowing in their awesomeness…